Although everyone who has seen the luscious Lisa Ann perform sexually knows she is one of the VERY BEST, her two scenes, especially the first, in this film are OFF THE TOP/high-energy, dirty talking visual explosions--right up there with the type of "off-the-wall" dynamic, sexually-charged heat Tory Lane and Shyla Stylez always provide.
NOTHING, and I mean NOTHING, is held back as Lisa Ann latches on to the "black baton" between the frail, short legs of some European performer named Kid Jamaica, whose slender frame only accentuates his endowment--which explains why so many skinny "runts," with slghtly larger than average dicks, are porn performers.
BUTTTT, Kid Jamaica's baton is HUGE under any circumstaces and when the abslutely ravishing Lisa Ann's tight, toned, tantalyzing, tanned and terrific body gets ahold of it, the two of them create some of the HOTTEST music I've ever seen or heard in ANY adult film presention.
Beleive me, I've probably found all of Lisa Ann's film appearances, but this one, "Angel Perverse 19," is her HOTTEST and FINEST hour in my opinion.
There is, however, one part of the Evil Angel film (sorry, can't recall the director, but in a Lisa Ann gonzo, who even needs one?) where the music just doesn't "cum through," as Lisa Ann, in the opening segment of her second scene, is "blowing" on some brown flutey-looking thing, similar to the one my daughter played in junior high--hopefully, next time, she will play on something that looks, or is, much more REAL!
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