New Pornstar Interviews - [more]
Introducing Natasha Carter

"Dirty talk is a really big thing for me."
All Forums > Tech Talk > Tech Talk Forum Page 42 > Nikon D200 DSLR -- a short preview
AuthorPost
GaySatyr
Senior Member


Half dirty ol' man; half horny ol' goat!
1684 Posts
10/00
Posted - Apr 2 2006 : 3:50AM
- - - Nikon D200 DSLR - - -

Caveat: I do not yet own this camera (I have one on order); however, I have used one that I borrowed for several days.

In short: DX2 lite.

Pros: Amazing image quality; color, focusing & exposure accuracy; versatility; ergonomics, build quality

Cons: Poor long expousre quality (not for astrophotography - get a used D70 & remove the IR filter); noise components begin to appear at ISO 500 and are annoying by ISO 1000+ (Noise Ninja works well at high ISO but you are stuck with post processing)

Alternatives:
-- Canon 30D (similar sensor size) - Image quality not quite as good however, better noise characteristics above ISO 640. Color good, focusing good minus, exposure accuracy good, handling decent, build quality decent
-- Canon 5D (full-frame sensor) - With a qualifier, image quality and noise characteristics slightly better below ISO 500, marginally better at ISO 500 to 1000, noticeably better above ISO 1000. Color good, focusing good, exposure accuracy good, handling decent, build quality decent - Qualifier: significantly greater light fall-off at edges/corners, especially with wide-angle lenses (go buy the manual Zeiss 21mm f/2.8 Distagon); image marginally to significantly softer at edges/corners, especially with wide-angle lenses
-- Nikon D2X (similar sensor size) - professional calibre, professional price
-- Nikon D70s (similar sensor size) - an amateur's best buy

Other considerations: Nikon's flash system is incomparable, significantly better than Canon's. All of Nikon's D2-series bodies fully support their vast catalog of older AI/AIS manual focus lenses.

Special consideration because of the smaller APS-C / DX sensor format (if you are migrating from 35mm full-frame film): You will need to purchase new wide-angle glass. Nikon's 10.5mm f/2.8G fisheye and 17-55mm f/2.8G zoom are superb. The 12-24mm f/4G zoom, the 18-70mm f/3.5-4.5G zoom and the new 18-200mm f/3.5-5.6G VR zoom are very, very good. In fact, the 18-200 is probably the best high-ratio zoom ever designed by any optical company by a significant margin. It can't quite compete with the 17-55 and 70-200 f/2.8 pro zoom combination, but it comes amazingly close at one-third their combined price!

All in all, unless you absolutely need the highest ISO settings (get one of the Canon models), or unless your interest is astrophotography (get the D70 or D70s and have it modified, removing the built-in hot mirror IR filter), the D200 DSLR is the single best digital SLR body on the market for anywhere near the money spent.

~ GaySatyr (ABB)

Joey Starr
Senior Member

Still wanking after all these years.
8082 Posts
10/00
Posted - Apr 2 2006 : 4:09AM
Thanks!

Now I know what I want for my birthday (already got a D1X, my wife got a D70S).

Joey Starr
Senior Member

Still wanking after all these years.
8082 Posts
10/00
Posted - Apr 2 2006 : 4:14AM
GaySatyr
Senior Member

Half dirty ol' man; half horny ol' goat!
1684 Posts
10/00
Posted - Apr 2 2006 : 12:05PM
The Zeiss 50mm f/1.4 is very tempting -- probably the finest 50mm ever designed (even better than Leica's - Nikon's 50 f/1.4 is good but not great). However, it is difficult to imagine that anyone could design a lens to out-class Nikon's two 85 f/1.4 lenses -- both their MF and AF versions are off-the-scale exceptional (I've got both and have used the Contax variant of the Zeiss).

Supposedly, Zeiss is planning a series of eight lenses, all fully manual -- no auto-focus and no electronic linkage, in both ZF (for Nikon) and ZS (42mm screw-mount). The 'ZF' mount lenses are fully Nikon 'AIS' compatible. The 'ZS' variant is old-time mechanical, without even an automatic aperture. The idea is that the 'ZF' version works with every Nikon camera built since 1959, although it won't meter with the amateur film series F50, F55, F60, F65, F70, F75 F80 or with the D50, D70 and D100 digital bodies. With the proper mount adapter, either the 'ZF' or the 'ZS' versions can be used on all current Canon cameras but stop-down metering applies and aperture control is fully manual.

The Zeiss 'ZF' lenses I'm particularly looking forward to are the vary wide-angles. If Zeiss releases the 15mm and 21mm Distagons in 'ZF' mounts and they are anywhere near as good as their Contax counterparts, they will be real winners.

Zeiss plan to announce the entire series at Photokina this fall. The 50mm f/1.4 Planar is available now (in Japan and a few other areas); the 85mm f/1.4 Planar should become available mid-May.

~ GaySatyr (ABB)

GaySatyr
Senior Member

Half dirty ol' man; half horny ol' goat!
1684 Posts
10/00
Posted - Apr 2 2006 : 1:07PM
Nikon currently manufactures more than 60 lenses for 35mm full-frame and APS-C 'DX' formats. The ones I've listed below are the cream of the crop, so to speak. All of them, except as noted, work on all of Nikon's DSLR bodies.

Nikon has just discontinued almost all of their old mechanical 'AIS' lenses. It is now almost impossible to find any of them 'new' and their 'used' prices are rising fast, especially for some of the more esoteric of the lenses in good to like-new condition. If any of you are interested, these are the real winners among them:

  • 28mm f/2.0 AIS Nikkor

  • 35mm f/1.4 AIS Nikkor

  • 50mm f/1.2 AIS Nikkor (but the Zeiss f/1.4 is better)

  • 58mm f/1.2 AIS Noct Nikkor (also fantastic for portraiture on APS-C 'DX' DSLRs)

  • 85mm f/1.4 AIS Nikkor (nicknamed 'the cream machine' for its exceptional bokeh)

  • 105mm f/1.8 AIS Nikkor

  • 105mm f/2.5 AIS Nikkor (absolutely 'THE' traditional portrait lens for full-frame 35mm format)

  • 180mm f/2.8 AIS Nikkor
These mechanical 'AIS' lenses all work flawlessly (without auto-focus, of course) on Nikon's D1, D1H, D1X, D2H, D2X and D200 DSLR bodies. They can be used on the D50, D70/D70s and D100 but metering doesn't work properly (you have to use the histogram to determine exposure).

Among Nikon's current CPU-enabled AF lenses, these are the stand-outs:

  • 10.5mm f/2.8G AF Fisheye DX Nikkor (APS-C 'DX' format, only)

  • 16mm f/2.8D AF Fisheye Nikkor

  • 14mm f/2.8D AF Fisheye Nikkor (full-frame film, only; excessive CA on DX DSLR bodies)

  • 28mm f/1.4D AF Nikkor

  • 45mm f/2.8P MF Nikkor (manual-focus)

  • 60mm f/2.8D AF Micro Nikkor

  • 85mm f/1.4D AF Nikkor

  • 85mm f/2.8P MF Tilt/Shift PC Micro Nikkor

  • 105mm f/2.0D AF DC Nikkor (another exemplary portrait lens)

  • 105mm f/2.8G AF-S VR Micro Nikkor

  • 200mm f/2.0G AF-S VR Nikkor

  • 200mm f/4.0D AF Micro Nikkor

  • 300mm f/4.0D AF-S Nikkor

  • 300mm f/2.8G AF-S VR Nikkor

  • all three super-teles: 400mm f/2.8D, 500mm f/4D & 600mm f/4D AF-S Nikkors
And the current zoom lenses:
  • 17-35mm f/2.8D AF-S Nikkor zoom

  • 17-55mm f/2.8G AF-S DX Nikkor zoom (APS-C 'DX' format, only)

  • 18-70mm f/3.5-4.5G AF-S DX Nikkor zoom (APS-C 'DX' format, only)

  • 18-200mm f/3.5-5.6G AF-S VR DX Nikkor zoom (APS-C 'DX' format, only)

  • 28-70mm f/2.8D AF-S Nikkor zoom

  • 28-105mm f/3.5-4.5D AF Nikkor zoom

  • 70-180mm f/4.5-5.6D AF Micro Nikkor zoom

  • 70-200mm f/2.8G AF-S VR Nikkor zoom

  • 80-200mm f/2.8D AF Nikkor zoom

  • 80-200mm f/2.8D AF-S Nikkor zoom

  • 200-400mm f/4.0G AF-S VR Nikkor zoom

~ GaySatyr (ABB)

 
Unicorn
Member

156 Posts
4/04
Posted - Apr 3 2006 : 1:30AM
The D200 is a very interesting camera. If I wasn't heavily invested in Canon glass and was just starting out and had to pick between the Canon 30D & the Nikon D200, it would be a tough choice.

Here's a good review on the D200:

http://www.dpreview.com/reviews/nikond200/

Not a lot of Canon 30D reviews up yet, it's just starting to ship in the US. Most are not calling it anything more than a 20D with a few firmware tweaks (picture styles) , a larger LCD , and a spot meter. It has a sturdier shutter and a soft touch shutter button now and the shutter sound has been muted a bit. If you have a 20D, not much reason to upgrade.

The 5D is not a fair comparison at almost double to cost. Once it comes down to around $2500, IMHO it's a good buy.

GaySatyr
Senior Member

Half dirty ol' man; half horny ol' goat!
1684 Posts
10/00
Posted - Apr 3 2006 : 4:50AM
A friend of mine who IS heavily invested in Canon glass bought the 5D when it first came out and has just sold it. (He has a pair of Canon EOS 1D Mk2 bodies, 1.3x crop factor.) His comment is that Canon needs to do a LOT of work -- either on the glass or on the sensor and its micro-lenses -- before he'll consider the 5D a viable product. If your primary use is telephoto through normal focal lengths, it's pretty good with only minor vignetting at the edges and corners; however, the vignetting is nearly 2.5 stops with his 24mm f/1.4L lens! (Yes, it can be fixed, sort of, in post-processing, but....)

Of course, Nikon has glass problems, too -- no fast 'DX' format wide-angle primes. So, you're damned if you do and damned if you don't. Both systems have advantages and both have drawbacks. However, at the moment, the D200 is a serious contender (unless, as you said, you are already heavily invested in Canon glass, in which case, your choices are the 30D or the 1D Mk2).

~ GaySatyr (ABB)

Edited by - GaySatyr on 4/3/2006 4:52:15 AM

Unicorn
Member

156 Posts
4/04
Posted - Apr 10 2006 : 8:02PM
The 5D is getting good marks. It's a tweener camera - lots of wedding shooters are picking them up , but it's priced a little above the enthusiast market.

I'm already seeing heavy rebates on the 5D, you can already pick it up around $2650 at B&H with the $300 rebate. Canon may have shot themselves in the foot here crippling the camera so it doesn't take too much business from their pro 1 series. The wedding shooters love it but the sports guys are staying away as well as the bird shooters who like getting the entra length on their 200-300 mm lenses due to the crop factor on the 10/20/30D's

The 24 mm 1.4 is known for vignetting wide open at 1.4 as many lenses do that wide open.

I doubt the sensor on the 5D is the issue, there are no major differences between it and the other full frame CMOS types in the 1 series, only the pixel pitch is a wee bit smaller... call it a 20 D sensor blown out to full frame.

For folks who are used to how their lenses look on a cropped camera, even a 1.3 x it can be a real wake up call when they move to a full frame body - the weaknesses really show up when you print the 11 x 14's.

For example, I shoot a lot with the Tamron 28-75 on my Canon 20D and it holds up very well against the 24-70 2.8L that canon retails a 3x the price...until you put it on a full frame body and open the lens wide to 2.8 and then you realize how soft things are outside of dead center.

If you get a full frame, you really need good glass. Or stop down to f/8 where [most] of the differences between the consumer grade and pro lenses go away.

A lot of the negative stuff you hear on the boards is actually user error i.e the "focus and recompose" trick at f/1.4 and complaining they are missing their focus Even with a wide - at 1.4, your DOF is pretty thin....thin enough that complaints about soft lenses are really depth of field issues.

Objects dead center where you focused on are in focus but that tree or whatever 50 degress off to the right is actually out of focus because it's 6 feet further from the lens even if it's the same distance from YOU ...like that.

I daresay Nikon nailed it right out of the park with the D200 while Canon did little with the 30D other than replace an aging nameplate.

I'm going to sit this round out, maybe the next. Call me when the 50D is out around 2008 ;-)

Edited by - Unicorn on 4/10/2006 8:02:45 PM

morbidthoughts All-Star Supporter
All-Star Member

Big cats scare me but...
3627 Posts
1/03
Posted - Apr 10 2006 : 8:16PM
Oh well, if I were to switch from the Minolta system, I would probably switch to a Nikon. However, I'm just going to wait and see what kind of bodies Sony produces since they took over the Minolta line.
skronker
Notable Legendary Icon

Scopophiliac
9780 Posts
9/02
Posted - Apr 10 2006 : 8:27PM
This Sony got excellent reviews and costs under $1k ...
skronker
Notable Legendary Icon

Scopophiliac
9780 Posts
9/02
Posted - Apr 10 2006 : 8:32PM
Uhhhh .... fuck people, you lost me at "Hello." I'd like to step up to SLR from my Canon G3, which has served me well but delivers lots of soft/fuzzy shots ... but I can't decrypt all the techtalk ... I'm not only a geezer, I'm a FUCKING IDIOT ... Gibber, gibber ... pass the IV and the suicide pill, thanks Nursey.

I'm not gonna spend $2k on a still camera. Not in a million years. I'd consider dropping $750 on a quality SLR set-up, which is why the Sony I listed above looks appealing. I'm in no rush. I'll probably just get a flash for the Canon which will help things. It's good to know how much quality costs, though ...

morbidthoughts All-Star Supporter
All-Star Member

Big cats scare me but...
3627 Posts
1/03
Posted - Apr 10 2006 : 8:39PM
Actually skronk, adorama is closing out on all its minoltas (since sony took it over) and you can get a digital slr (the maxxum 7d) plus a great zoom lens for under a grand. I love my camera and wouldn't hesitate to get it again for twice that much (how much I paid for it) if I were to lose it, drown it with beer or whatever.

But if you want to just get a flash, go to adorama or b&h with your camera since you're in NYC and ask them for flash options.

Unicorn
Member

156 Posts
4/04
Posted - Apr 11 2006 : 12:51PM
The Sony R-1 is well suited for someone who wants to upgrade from a point and shoot digicam like the G3. I would probably reccomend the Sony to Skronker over any DSLR starting out.

DSLR's require some degree of skill to get best results.
Once you break out of shooting full auto - It's a REAL LEARNING CURVE PEOPLE. A lot of people who come over from a "pocket point and shoot digicam" scream "why did I spend 2 grand to get crappy pictures"? And they go right back to a P&S.

Something else to know about DSLR's - it's a fucking marketing trap people. No joke.

You see this cute little camera and go "oh - it's only $799" and whip out the VISA card.

An hour later after the sales guy sells you another lens,flashcards, flash strobe, a book or 2 and a bag to carry it all in, you see the numbers on the register....

$1675.00 including tax.

Then if you're really lucky , the camera gear bug bites you and THEN it gets expensive. You start researching new and better lenses that will enable you to take that perfect shot.

Ugh. I'm probably at around 10k in kit right now and another 5k on the wishlist. ugh. Rant over.

PS on Sony - word is they are going to release a DSLR cam in the next year with Minolta mount so all the Minolta glass out there will go right on.

jrv
Senior Member

1266 Posts
2/03
Posted - Apr 17 2006 : 1:51AM
All of Canon's wide lenses need work. I don't think the sensor has anything to do with it although the microlens array might.

I'm surprised you like the shorter Nikon zooms: the only Canon zoom of any length I like is the 70-200/2.8L, and I don't like even Canon's primes shorter than 50mm.

My belief is that if Canon wants to continue along the path of marketing full-frame as a major advantage then they need to invest major lens R&D effort into making it true. I agree with the theoretical advantage of increased dynamic range, etc etc etc ... but at some point theory needs to translate into significant actual advantage over the small format sensors.

After a couple of hours my neck begins to truly appreciate the difference between the 1Ds2 and 5D.

If you aren't going to do any post-processing at all then you might as well use a point & shoot. If you're going to spend SLR money then shoot in RAW and use a RAW processor...

GaySatyr
Senior Member

Half dirty ol' man; half horny ol' goat!
1684 Posts
10/00
Posted - Apr 17 2006 : 9:41PM
My Canon full-frame shooting friend swears by Zeiss/Contax and Nikon wide-angle glass. He's using Nikon's 17-35 and says it's an order of magnitude better than Canon's current equivalent. He also has the Zeiss 21 f/2.8 and 15 f/3.5 along with Nikon's 28 f/2.0 -- all of them manual-focus lenses.

~ GaySatyr (ABB)

 
skronker
Notable Legendary Icon

Scopophiliac
9780 Posts
9/02
Posted - Apr 17 2006 : 10:00PM
I'll probably just spend $100 and get a flash for the Canon G3, whenever I get around to it. It's worked fine for most of my needs, except occasionally.

I have no problems with manual focus, and all that .... however, I am not accustomed to handling a big, ungainly photo rig -- and never want one. The Sony is the most appealing option. I already have a fortune invested in my hi-fi system. I don't need another expensive hobby ... LOL.

GaySatyr
Senior Member

Half dirty ol' man; half horny ol' goat!
1684 Posts
10/00
Posted - Apr 18 2006 : 12:21AM
skronker,

My brother-in-law has just gotten the Sony R1 on my recommendation. The camera has gotten excellent reviews (see DPReview, among others). He didn't want a DSLR, either. The 24-120mm (35mm equiv) lens on the R1 gives you a true wide-angle through moderate telephoto; and the 10.3MP sensor with 2X digital zoom gives you are very respectable 240mm longer telephoto. Sony has done a lot of things right with this camera. While it does have a few flaws, I think that, for its intended market, its assets far outweigh them (see; pros & cons).

~ GaySatyr (ABB)

skronker
Notable Legendary Icon

Scopophiliac
9780 Posts
9/02
Posted - Apr 18 2006 : 2:06AM
I was impressed with coverage in the Times regarding the camera ... I'm sure I'd be very happy with it.
Michael Saint
Photographer

Alexis Texas is always lovely
1062 Posts
2/01
Posted - May 9 2006 : 3:07AM
Just went all out and got a new D200 Kit and a Quantum T5D flash with 2x2 battery. Just starting to use both but so far I love them. Came with the 18-70 DX lens which seems to be good but as of late I have been wanting more fixed lenses. Unfortunately the new 105 is sold out every where I have checked.



Jump To: