I'm not suggesting the reviewer has to always like the title they are reviewing. But I do appreciate the 'poetic license' taken when a reviewer does.

raccoon i

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baskkk

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baskkkk2003

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Cum on my face and tell me that you love me,
Cum in my mouth and let me taste your gooooo.
I love to suck your naughty bits,
When you're between my lips,
You blow me awaaay.
Cum on my face and let my lips embrace you,
Come in my mouth and then I'll swallow your gooo.
Life can be fine if your cock can be mine,
If you cum in my hair, in my eyes, everywhere!
And I'll suck... 'till you're blown awaaaaaaaaaay!"

This is based on a Monty Python tune called "Sit on my Face". I think Python "borrowed" the music from some classic British song, and then wrote the naughty lyrics. I recall a WWII movie clip of some old woman singing the tune with the proper lyrics, but not being a Brit I don't know what it's called.

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I've just posted a review for 'Porn Wars', a film which Private are billing as their most ambitious production ever. (See the 'Reviews' section.)

baskkk2003

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baskkk2003

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Congrats!

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baskkk2003

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I don't know if i'm a good movie reviewer, but I don't care at all. I just try to make my reviews entertaining and I just can not stand it when people lie about a movie and make crap sound good just to sell it.

Of course when a movie is very good, I have no problem with trying to make a movie sound really good! Sometimes I love a movie so much that it's hard to not overdo my praise for it!

I've had several people steal my reviews and post them on their site, so I guess that means they were somewhat decent or the person was desperate! There are perhaps thousands of Japanese bukkake movies out there so it's really hard to find a good one. A very high percentage of them are not good at all.

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"Vegetarianism for me is about saying ‘yes’ to things - even meat." - Coupling

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I wonder if CJ will be replying with a retraction of his knee-jerk reaction post now that he knows baskkk2003's non-U.S.-based context?

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As between Americans and Brits, maybe there ARE cultural differences with regard to our respective sensibilities and sensitivities about language, but if that's the case it's too fine a point for me to be bothered to get into here. Suffice to say I'm actively anti-racist.

I hope you enjoy my reviews.

baskkk2003

Edited by - baskkk2003 on 11/2/2006 4:39:35 PM

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baskkk2003

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Re: Monique Covet
Originally Posted by Adam
Hi Jojond,
The best cumshot on / in ass I have seen was Monique Covet's one in the first scene of Tanya Hyde's Extreme Desires. The scene's title is the Dungeon!!
Yes, I agree with you about that cumshot, Adam. The guy aims his cock perfectly at Monique's anus. Once his ejaculation is over, we see his spunk seeping from her orifice, as he spreads her ass cheeks and turns her butt to the camera. What's more, the guy's orgasm involves plenty of 'co-lateral damage': a blob of pre-cum lands on Monique's left buttock, and one of the curly lines of spunk which splashes onto her haunches trickles quickly into her bum valley.

Re: Stacy Silver / Lucy Lee / Reality #17
In Reality# 15, 'Never Say No', Stacy Silver does a Lecastel scene called 'Blackmail For Sex' in which she goes to work on Steve Holmes and Choky Ice, gets a really messy facial and leaves us in no doubt that she is porn princess of the sultry pout!
In 'Rock Hard', the scene which Stacy shares with Jennifer Dark is a tour de force of first-rate fuck action - breathtaking stuff!
The 'Private X-treme' movie 'Deep Obsessions' features Stacy making out in the shower. The camera is all over her shapely naked form as she draws us in with her bright blue eyes and works the guy's cock for all it's worth.
In the 'Pirate Fetish Machine' release, 'The Fetish Garden', Stacy sports a sparkling belly stud and wears a shimmering rubber cape beneath her tumbling blonde tresses, looking every inch the sex goddess. (Not sure about those earrings, though.) She relishes her dp and waggles her pierced tongue about to good effect during the cumshot.
I have a question: when does a porn 'starlet' become a porn 'star'? To my mind, Stacy Silver is definitely a 'star' rather than a starlet - she's already glittering away, way up there, as the heavenliest body in the cosmos.

Originally Posted by Adam
Stacy [Silver] is fucking good in JF Romagnoli's Deep Obsession.
Good call, Adam. I love the scene in this movie which starts out in the shower. Stacy pouts and gasps her way through anal penetration in two great positions: she gets butt-fucked in the spoon position, and then she takes it in the tail while leaning back over her man and doing him in the reverse cowgirl position.
This scene is a visual feast of humping golden girl-flesh, with some wonderful transitions between shots of the guy's prick sliding into Stacy's luscious ass and extreme close-ups of her expressive bright blue eyes.
Romagnoli's use of swaying close-shot zoom-ins reflects the delirium of fantastic sex like no other technique of skin-flick filmmaking I've ever seen.

The stud's orgasm in this scene is more of a series of dribbles than a succession of spurting jets, but the sight of Stacy's pink wet tongue lapping busily away at his bell-end during the emission is very special, and some nice white dollops of spunk settle on her chin.
Have you seen 'Living A Dream', a scene by Lecastel starring Stacy Silver with Lucy Lee and Steve Holmes in Reality #17: 'Anal Desires'? It's dynamite.
In some ways it's a straightforward, no-frills scene. The set is a room with a sofa - it's brightly lit but plain and simple, drawing no attention to itself whatsoever. All the attention of the camera is on the girls and what they are getting up to with each other and Holmes; the frame is almost always full of female flesh in fuck mode. there is not much of a story to distract attention from the sex: Stacy and Lucy get it together, then after a couple of flash effects Holmes materialises in the room, finding that the girls are already either side of him, ready to run their wet tongues and lips over the length of his shaft. I'm not even sure, thinking about the title of this scene, whether the dream is meant to be his or theirs, but it doesn't really matter, because it all becomes a dream of mine!
Stacy Silver and Lucy Lee go extremely well together. When girl-on-girl action precedes the unveiling of a cock in threesome scenes like this, I usually cut to the chase and forward-fast to the moment when the girls start work on the man. on this occasion, my doing so was entirely out of the question. The blonde and brunette stars of this scene are so hot, and they complement each other so well, that every second of their performance together counts. Each girl in turn teases the camera and then they caress and lick each other. Stacy's soft, slightly fuller face and cute pout are exquisitely pretty as seen beside the darker, well-defined and almost sharp beauty of Lucy's facial features. Lecastel's camera is right up close as Lucy presses her face and tongue against Stacy's generous bosom, and we are up close again, moments later, as Stacy plants her rose-petal lips against the perfect contours of the younger girl's butt.
No man could hope for more than what Steve Holmes enjoys in the rest of this scene. Having had his cock passed from mouth to mouth, holmes lies back on the sofa while Stacy gives him a thrusting reverse cowgirl and Lucy spreads her pert arse cheeks over his face, allowing him to probe her pussy and anus with his tongue. There follows a series of equally exciting positions on the sofa - and then a memorable climax.

His cock stuffed tightly inside Stacy's butt, Holmes manages to withdraw just in time to unleash a first spurt of cum against the blonde girl's rim. quick as a flash, and with cum spilling down, Holmes whips his cock across to the waiting Lucy, releasing a fountain into her open mouth and spurting further dollops across her face for a landing out-of-frame, probably in her hair. the final shot is of Lucy giving a spermy oral massage to Holmes' oh-so-lucky member, looking at us while she does so, with her head resting against Stacy's arse cheeks and little spunk bubbles glistening at the corner of her mouth.
I have to say that, despite all the appearances of hot American models in Reality #17 and in other recent movies, my first preference is still for the east European girls, like these two Czech stars of 'Living a Dream'.
Overall, Reality #17 passes muster; there's a nice range of different styles in it and I'm pleased I've bought it. Alexai Mai has a really cool scene, and so does Czech girl Soffie. The American talent includes Amythiest Stone and Melanie Jagger. 'Rap Girl' Gina Lynn appears in a zippy little blowjob promo edited in MTV style, as well as being the cover model for this release.
I wish that reality would limit itself to only one backstage report per #, rather than two, and maybe give us an extra sex vignette instead of the second report, but I shouldn't moan. The reports in #17 on the making of 'Caribbean Vacation' and 'No Job, No Blow!' are amusing enough, although the sight of Kovi in front of the cameras chomping on a huge cigar has the temporary effect of making my dick wilt… No disrespect to the guy - and not to worry, because Stacy and Lucy are next up!
Re: Gabriella Marceau / Dayana Kill
I ordered a 'Superfuckers' DVD 6 pack from the Private Shop last week and it arrived yesterday, leaving me with plenty of viewing material for a while.
Each film has its own beautiful hostess to provide all the links and introduce the scenes. The hostesses are: #1 - Dayana Kill; #2 - Gabriella Tchekan; #3 - Cindy; #4 - Barbara; #5 - Ann Kiray; and #6 - Gabriella Marceau. The hostess wears a different sexy costume (or goes naked) for each of her appearances in the film, and, except in #1 and #4, she herself gets a facial at the end of the movie. My personal favourites are Dayana Kill, Ann Kiray and Gabriella Marceau.
Gabriella Marceau's delicate prettiness melts my heart as well as fires my loins, and I’ve already decided that my next acquisition should be one of her other Private works, 'Bitches 2'. Gabriella shares her surname with Sophie Marceau, the distiguished French actress and 'Bond girl', and there's a definite similarity of look, especially around the eyes.
The girl on the box cover of the 'Superfuckers' DVD 6 pack is Dayana Kill. The cover image is of Dayana in an iconic pose which is sourced from one of her linking sequences in 'Superfuckers' #1. The sequence is edited together like a fashion shoot and shows beyond question that Dayana has the poise and body of a top-drawer model. She is facing away from the camera, in a squatting posture, with her back straight, her high heels on, her golden hair falling almost to her waist, her hands resting on her knees and her whole, beautiful form in a perfectly symmetrical pose.
The highlight of 'Superfuckers' #1 is the final scene in which a starlet called Emese is gang-banged. Dayana is on hand throughout this scene. She wanks a few cocks while the guys are waiting their turn to poke Emese, and she's happy for them all to grope her tits and thighs while they queue. Also, Dayana plays a part during the multiple cumshot sequence - she holds back Emese's hair and lends physical support to the younger girl as guy after guy chucks spunk over Emese's face. By the end of the scene, though - which is also the end of the film - one can't help feeling disappointed that Dayana herself hasn't been on the receiving end of some serious cock action... the sexy links she's been providing are terrific, but it's almost as if her role in the climactic scene has been confined to a glorified 'fluffer' (this is the American term for a girl employed on a porn set specifically to keep the studs hard in between takes).
Not to worry: there's a wonderful surprise in store for fans of Dayana in 'Superfuckers' #3 when the hostess of the moment, Cindy, asks the viewer: "Do you remember Dayana kill from 'Superfuckers' #1?... you'd like to see her in action, wouldn't you?... everything in its own sweet time, don't you think?" this is the cue for a fantastic scene in which Dayana gets the full works, courtesy of woodman stalwarts Alain Deloin and David Perry. We can at last enjoy the spectacle of this golden-haired, golden-bodied beauty being well and truly shafted - with a dp to boot, and a finale in which she almost manages to squeeze Alain's and David's spent, bloated bell-ends into her mouth at the same time.
Bawdy, I remember you mentioned elsewhere that the use of authenic sound in 'Superfuckers' scenes is a definite 'plus' as far as you're concerned, as opposed to dubbed sounds of sex which predominate in other films. Authenticity is a trademark feature of the 'Superfuckers' series and there are two scenes which I'd especially recommend, starring Pierre Woodman himself: there's a 'casting' of Adrienne Klass in #3, and a threesome with Coreena and Sunny Blue in #6. In #3, the grunting maestro gets to cum inside Adrienne's mouth (or does he?), and, in #6, the sucking noises which sunny makes as she fellates Pierre have to be heard to be believed!
Re: Athletic positions / Tammi Ann / Jon Dough
Originally Posted by bawdy:
My favourite position is what I call "the up and over": girl's torso vertical, head and shoulders on ground, legs in the air or supported on chair or bed. Good for both vaginal and anal penetration, good for anal orgasms. Also a good position to shoot your load down onto your partner’s chest and open mouth. First saw this in the classic scene with Monique Covet on a boat in Sydney Harbour in one of the early Private Video Magazines. Would like to see more like this…
When I first watched that Sydney Harbour boat scene, the athleticism of Monique Covet's performance and cumshot position hit me like a whirlwind!
Films which deal with positions- Overall, the Black Label release 'Sex Secrets Of Kamasutra' doesn't explore as wide a range of interesting positions as the title might suggest, but lithe and leggy Melory, one of the film's leads, is especially adept at wrapping herself around her man in close bodily contact, and she, Vanda and Bettina are at various points arranged in some pleasingly picturesque fuck-action compositions. This is a cast to die for.
Re: improbable displays of impressive athleticism - Does anyone remember an ff/m scene in which the agile Tammi Ann performs while suspended upside down, her legs bent round a wooden rafter in a bamboo hut?

Originally Posted by Bawdy:
Yeah, Apocalypse Climax 2. Tammi Ann is a performer who I've grown to appreciate more and more over the years. Her sequence in Cum Shot Deluxe 1 is very well put together and showcases her abundant talent. She's also in Arrowhead which I noticed is 50% off this month in the Private Shop. The orgy sequence on the beach at the end is awesome, Tammi obviously enjoying and savouring her cumshot.
It's been a few years since i've seen 'Arrowhead' and the 'Apocalypse Climax' movies, and I don't yet own copies, but i do remember Tammi Ann, Anita Blonde and Laura Palmer as an unbeatable trio of blondes from that era.
I also have recollections of performances in these films by Jon Dough, a beefcake who was prolific in American porn towards the end of the last millenium, sporting a big cock and dodgy perms (he used to have an especially embarrassing mullet cut in the style of Mel Gibson in 'lethal weapon')!
Tammi Ann always came across as bright, vivacious, perky and fit, with oodles of personality and a flexible willingness to relish whatever positions were asked of her. This is so even in her still-image work, such as 'the magic shell' set in Private magazine #134 (pp. 68-81).
Re. Jon Dough. I haven't seen him in anything recently, as these days I stick fairly closely to Private. I remember that he often used to get cast in porn roles which required some dramatic acting, and I think this is so in the 'Apocalypse Climax' movies. Endearingly, he was way too hammy to cut it as a serious actor, though he never had any problems in the wood department! The results were, by turns, funny and arousing, but never really dramatic!
Re. 'Arrowhead' / 'Apocalypse Climax'. The landmark use of pyrotechnics in 'Apocalypse Climax' is striking. It's not as explosive, though, as the sexual fireworks ignited by these films' blonde cast, which I ve listed above. Wasn't Monique Covet in there with them too?
Originally Posted by bawdy:
Think he mainly does gonzo now. He still has his trademark double barrel cumshot though.
Fair play to the guy, and long may he squirt! Maybe the pretensions went out with the perms, though it's questionable whether the acting between Marlon Brando and Martin Sheen in 'Apocalypse Now!' is any less hammy than the stuff between Jon Dough and Melissa Hill!
I think that some of the 'high-end' producers of American porn movies sometimes used to focus too much on story, character and drama, at the expense of the sex, as if they had forgotten that the main talents of their cast were as sex performers rather than as actors. Maybe some of the directors, writers or cast had aspirations to cross over to mainstream Hollywood and were trying, ill-advisedly, to make their mark in this way.
It was rare for Private to make this mistake, a trap so often fallen into by its American rivals. ('Summer Wind' 1 & 2 is the only Private film Ican think of which makes really false moves in the direction of serious drama - sometimes losing sight of the sex, and overlooking the fact that the actors are nowhere near as good at on-screen psychological exploration as they are at porn. Fans of 'Summer Wind' may wish to disagree with me!)
Private's movie ranges have given us some cracking, exciting tales, moody moments and brilliant, lavish parodies, but the emphasis has always been on good, solid sex, and it's always been the sex which has been of central importance in Private - first and foremost! Flagship films like 'Operation Sex Siege' and 'Private Gladiator' stand out spectacularly, above anything else produced in the adult industry... Private's "favourite sex position" is as brand leader!
Originally Posted by bawdy:
Tragically porn legend Jon Dough passed away last Sunday, apparently by taking his own life. Jon appeared in a number of early Private films and is survived by his wife Monique Demoan and their 4 year old daughter. Sincerest condolences to his whole family, truly shocking news.
Jon Dough always brought a larger-than-life charisma to his movies, especially in his heyday at Vivid. I, too, remember how he appeared as a gracious and humorous fellow in documentaries about porn. His friends in the industry have been paying tributes to him as "one of the good guys".
This is very sad news. Condolences to his family and to all who knew him personally.
Re: Sandy Style
Has Sandy Style yet done enough scenes for a 'Private Life of...'? This cute, blue-eyed blonde Czech girl is a favourite of mine, and I hope that she eventually will join the gallery of 'The Private Life of...' stars.
Check out Sandy in Gazzman's 'Surf Fuckers', a relaxed but horny movie shot in The Dominican Republic. There's a nice outdoor poolside scene which involves Sandy, Sue Diamont and a couple of guys. This scene stretches over time, with sequences taking place both before and after sunset. I like the way Gazzman uses Sandy in the cumshot finale of this scene. Sue's man explodes first, so Sandy turns away from her own guy for a while to join Sue and taste the spent juices of this first man. She gives him a good suck and takes her time over this before returning to her own guy to finish him off. He cums too, and thick trails of spunk hang down from Sandy's face to her chest, creating a creamy pool of goo below her neck.

There's quite a lot of behind-the-scenes footage linked to this scene in 'The Making of...' extra, together with a brief but cheerful interview with Sandy, whose English appears to be limited. There's also a 'Funnies' extra, which shows the happy foursome having some technical difficulties holding it all together on the poolside sunbed. You get the sense that doing this scene was genuine fun for all the performers.
Re: 'The Wild Circle', Scene 5: 'She Rules'
Sandy Style is an evil biker bitch and Gabriel Montoya is at her mercy. he's dressed like a dishevelled leftover from a Tarantino heist movie, in black suit and white shirt; he's gagged, helpless and sprawling back in a chair. Sandy is crouching between his legs, kneading and smacking his cock through his trousers while sucking on his finger. Her leather jacket slides off her left shoulder and opens up to expose her firm breasts and bullet-hard nipples. Straight layers of strawberry-blonde hair play out from under her black headscarf, wisping around the blue-tinted lenses of her trendy biker shades.

She fiddles and fumbles and at last his cock is out, thick and curvy, like an elephant's trunk. She licks the underside of his fat member, drawing her long pink tongue up and down its length. her cute nose and black nose-ring nudge against the upper cock-flesh as she laps at the swollen stem. She rocks a little, backwards and forwards, and her bare, expansive buttocks waggle in the air.

Sandy slaps Gabriel's cock to and fro against the wetness of her extended tongue. Her eyes are piercing blue, sapphires set against the dark shadow of her eye make-up and pencilled brows. She looks up at the face of her captive man with steady, cool deliberation, examining the effect which her oral ministrations are having on him. His ordeal has only just begun...
Re: Ivy Crystal
Check out Ivy Crystal in the scene called 'Catwoman' from 'Private Stories' video #4. With painted whiskers on her cheeks and a little button nose, she’s an incarnation of feline grace. Ivy's act as she laps at two lucky studs with her tongue in the style of a pussy cleaning her kittens has to be seen to be believed, as does the way she blinks her saucer eyes to camera while sucking cock. "I love to fuck for Private," she purrs, her face coated in cum. Or if you prefer cats with a more predatory nature, check out the stalking 'Wild Cats' of 'Triple X' video #13...

Re: Petra Short
It's high time that Petra Short got some serious attention in the Private forum! This young Hungarian is a naturally pretty girl with a body to die for, and she's an enchanting performer.
Petra's scene in Antonio Adamo's 'China Box' is very nice indeed. It begins in an Audi, with Petra's boyfriend driving her around while she has a cool disagreement with him about whether he should give up his work as a gigolo. Petra looks fantastic in her black halter top, which sets off her bare round shoulders and arms to perfection. The couple are obviously close, and it's clear that their argument isn't going to prevent them indulging in some steamy outdoor sex.

The guy parks the Audi beside a lake and soon the horny pair are out of the car and enjoying a serious smooch. Petra is wearing tight jeans shorts, and it's great to watch her press her denim-clad butt into her lover's groin as he leans back against the car and necks her. He pulls up her top to expose her pert breasts and he massages them with relish.
Soon Petra is sucking on her boyfriend's prick and balls. She affords the camera almost as much attention as the cock, involving the viewer fully in the intimacy of this highly watchable blowjob. There follows a sequence where the guy is leaning back on the seat of the car, through the open door, while Petra, now minus her shorts, is bouncing up and down on his lap, taking his cock to the hilt. He then does her in various nicely-posed positions across the silver bodywork of the Audi, including a snug doggy fuck. The cumshot is to the face, with the prick rubbing against pale pink tongue as it explodes. At least one dollop of spunk arches right inside the open, willing mouth. There is plenty of dreamy, post-cumshot follow-through, with Petra turning hornily towards the camera.
Re: Frank Thring
I'd like to comment on the extended cameos by Frank Thring in two of his Pirate Video Deluxe films, 'The Academy' and 'The Club'. In each case Thring himself gets to enjoy a girl.
In 'The Academy' Thring gives a comic turn as the oafish, bumbling director of a finishing school for porn actresses who likes to spy on Sandra Russo through key holes - and who can blame him? Sex goddess Sandra, clad in gleaming black fetish wear and boots, catches Thring in the act. She promptly squats on him and sucks him off.
This scene is called 'Dirty Frank Thring' in the dvd edition. Thring is an Englishman (at least i think he is), and the lecherous, inept buffoon he plays here is a type from British comedy. By no stretch of the imagination does he look the part of a stud - in fact, he bears more than a passing physical resemblance to plump English comedian Benny Hill in middle age, at the height of his fame. Yet thring manages to hose Sandra Russo with his bulbous todger as if he was running a tap - the spunk flows onto Sandra's brow, nose, lips and chin, up her nostril and into her mouth. Thring's cream dribbles down the full length of her beautiful porn-star face.
In 'The Club', Thring is vigorously whipped and dominated by Ellen, a girl much younger than himself - and a right tornado of a bitch she is, too. Once again he discharges magnificently, lashing her face with spunk. Dirty Frank Thring, indeed!
It's perhaps surprising that Englishman Steve Perry has no cameo in 'Money for Nothing, Sex for Free', his feature movie for private. (At least, i don't think he has a cameo.) I say surprising because Perry, aka Ben Dover, certainly gives himself a share of the on-screen goings-on in the films he makes for his own label.

Re: Sandra Iron / Niky Bellucci
Sandra Iron is fantastic in Romagnoli’s 'Body Shock'. There are many wonderful moments in her scene. for example I like the bit during fellatio, as the camera zooms out, when Sandra pouts and lightly rubs the tip of the cock against the slippery pink curve of her lower lip... the next instant, she coats the cock hole with a foamy little emission of saliva from between her wet lips, and follows through with a suck which takes her mouth half way down the guy's swollen root. All the while, she maintains a steady gaze into his eyes. (This special couple of seconds can be enjoyed at: chapter run-time, 11.19 - 11.22.)
And what about Niky Bellucci's amazing scene? I love it right at the end... After the cumshot, as Niky continues to lean over the cock and wank and lick it, there is a dissolve to her forearm in extreme close-up (ECU). Romagnoli pans across Niky's wrist and then swerves the camera up - to the girl's busy hand and tongue. As the camera moves along Niky's arm we savour the sight of the patches of cum glistening on her skin, and we relish the spectacle of the sticky jism trailing down her wrist. The ECU of Niky's tongue flicking rapidy over the guy's helmet dissolves into an ECU of her brown eyes staring at the camera, then the scene disintegrates in a fuzzy explosion of white light... (chapter run-time, 14.40 - 14.52.)
Romagnoli's 'Sex, Lies and Internet' is an excellent movie for Sandra Iron. She has no less than three scenes in this one, and she brings to the performances her customary zeal and gusto. I love her wide-eyed stare and those intimate little snarling looks of lust which she gives the viewer in close-up. Sandra has an incredible body which just doesn't stop, and Romagnoli's camera roves around her and sways about as she fucks.
I like Sandra's hairstyle in this movie, as she seems to be growing her hair again. Blonde strands fall down her forehead, flopping over her right brow slightly - I find this cute.
A couple of Sandra's scenes in 'Sex, Lies and Internet' rework past Private triumphs but they do so in Romagnoli's own unique, exciting style. Sandra's scene with David Perry in the pouring rain, suffused as it is with blue light, recalls Laura Angel's sex-in-the-rain scene in Adamo's 'Sex Shot'. Also, Sandra's scene with David in the lavatory has its precedents - enough, perhaps, to constitute a new lavatory section in the Categories area of Private.com. ...? In particular, the scene ends up as a superior reworking of Gabriella Bond's scene in the Gentlemen's Restroom, from Woodman's 'Sweet Baby 2'. (This being Private, no golden showers are involved, thank goodness - just Sandra's golden body and a creamy shower of spunk to her mouth!)

More Sandra, please... I can never have my fill of this babe!
By the way, I couldn't discuss 'Sex, Lies and Internet' without at least a mention of Cintia, the movie's hot blonde cover girl. She's fantastic in the film, and certainly one to watch...
Re: Vanda
Hungarian brunette Vanda is a major babe and I declare myself a serious fan of her Private works! There are one or two other Vandas, but she is the most prolific one, known elsewhere as 'Vanda Vitus' .
Here are some references to a few of my favourite moments with Vanda:
'Pirate: Powerslave'
Anita's Dream 1 - hot young Vanda looks horny in shiny blue fetish wear. Savour the shot of her gorgeous butt as she crawls towards the four guys she's about to blow. Notice the polite little kiss that she gives to the tip of the dick at 35 mins. 31 secs., before moving on to the next cock.
'KamaSutra'
Check out: 1hr. 55mins. 25 secs. thru 1 hr. 58 mins. 43 secs. This is the movie's finale, an ensemble of Vanda and Melory with two guys. It's especially enjoyable to watch Vanda's beautiful face sway in profile, with her hair falling forward, as she's taken from behind (1 hr. 57 mins., 18 secs to 23 secs.).
'Indiana Mack'
Vanda feels up Sheilla Scott's two bound and captive studs in the hay barn, giving each a quick little grope with her slim hand while Sheilla looks on smugly, at 1 hr. 28 mins., 18 secs. thru 27 secs. oh, to be at the mercy of these two babes!
At the end of the scene, cum is endlessly spurted over Vanda's face - catch her cute smile to camera, cock to mouth, as jism drips down...
Vanda as Leonardo Da Vinci's Mona Lisa
'Mona Lisa' is a short film shot in Spain by John Millerman as a vignette for 'Private XXX 2'. Co-starring with Vanda are Frank Major as Leonardo, and Cristina and Estell (aka Melody Kord) (dvd scene selection 2).

Millerman's 'The Uranus Experiment' features the same girls and was released at about the same time: a Report on 'The Uranus Experiment' is also included in 'Private XXX 2' (scene selection 4).
In 'Mona Lisa' Millerman achieves a sweet simplicity, evoking an idyllic world of artistic pursuits and girls merrily at play. This sense of Renaissance charm is supported by the rustic setting, and by the use on the soundrack of life-affirming period music played on strings and the organ. Millerman exploits the physical resemblance between Vanda and Mona Lisa by posing the starlet exactly as the original, and coaxing from her an enigmatic smile which is so accurate that it's uncanny. There's an amazing computer-generated effect where the image of Vanda as Mona Lisa suddenly morphs into an image of the portrait itself: the transition is seamless and striking. (Chapter run-time, 1 min. 10-11 secs.)
Vanda is exceptionally cute and endearing in this scene. After she has settled down for her sitting, there are a few magical seconds when the painter chucks her under the chin. She (i) looks up at him with her wide, bright eyes and gives him her coy smile. Then she (ii) turns that smile to the camera, captivating the viewer in precisely the same way as does Mona Lisa in the actual painting. (0 mins, 53-56 secs.) These few seconds are worked into the trailer for 'Private xxx 2' - they are excitingly spliced between moments (i) and (ii) (and briefly intercut with the Private xxx series' opening 'techno' image of a bank of television screens). The coy smile is a good choice for use in the trailer, as it distils the essence of what this scene is all about: a spirit of innocent fun, and the sweetness of Vanda.
During the Report on 'The Uranus Experiment', Vanda and Melody Kord are interviewed sitting next to each other on a sofa, looking tarty and hot in very short skirts, and with their legs crossed. (5 mins, 38 secs - 6 mins, 20 secs.) As the girls are asked the usual questions, such as whether they have ever reached an orgasm when shooting, what their favourite positions are and whether they have boyfriends, Vanda giggles helplessly, making cute little dismissive hand gestures and refusing to take any of it seriously. Melody is asked, "What do you do in your free time during the weekend?" She keeps a straight face as she gives the mischievous reply, "I practise group sex with my friends every weekend," and Vanda completely cracks up at this. It's great to catch a glimpse of the girls' real personalities as they misbehave during the interview, and insights like this make watching their sex scenes all the more enjoyable.
Following on from this, I've uncovered more tantalising evidence that the real-life Vanda is totally cool...
Scene 3 of Gazzman's 'The Scottish Loveknot' is set in the rolling green hills above Loch Ness. This is a scene full of mysticism as well as eroticism. Tony di Sergio, sporting a kilt, is held captive by Jodie Moore, the Lady of the Loch. She has him chained to a stake and leaves him at the sexual mercy of Vanda and a second Hungarian girl, a blonde called Ginger. Both girls are wearing robes like Druids. When the scene begins it's still daylight, but by the time Tony's been untied for some full-on MFF fun with Vanda and Ginger, night has fallen. The sequences shot at dusk are rich in colour and particularly beautiful, proving that there's far more to Gazzman's film-making talent than hardcore gonzo. The DVD edition includes a Director's Commentary in which Gazzman and Tony di Sergio have a witty, entertaining conversation about the making of the film. They enthuse about Scene 3:
Tony: "Here we have two very sexy Hungarian girls... great bodies!" Gazzman: "Have you got a tilt in your kilt yet....?" Tony: "I did like these two... they were very fruity!" Gazzman: "They're beautifully tanned, too. There's no pasty white people in this!" Tony: "I have to take my hat off to the girls, they were really great here, given the conditions [i.e. midges biting their naked bodies as they fuck on damp grass in the cold at 3am!] ... That's my 'monkey face' - I very much enjoyed that, that was my first orgasm of the shoot. I waited three days for that!"
It's on this commentary track that we get some more 'real life' insights into how cool Vanda is - and Ginger too! Gazzman and Tony recall meeting the girls prior to the shoot. They explain that after the girls had been picked up at the airport everyone bonded really well on the journey up to Scotland. They passed their time playing card games and 'I Spy'. They also had a bit of a sing-song! Ah, bless!

Re: Lisa Sommer
I don't think I have any of the Lisa Sommer scenes on DVD, but I do have copies of some of the 'Private Video Magazine' originals. PVM #11 includes two scenes starring Lisa: one is 'Campfire' and the other is 'Anal Virgin'. In 'Campfire' she appears with Gina, two guys and a third girl whose name escapes me, all fucking round the fire on a freezing, snowy night.

My favourite 'Campfire' moments include the rear shot of a wriggling Lisa pulling down her jeans to reveal a boyish bottom covered by tight but old-fashioned knickers, which come complete with frilly hem.
I also like the sequence where Lisa is bent over and shafted from behind, naked except for her white ankle socks, and leaning for support against girl #3, who is kneeling in front of her. Lisa's body is rocked by the rhythm of the fucking, but she manages to turn to the camera and pull cute, lustful faces at us while her shapely tits slap against the face of girl #3.

Later there's a nice close-up of Lisa licking girl #3's tits while staring out at us again. Lisa's bright blue eyes are partially concealed by locks of the other girl's black hair falling down across her face, but she's still able to fix us with her stare.
At the end of the scene lisa pairs up with girl #3 to take cum to the face from one of the guys. he shoots his load and lisa has to blink several times while he waves his cock up and down with real force, right over her brow. This is rather endearing - have some flying droplets caught her in the eye?
Lisa is very sexy, but for me the priority chick in this vignette is Gina. The steam created by Gina's hot breath on this freezing night adds luster to the scene; and once Alberto Rey has discharged, Gina's facial performance and her playful manipulation of his wet cock against her mouth, cheeks and nose are nothing short of spectacular.
I have a copy of 'Private Video Magazine' #17 and so I'm currently able to enjoy Lisa Sommer’s scene, '2 in one'. Lisa's performance really typifies the spirit of fun which pervaded private productions at the time, and which changed how I felt about porn.
Lisa is given a wobbly dp on her cabin bed, and during this we're treated to a close-up of her glances to the camera - she conspiratorially winces at us with expressions mixing lust, pain and pleasure. My copy has German subtitles, and the shots of the two mighty cocks thumping away at Lisa's pussy and ass are accompanied by the text of classic lines such as, "Komm, baby, ich will deinen arsch nehmen," and "Oh, mein gott! Oh, mein gott!”
The cumshot is what I would call 'a face and shoulder special'. There is an artful dissolve from a high-angle tracking shot of the icy sea - as seen from the deck of the boat sailing 'full steam ahead' - to a sexy composition of the threesome in the cabin. lLsa is looking straight out towards the camera while leaning her body towards the guy on her right, grasping his cock with her left hand. Her left shoulder and arm are busy in the foreground, partially covering her tits as she wanks the guy. When he cums, the spunk rains down towards those semi-concealed breasts. Guy #2 is Alberto Rey, and he is positioned to Lisa's left, wanking himself just above her moving shoulder and pointing his prick close up to her face at mouth level as she looks at the camera. he fires off several streaky rounds: one volley splatters against her cheek at close range; one splashes off her cheek and plummets down towards her neck; two others fly in front of her face in graceful arcs across the composition; and a final, lower-level volley is fired just above her shoulder, finding a target in her nestled tits. (All this is what might be called a 'Rey-gun' spectacular!) Never once does Lisa stop looking at the camera. She smiles, she smacks her lips, and she opens her mouth to reveal her perfect teeth and her naughty pink tongue. The guys wave their spent cocks about and press them against her face. alberto rey holds the top of Lisa's head in his huge hand and she suddenly bursts out with laughter. She extends smiles of genuine mirth to the camera; and, for a moment, she's giggling at someone else as well, who's out of frame (presumably one of the crew). The camera is zooming in slowly for the fade-out, and some gooey strands of cum can be seen inside her mouth.
Overall, PVM #17 is a classic. Lisa aside, I have a real soft spot for Angelica, the star of 'Barbeque Ass' and 'Horny Horsegirl'. The two girls in 'Vulcano Island' are fucking gorgeous. 'Moon Dance' stars Zana, private's foxiest ever Asian girl. By this point in the PVM series, Kai Nobel has taken over from Betty as the subject of the sexy dance montage used as an occasional link between scenes. above all, 'Tanja and the Woodman' is significant as an early scene with Tania Russof, who was to become Private's flagship star of the 1990s...
Re: Gina
Originally Posted by Bawdy
Gina is an old British favourite of mine. She has a hot scene in Virgin Treasures 2 and pops up in an old Private Video Magazine where she gets washed up on a beach and revived by 2 helpful studs (I assume this scene may be in some of her DVD compilations).
Gina is a fine figure of a woman; a sturdy, strong-boned brunette with a face of handsome beauty, dreamy dark eyes, boundless energy and a clear enthusiasm for hot sex. The scene in which she gets washed up on a beach and revived by two studs is called 'A Girl In A Net'. It's from Private Video Magazine #10, and the studs in question are David Perry and Frank Gun. (This scene may well appear in one of the dvd compilations listed for Gina in the Private Shop, though it's not in 'Big Pack' or 'Beach Bitches' as I have both of these and they feature other scenes with Gina.)
In 'A Girl In A Net', sand sticks everywhere on the three wet, writhing bodies as they copulate on the beach, and the 2-on-1 facial cumshot is a tour de force which typifies the style of early Private videos at their best. Gina is clearly in the throes of an extreme attack of cock mania as she shakes her face around at furious speed between the two pricks spurting either side of her. Even after she has slowed down a little to savour the flavour of each spent tool between her lips, the motion of her head from one prick to the other is still a jerking one, as if to match the twitches of residual pleasure experienced by the two guys, post-climax.
For serious fans of Gina, check out, in addition to her Private works, a Magma movie called 'Cindy-Connection' where she is partnered again with her 'Virgin Treasures' co-star Alberto Rey for a scene in a gym which culminates in a facial cumshot of truly spectacular dimensions...
Re: Tania Russof / Kristina
Has anyone else ever strolled around the canals of The Red Light District in Amsterdam? Perhaps you've noticed the facade of a big shop of video booths which is covered in lit panels displaying photo images of Private stars? I think this store is in the same street as the famous Cassa Rosso Theatre and phallus fountain. If not, it's in one of the parallel streets.
At the turn of the century the striking centrepiece of this store front was a huge lit display of the beautiful eyes of Tania Russof. Only her eyes - but her eyes made up in Egyptian style as for her Cleopatra role in Private's classic feature film, 'The Pyramid'. The image was sourced from the pic on 'The Pyramid' box cover. Sadly, this store-front display has since been removed, and more recent images from Private have taken its place. For a few years, though, it was Tania who watched over the pretty canal, a canal which twinkles at night in all the pink and red neon light. Tania's goddess eyes gazed across the rippling water with serene disinterest, taking in the near-naked window girls opposite, as they were plying for trade; the endless procession of gawping tourists; the drunken lads on stag nights; the shuffling dealers and junkies; the romantic young couples holding hands; the speeding Dutch cyclists tinkling their bike bells - and me. Tania was there for us all, and she was out there as Cleopatra before Julia Taylor had even thought of donning an Egyptian robe (but not before Elizabeth Taylor)!
This display of Private stars is still there. The establishment in question is called 'Sex Palace' and it is indeed close by to The Cassa Rosso Theatre in Amsterdam's Oz. Achterburgwal. The canalside walkways are currently being repaved and unfortunately the monumental phallus fountain seems to have been removed.
Originally Posted by t o m
Who is the girl in the first scene of the first Pyramid movie?
Hi, t_o_m! For this scene Kristina plays Betty, a young American tourist who asks a fisherman (John Walton) to take her on a boat trip along the Nile. The fisherman shows Kristina into the hold of his boat (which looks like a studio set), and there they get acquainted. Kristina has always wanted to make out with an Egyptian man and he, in turn, is attracted to her pale skin and blue eyes (or so we're told by the silky-voiced narrator).
John Walton licks out Kristina, gets a blowjob, fucks her in the pussy in four different positions and does her up the ass in two positions. Kristina is wearing a cute straw hat throughout the oral foreplay but her hat tumbles off her head when she starts to get shafted.
The cumshot is pure magic, and for me it's way up there amongst my favourite sequences by Pierre Woodman. Kristina leans over John Walton's midriff, her heavy breast pressing against him, and she expertly jerks him off so that his jism shoots up all over her tongue, chin and neck. She continues to massage his cock while sucking out the cum, and she flicks her tongue over the bell-end in a flurry of motion meant to induce spasms of pleasure.
Kristina's smooth round shoulder occupies the left hand side of the frame but the focus of the shot is her pretty face. Her face is tilted slightly to her left and her blonde hair sweeps down in a fetching bell alongside her cheek. Woodman slowly brings the camera in closer to Kristina's face. Suddenly she glances up at us, and she transfixes us with her bright blue eyes right through to the fade-out. She briefly narrows her eyes, giving out a lustful little message just for us.
She allows John's knob to pull against her lower lip so that we can see the set of her white teeth and the wet red underside of her lip before the lip springs back into place. A sticky thread of cum hangs from Kristina's upper lip and it trails across her tongue and lower lip before breaking. Kristina's eyes suddenly convey a sense of warm good humour. She pouts a little then curls the corners of her mouth into a crooked little half-smile. Again this is for our benefit, and it's very, very sexy.
A small drop of cum rests on her chin. She bites her lower lip as if to convey an admission that she's been a naughty girl, and then she rolls her lip out from under her teeth so that her mouth settles back into a teasing slight smile. She licks John's cock again, then she wraps her fingers around its length and encloses the bell-end in her mouth for a good, hard suck which draws in her cheeks and shows up her cheek bones. She blinks and pops the prick back out, swirling her tongue around it and giving it another series of quick liitle licks.
The fact that she stares at the camera throughout all this suggests that every subtle aspect of her performance is deliberate and that she knows exactly what the effects on the viewer are going to be.
If there's anyone out there who hasn't watched this scene and wants to know more about Kristina's looks, you may be interested to know that elsewhere she has been compared with Christina Applegate.
Re: Porn in the Theatre / Soho, London / Porn as Foreplay
Until recently, the U.K. was trailing well behind most of the western world as far as the legality of mainstream hardcore porn was concerned, and for many years here, we could only get immediate access to hardcore movies through low-rent, unlicensed sex shops, shady dealers, badly pirated video copies and sleazy, unlicensed sex cinemas. Thank God that all this is changing, and the U.K. is at last catching up with the rest of the civilised world in terms of how porn is retailed, consumed, enjoyed and thought about.
I believe 'The Pyramid' was a test case by which a liberal censor changed what it was permissible to sell here through a classification for restricted retail - a decision which outraged the Home Office. Tania Russof seduced the censor, and Private and Pierre Woodman earned a place in British cultural history!

In the dark old days of U.K. censorship, hardcore porn was taboo - even high quality stuff like the early Private videos - so when watching the films in a dingy little cinema run by small-time villains, you'd often feel bonded with the other patrons by a shared sense of secrecy, illegitimacy and forbidden lust. This sometimes added a warm nastiness to the experience of getting off to the porn. Perversely, I now feel a little nostalgic about all this as I catch up with Private on its own terms and in the comfort of my own home. No wonder we Brits are fucked up!
There's a great Private short called 'Seduction Cinema' set in a movie theatre: while Richard Langin fucks willowy beauty Mona Lisa up on the silver screen, the aroused Karen goes to work on a popcorn-munching patron down in the stalls and is soon joined by another punter who's decided to clamber his way forward from the back row for a piece of pussy... the scene amusingly switches between the alternate realities of (1) Mona Lisa's celluloid seeing-to and (2) the m/f/m sex inside the movie theatre itself.
This short appears as 'Story 10' in the dvd compilation 'Private: Do It', and it was originally released as part of 'Private Stories' video #18. Ironically, I first saw 'Seduction Cinema' in a London sex cinema when the scene was still in its original format as a 'Private Stories' video release. Unfortunately there was no Karen around at the time to take care of me as I gazed up at the big screen. Alas, my only fellow viewers were a grizzled drunk and a wanking city broker!
Originally Posted by Flashboy:
Some interesting reminiscences of Soho, Baskkk. I too remember the bad old days, where you would buy what you thought was the latest Private, then travel home salivating at the thought of all those beautiful Euro-sluts doing the nasty, only to discover that some lowlife had slipped you some German granny-fisting video instead. It should have been illegal - if only the whole bloody business wasn't illegal in the first place!
Never knew those cinemas existed though. I thought there was only the Astral, still showing censored 70s flicks in the 90s...? There always seemed to be posters with lots of girls with heavy blue eye-shadow. If these places showed Private vids, blown up on the big screen, surely the picture quality was pretty grotty? And did people openly wank, or cover their laps with a copy of the Evening Standard?
By the way, ever been to the Raymond Revuebar? Closest thing to a live enactment of high-rent porn that I know. I've seen some beautiful girls there, and while the bloke is forbidden to have a full erection, it's still a thrill to see him menace their pretty faces with an alarmingly large semi!
Ah, the Astral Cinema... with its faded Mary Millington posters, and grinning ushers in blue evening jackets and natty bow ties, this was a lurid Soho institution!
I chatted to Paul Raymond once, over a drink during the interval at his Revuebar show. He used to see the show regularly and enjoyed hearing feedback from customers, but i haven't been back in several years.

The Soho scene had its own charm, but the London sex cinemas to go to during the 90s were in Islington, Old Street and Kings Cross. At least three of the joints regularly screened Private videos. They were indeed sordid places; and yes, there was a fuzziness to the big-screen projections of pirated copies of the films. (There is, in fact, one nasty little cinema still left in Soho, which I think screens Private movies as well as American stuff. it's right next door to the Revuebar.)

Latterly, my experience of private products has been much improved by on-line consumption using the Private site, and by the new, off-the-shelf availability of original dvds and videos supplied by legitimate means to the licensed sex shops in Soho. All this has offered, at last, a respectable alternative to the legacy of criminality, sleaze, censorhip and copyright infringement which for too long compromised we hard-done-by porn fans in the U.K.
My greatest fantasy would be for the Private company to negotiate successfully with Westminster Council for the opening of a plush Private porn supermarket in Central London, and for the British Board of Film Classification to rate every Private film title there is as 'Resticted 18' so that all the movies could be available for purchase in the supermarket! That would hammer home the final nails in the coffins of both the prude and the parasitic, piratical porn dealer!
Originally Posted by GregandSarah:
I would bet that a near-majority of couples get off together with porn from time to time (when couple-watching becomes the casual plot of a "Friends" episode you know it's gone pretty mainstream--OK, being in the States maybe only a couple of others got that reference)
I like the idea of timing a joint-orgasm to coincide with an on-screen climax. If the scene is a familiar and favourite one, and you're already on the brink of ecstasy at the point you begin to play it, the shared sense of anticipation and effort to stem the tide until the magic moment occurs on-screen is intensely exciting.
I can also understand why pointing to or celebrating favourite snippets of porn
on-line, as in this forum, could be a sexy form of foreplay. Deciding what porn to highlight - like choosing candy in a candy store - and referencing those private selections of material in these here columns of cyberspace is a sweet indulgence.
Incidentally, I'm not as old as you might think. the weirdness of paying respects to ye olde sex cinemas of London has less to do with age than with - well, just being a pervy Brit.

I didn't see that episode of Friends, but I'd love to know which of the couples in the show got to watch some porn together...
Originally posted by GregandSarah:
Hey Baskkk, your description on porn as healthy foreplay is perfectly articulated. As for Friends, I recall an episode when Monica bought Chandler a porn video for a Valentine's Day present (accidentally slipping in a live birth video which ruined the mood), but I could have even referenced the one where Chandler & Joey cannot tear themselves away from their apartment because of a cable glitch ("Free porn! Free porn!") or even a Will & Grace episode where Grace decided (before ultimately copping out) that she needed to experience a threesome. Having missed most sitcoms for the last few years my point was just it's funny how accepted porn is for couples even while in some corners of the world--like Utah or, say, London--it's still somewhat taboo. (And no worries, Baskkk, we're not writing you off as neither ancient nor as an overly pervy Brit. After all, isn't the saying, "No sex, please, we're British."?)
Re: Andrea Kalemenova
I’m lucky enough to have an old print copy of Private Magazine #134, and I've just been leafing through the photoset of Andrea Kalemenova - 'I'm A Porno Star'. I'm tempted to take my mag down the road to the Thistle Hotel overlooking Tower Bridge, where this photoshoot was taken, and request the 'Andrea Suite' for a night. Then I could imagine myself there at the shoot while reclining on that very bed! Andrea has a nice, trim body (I notice in one pic she's drinking a can of Diet Coke from the mini-bar, presumably taking care over her figure!). She has a basically sweet and girlish face, but there's also a knowing sassiness and a cunning sexiness in her looks to the camera, which give credence to the assertion in the text story that for five years she's been hiding from her boyfriend the fact that she's a porno star!
It occurs to me, as I hold open my Private #134, that clicking onto mag pages on the computer screen isn't really as much fun as flicking through the same pages bound together on glossy paper, feeling the physical weight of the mag in the hand, and inhaling the intoxicating scent of print while pressing one's nose up against the shiny image of a favourite girl's butt!
Re: Kristina Bella
Kristina Bella in 'Dangerous Things' - when she looks at the camera, my heart melts.
Originally Posted by Flashboy:
It also helps that Kristina milks a generous amount of glop in that scene, too. My only disappointment with this scene is that the Making Of showed her being taken doggy style - my personal fave - and there's no sign of that position in the finished product. Pity. I would have loved to have seen her arsecheeks wobble as she's slammed from behind...
Hm. I wonder how much ends up in Private directors' private collections... All that good stuff we'll never see...
I take your point, Flashboy. Antonio Adamo is reportedly something of a perfectionist, so i am sure he must have had some good reason for editing out the doggy shot.
In that 'Dangerous Things' scene, I like the head and shoulder shot of Kristina as she looks at us, directly into the camera, while being fucked in the arse. (ref: 1hr. 17 mins. 13 secs. - 15 secs.) It's an example of how, just before the fade, she slightly narrows her eyes, as if a shiver of pleasure is coursing up and down her spine.
In the finale, the blue light effect really matches the colour of her eyes and the creamy spunk looks great against her pale skin.
Originally Posted by Flashboy:
Inspired by this thread, I just dug out Kristina's scene from Dangerous Things. Wow. I'd forgotten quite how hot this was. I love the sacrificial style overtones at the beginning of the scene - there's something very Eyes Wide Shut about the guy in the mask. Kristina looks so soft and vulnerable as that huge black cock invades her sweet girly pussy. And at the climax - god, that guy seems to own a horse's cock. No wonder Kristina needs two hands to milk it. And as we already noted, great cum shot, as the thick, creamy spurts fill her sweet and pretty mouth.
Top marks, Adamo.
Baskkk, my DVD run times don't seem to synch with yours - any chance you can note the run time in the actual scene? e.g. on my DVD, first glimpse of anal penetration occurs at 0 06 17. Or are you working from a video? It's cool to compare notes on those 'special moments'...
Re: Ladies Who Stare At The Camera While Having Sex: Natasha / Jennifer Dark / Katja Kean
Originally Posted by Flashboy:
Let's start with Sex Opera, one of Adamo's best.
Check out scene one, as beautiful brunette Natasha performs an unexpected deep-throat on the stud's cock (2 25). When he pulls it out there's a strand of pre-cum glistening in the air, linking her gorgeous fashion model face with the pulsing, angry tool (2 27). A second later and she gives one of her trademarked, semi-simpering half-smiles as sperm drips from the glans, before at 2 44 she takes ALL his cock in her mouth in a moment that is still a little shocking. Poor girl - her throat must be absolutely bursting with dong at that point. I've never seen a comparable act in a Private production.
Finally, there's a good climax and nice messy consequences. Look at 10 58 as the cock is pressed against her face and her nose and cheeks have the sheen of freshly unloaded sperm.
She's also on fine form in scene 4, teamed with Lauren Kiss. At 3 11 she gives a coquettish shrug to camera as she feverishly wanks the man-meat - it's a look that says yes, I look like I've stepped from a perfume ad, but who cares, I'm hungry for cum, this hard penis will soon deliver... and YOU'LL be watching.
God, I have the scene on as I type and just seeing her presenting her pretty arse doggy style at 5 29 makes me want to empty my nuts... Look at all those expressions playing on her face, and the way the stud's heavy balls slap against her most tender place at 5 58.
Finally, she tries to fix her gaze on us as she furiously milks the tool, the helmet glistening in her fist. But she tears her eyes away to watch the whip of spunk (10 02), before taking the salty glop on her tongue, needing penis more than she needs us, the frustrated voyeurs.
Viva Private! Viva Adamo! Viva Natasha!
An inspired commentary, Flashboy. Believe it or not, Natasha was also going to be my own next choice, and for precisely those qualities. I had in mind Virtualia 1.
In scenes 3 and 8, she has, even more, the face of a perfume ad model, with her slick, gelled-back hair.
Scene 3 - 0.57 - Her look of sexual confidence as she unbuckles and unzips her man. She pouts and licks her lips, and keeps her eyes levelled on the cock as, released, it bobs towards her face.

3.16 - 3.24 - As she draws her hands lightly down the guy's torso, we enjoy the smooth contours of her forearms, then suddenly she releases the cock from inside her mouth, allowing it to nudge her upper lip against her nose while she conspiratorially shifts her gaze to us. She graces us with a perfectly dirty glance while deftly licking the tip of the cock with her snaking pink tongue...
Originally Posted by Flashboy:
I don't have Virtualia 1, but that does sound fabulous - and I've seen pictures of her in that production. As you say, she looks the epitome of high-gloss, high-maintenance fashion modelling - all the better to be blasted by the filthy cum of some porn-stud. Check her out in The Last Muse, where she has that look to perfection. She truly is an astonishingly sexy bitch - all those girlish giggles and silly but oh so cute pouts and half-smiles as she's being fucked or sodomised - and I wish she were still in the game. Where is she now, I wonder? The new face of L'Oreal?
'Virtualia 1 - Cybersex' is certainly a worthwhile purchase. I once watched Natasha's scenes in Cybersex with a friend who complained that this model's facial choreography in the heat of the action was "so fake", and he expressed a preference for the warts-and-all authenticity of so-called amateur porn. Each to their own, I suppose; but for me it's the stylisation that gives the performance its appeal, and I agree with you that the pantomimic coquettery in Natasha's repertoire of facial expressions to the camera while having sex is what makes her scenes special. She is parodying a fantasy image at precisely the moment in which she fulfils it!
The question of how far the credit for this must go to Adamo is a live one. I once saw a scene shared between Natasha and Lynn Stone (Natasha's co-star in Cybersex chapter 8) which was directed by someone else for another company, and with weaker production values all round. In that, neither girl had much of the look and performance style that we've been celebrating.
Should you ever acquire 'Virtualia 1: Cybersex' check out chapter 8, 5.08 - 5.20. This is a close-up sequence of Natasha blowing and wanking a cock, which I often capture in a dvd repeat loop (while listening, incidentally, to Paula Abdul's similarly plastic 'State of Attraction', also in repeat mode, from her 'Forever Your Girl' album - a somehow effective combination and, yes, I know I have an obsessive personality!).
In these few seconds Natasha gives us the works, facially: her luxuriant sucking while in sleek profile; her subtle tongue-play with the strings of pre-cum mixed with her own saliva; the mischievous slight shrug of her shoulder as she turns her gaze to the camera; the toothy smile to us while she's wanking cock; her licking of her upper lip; her mouth opened wide at us in a mock expression of happy exclamation; a cute pout mixing into a half-smile as she flashes her eyes at us in teasing rapport! exquisite!
I'm off to look at my 'The Last Muse' now...
Originally Posted by Flashboy:
Natasha is parodying a fantasy image at the very moment in which she fulfils it? Wow - who would have dreamt that the Private Forum would ever reach such dizzy postmodern heights?
Spot on, though, and let's give full credit to Adamo, who always coaxes a schlong-troubling performance out of her. She appears in Private XXX 15, too, as a porn star who magically materialises beside the lonesome masturbator watching her on television. They then proceed to rut, with Natasha taking cock while her own image flickers on a screen (now that's a postmodern conceit, and one which obviously appeals to Adamo as it turns up in a few of his productions).
Check out 8 23 as Adamo seems to use a special (fish eye?) lens to emphasise her pleasantly plump bottom, affording us a brief and tempting view of her anus as a cock prepares to menace it, and also 10 14 for a pleasing view between her thighs as she is taken spoons-style (her labia are emphasised at 10 34).
Aside from Natasha, I can't wholeheartedly recommend XXX 15. The rest of it is very much Private by numbers - there's another Adamo scene in some gilt-edged fancy room but its erotic wattage is low; there's a perfectly pleasant scene with Mercedes in a barn, mostly memorable for her large breasts and the hypnotic way in which they whirl as she ruts. As I recall, the rest is behind-the-scenes filler and doubtless a dismal, garish Kovi scene or two...
I don't yet have Private xxx 15, but that description of Adamo's chapter with Natasha will certainly tempt me to get it.
I've recently been captivated by Jennifer Dark, who perhaps comes closer than any other brunette to inheriting Natasha's mantle of the Private princess of foxy facial animation while fucking. Jennifer is hot enough when posing for still images, but when this extremely pretty girl performs her movie scenes she runs the full gamut of steamy facial expressions to camera, and with shameless abandon.

In chapter six of Gianfranco Romagnoli's 'Rock Hard' both Jennifer Dark and Stacy Silver positively gurn their way through the action as they are fucked stupid; they pucker, pout and purse their lips, bare clenched teeth and narrow their eyes in lustful intensity, staring and winking at the camera as if they know full well that the viewer has no more chance than their on-screen partners of getting to the end of this film without shooting a very messy wad indeed.
Originally Posted by Flashboy:
I don't know Romagnoli. What would you recommend? And can it be easily found in the UK?
Now, girls who stare while having sex... I don't have a DVD of Fatal Orchid, but I do recall the first scene, where Katja Kean is taking a huge length of dick in her mouth. She sucks it with her eyes closed and then, suddenly, she opens them, transfixing the viewer with an electric blue stare. It's defiant, taunting, and one of the very best instances of eye contact between performer and voyeur. Many was the time I froze that moment, knowing, as Katja knew, that a torrent of hot cum would soon coat her pretty, feline features.
I've looked up that scene on my own tape copy. I like the way Woodman's camera tentatively moves us closer towards a close-up of the blowjob, meeting that moment when Katja opens her eyes. Then the camera settles still awhile, leaving us entirely at the mercy of her gaze as she sucks away. Her attitude is like: I'm giving good head here; look at me doing it if you want - I don't mind - but I'm carrying on regardless.

We are transfixed by the sea-blue beauty of Katja's eyes for a few precious seconds, as you say. but then she closes her eyes again, two or three times, with the relaxed, luxuriant pleasure of a cat which knows it's soon to get the cream, and for the time being she's not bothered to look at us anymore...
Throughout all this, Katja's wide and generous mouth is sliding up and down, crammed full of rock hard cock. Her long, straight, silky blonde hair curves to her left all over the guy's tummy, where I'm sure it must feel divine; to her right, her hair is pushed back from her face, cascading smoothly down between her neck and shoulder. in the wider shots the sight of this long-haired blonde naked except for knee-length black boots is thrilling beyond belief.
Join me in a quick flick through Jennifer Dark's pages in Triple X magazine #54. Let's celebrate a girl who knows just how to stare at the camera while having sex!
1.
When Jennifer parts her lips, exposing clenched, perfect teeth, notice how her bottom lip curls sexily to the right. This gives her a unique look of lustful intensity:
2.
In the following images she levels her eyes at the camera in a defiant expression of passionate cock rage:
3.
Jennifer is the classic glamour puss on heat. When she brushes her mouth against a cock, she puckers her lips in an attitude which is teasingly midway between a kiss and a pout. Devastating! -
4.
Here are two views of Jennifer getting a DP, standing up. In the first shot, she captivates the guy drilling her pussy, with a gasp of mock outrage. In the second image, while both guys are completely absorbed in her, she has eyes only for the viewer. As the cocks pulse inside her, the beginnings of a smile play across her mouth and deconstruct the affectation of her semi-snarl: Jennifer is a nice, good-humoured girl at heart, but she just loves behaving like a filthy slut, getting all down and dirty! -
I can't wait for Jennifer's latest magazine sets to appear on-line - and my copy of 'Sex Angels' is now on order!
I've seen Jennifer in 'Ocean Dream', a film shot in the Seychelles, where she shares a scene with the sweet-faced Sara Blue. The girls do a guy each, sucking and fucking on craggy terrain as the blue sea breaks against the rocks below them. This is a nice scene to stroke to on a lazy summer day!

In the 'Ocean Dream' 'Making Of' DVD Extra, Jennifer appears again, posing on the beach for a photoset with Lucy Lee and a guy wearing a baseball cap. This chap is pressing his stiffy against Jennifer's proffered butt. She looks a bit hot and bothered between the takes, and passes round a bottle of water. Together with Lucy Lee and Luisa Del Marco, Jennifer is briefly interviewed on the beach by a playful Alessandro Del Mar. Interestingly - unless I'm mistaken - Del Mar appears to be calling Jennifer by the name 'Eva'.

Jennifer also appears in 'Coconut Holiday', 'Caribbean Airline' and 'Coral Honeymoon'.

Re: James Bond Spoofing
An American porn producer did a Bond spoof with a series of movies about 'Jane Bond', in the late 80s or early 90s, but I don't remember much about it... I wonder at what point such parodies might run into legal difficulties.
The main menu page on the dvd edition of Private movie 'Lethal Information' has gun-barrel graphics all over it - looking strikingly similar to the gun-barrel logo which opens most films in the Bond franchise... and aren't those silhouetted dancing girls who perform against rippling colours in the sequence which begins every Private-Penthouse release a definite 'tip of the hat' to the seminal work on main title effects achieved by Maurice Binder and Daniel Kleinman? Here are some suggestions for spy-movie hardcore scenes for Private, with an indication, in each case, of the year to which it would be necessary to travel back in time to shoot the scene..
Ursula Andress (1962), stripped out of her bikini and fucked on the beach of a Caribbean island, underneath a mango tree.
Daniela Bianchi (1963), fucked in a luxury compartment aboard the Orient Express.
Honor Blackman (1964), fucked in a hay barn after a judo lesson. Shirley Eaton (1964), fucked in a Miami hotel room while painted top to tail in gold.
Claudine Auger (1965), fucked while wearing a snorkel in a skin-diving scene. Luciana Paluzzi (1965), fucked in leather costume as a biker-chick assassin.
(1965: stop press: a Thunderball hits the world of porn as Private is born!)
Akika Wakabayashi (1967), fucked in the back seat of an open-topped, white Toyota 2000GT. "From now on, you do everything Japanese style..." "Everything?"
Diana Rigg (1969), fucked on a ski run in the Swiss Alps. (In this case, and despite the freezing conditions, there's no fear that the stud involved will lose wood, as this particular guy, who's only here for a one-off, is totally wooden anyway!)
Jill St. John (1971), fucked wearing different wigs in a variety of colours - one wig for each position? - but in the end "the collar and cuffs match." Lana Wood (1971), fucked on a blackjack table in Las Vegas by a hero with plenty o'tool.
Jane Seymour (1973), fucked in costume as a tarot reader, then later tied to a stake and ravished by a voodoo baron and his pet python.
Britt Ekland (1974), fucked by a man with a golden dildo.
Barbara Bach (1977), fucked in costume as a soviet major. Caroline Munro (1977), 'fucked' when a heat-seeking missile smashes into her armed helicopter. (NB: Barbara Bach's character in 'The Spy Who Loved Me', Anya Amasova, had a code designation, 'Agent Triple X'. It seems that this code was picked up for use in 'Sex' magazine #5, in a hot photoset with Sveta.)
Lois Chiles (1979), stripped out of her NASA spacesuit for Private's next foray into zero-gravity fucking. (The hero raises an ironic eyebrow while making some lame, punning quip about "Uranus"!)
Carole Bouquet (1981), fucked during "a ride in the country" (while wearing Chanel perfume, of course!)
Maud Adams (1983), fucked in the ring - the circus ring, that is.
Tanya Roberts (1985), fucked in a daring shoot atop the golden gate bridge. (I think Pierre Woodman should return to Private to manage the filming of this tricky scene!) There's no sign of a 'Silicon Valley' in Tanya's cleavage!
Maryam D'Abo (1987) has the living daylights fucked out of her, to a cello accompaniment.
Carey Lowell (1989), fucked by a celebrity evangelist in his private seminary - "Bless your heart!" Talisa Soto (1989), fucked by an intruder in a wet suit aboard her guardian's boat.
Famke Janssen (1995), fucked in the kinky style of a scene from Pirate Fetish Machine, with plenty of girl-on-the-top action and many tight squeezes. Izabella Scorupco (1995), fucked over (in the American sense) by a computer-nerd colleague.
Michelle Yeoh (1997), fucked in a cat suit after much ass-kicking martial arts action. Teri Hatcher (1997), fucked as a married woman in a moody tryst with a secret agent ex-lover (this sounds like a scene for Antonio Adamo).
Sophie Marceau (1999), fucked in a kinky scene surrounded by instruments of torture. Denise Richards (1999), stripped out of her Tomb Raider-esque green bra top and tight shorts for a scene which proves that christmas cums more than once a year.
Halle Berry and Rosamund Pike (2002) come to blows in kinky S/M girl-on-girl action, but each gets fucked by the hero in scenes which break the ice... Private stud James Brossman would be the perfect choice for the job. Oh-oh-heaven!
In the dvd edition of 'Lethal Information' Grety appears in three scenes, and I remember seeing each of them in a video edition of the movie a few years ago.
In the final scene Grety plays a helicopter pilot and gets fucked by David Perry. In an earlier sequence, she has lesbian sex with mina through the bars of a cell. In the first scene of the movie, she is discovered by Frank Gun and Mike Foster hiding in a workshop which harbours a yellow speed boat, and she gets a dp on top of this boat. fFrst time round, Mike Foster is in her pussy while Frank Gun's up her anus, and then they swap round. It's a nice, snug fit, as both guys are big and Grety has a smooth, tight little ass. After the dp, the guys blast cum all over her face.

Re: Patricia Pallona
Patricia Pallona is a favourite girl of mine - and underrated, I think. I love that first scene in 'Guns and Rough Sex' where she plays a pizza delivery girl in pig tails. The close-up of Patricia giving a nasty, 'look-no-hands' blowjob while staring at the camera is amazingly hot. She's a dirty little bitch in the final scene, too, where she fucks the private investigator and takes a right messy load all over her face and hair.
There's also some horny footage of Patricia fooling around and flaunting her assets in this movie’s 'Report'. The commentator is spot on in her observations: "Along with having some fantastic tits and a great ass that's perfect for being penetrated savagely, Patricia has a long, thick and wet tongue that's ideal for licking and sucking cocks without stop." Patricia obligingly curls and wiggles her tongue for the camera and we see that indeed it is of freak-show proportions!

Please note that Patricia Pallona is also known as Patricia Diamond. Check out more scenes with this hot young slut in 'Sexterminators', another Kovi classic. But while we're still on 'Guns and Rough Sex' - what about eighteen-year-old Adrianna Rouso? Phwoaarr!!
Re: Angelica Bella
I'd had no idea that porn star Angelica Bella had fucked for Private, but there she is
in Private magazine #111. Angelica is extremely attractive and her photoset is worth perusing in full.
I saw Angelica in about three non-Private movies in the 90s and I lapped up every second of her screen time. I think that Christoph Clark may have been behind a couple of those films. I loved the way Angelica went ever so slightly cross-eyed whenever she studied a massive cock bobbing under her nose - especially since her eyes had a bluey-green, crystal-clear beauty. Very Sandra Iron, that. And the way she would part her lips in a semi-snarl of lust reminds me pretty much of Jennifer Dark, especially when her lower lip curled slightly to one side.
Re: Reality #21
There's a stunning ensemble of talent in 'Reality' #21: 'Fuck Me' - including a couple of blondes who are ascending the ladder of my personal 'priority choices'... Check out (i) Tiffany Diamond - she's the cover girl for 'Reality' #21, appearing with Nikita Rush and Tera Bond in a scene called 'Cock Knock' - and then catch (ii) Jane Darling, star of the final scene, 'The Road To Success'.
At the beginning of 'Cock Knock' Tiffany and Nikita look great in their short denim skirts, while Tera is sporting a pair of saucy tight hotpants. On the box cover pic, Tiffany gives us a pretty smile over her shoulder while the denim is tugged just far enough down to bare her ass cleavage and the twin globes of her firm young buttocks. The title of this release is very apt - 'Fuck Me' - as it blends seamlessly with the message put out by Tiffany's cheeky smile and pose. I've not enjoyed the look of a girl in denim so much since the star turn of anal-queen Ildico, way back in 'Private Video Magazine' #20, when her cut-offs were pulled down by a horny guy so that he and six of his pals could gang-bang her in the sun. (This scene with Ildico can be enjoyed on dvd, in the compilation released in 2000 called 'Private xxx'. Ildico can also be seen in her Daisy Dukes on the cover to 'Castings' 18.)
In 'Cock Knock', Tiffany appears to be genuinely enjoying herself, fondling and teasing her two girlfriends and playing and smiling all the time. The pizza-delivery guy arrives and the girls immediately include him in their fun. For me, Tiffany is the priority chick: what a joy it is to watch the box-cover butt of this cute babe wobble about as she fucks the pizza-delivery guy in the cowgirl position! Tera can hardly tear her hands away from Tiffany's humping ass!
'The Road To Success' was shot in Budapest and Jane Darling is a Czech girl, but the whole set-up of this scene has a rather American feel to it. Jane is a motorist who is stranded on the roadside because her car has broken down, and two likely lads pull over to offer her a lift. The American flavour is created, in part, by the 'bluesy' soundtrack of acoustic guitar and harmonica - but also by the prominence of yet another pair of tight denim shorts, which this time are on Jane's butt. There's a whiff of American attitude about Jane's foxy pose as she leans against the guys' car and allows the driver and passenger to reach out and paw and grope her tits and denim-clad ass. In fact, all this seems to be done in a style which is typical of the introductory material in scenes produced by one of private's major American rivals, headed by a certain Mr. Flynt. For Jane Darling, 'the road to success' is only a short drive to a luxury house, a well-appointed bedroom, an energetic dp and a very messy facial...
Re: Moire Candy
Hi Moire Candy
I see that you directed a movie for Marc Dorcel called 'Mafia Girl', with a cast that will be very familiar to your Private fans.
Private have an X-Off release coming soon called 'Mafia Girlz'.
I guess there's plenty of room to do different things with the same great concept for a porn feature, but I was wondering... would you see the X-Off title as a rip-off of your idea, or have you guys actually compared notes?
Best wishes, and thanks for all the hot entertainment.
Originally Posted by Moire Candy:
Mafia, Money, Girls and Sex are hardly original ideas.
I mean Godfather 1 2 3, Once a time in America, Goodfellas, Sopranos. Etc etc
Just watched X-Offs movie and liked it a lot and it totally different than ours, other than a similar name.
How about a spoof of TV's 'This Is Your Life' format...?
A retired porn diva is surprised by a presenter (Horst Baron?) who hosts a studio show in which all of the woman's past co-stars and directors (guys and gals) take it in turns to walk on for a reunion greeting with her and to share a witty anecdote... Each porn celebrity's walk-on is accompanied by a screening in the studio of a clip from a scene they did with the diva, introduced by Horst. Of course, at the end of the show, the party in the studio would end up as an orgy...
Much as it would be wonderful to see, for example, "Nikky Andersson... this is your (Private) life!" I know it probably couldn't happen like that... but maybe the spoof format could be used with a current star (Tarra White?) playing a fictional retired diva with other starlets and studs playing her former co-performers... (a bit like the parody of 'reality TV' show formats in 'Sex Survivors 2', where Judith Foxx played the presenter.)

Re: Cadillac Highway – cameo by Ron Jeremy
It's not Skeeter-style gonzo, this time, but it's just as bland - no different, really, from a lot of other hum-ho American features pumped out by lesser lights than Private.
It's a shame that those good-looking babes in the first scene didn't get to suck on Ronnie's own fat cock... Has he finally retired from performing, altogether? I really wanted this movie to be better than it is: Ron is a giant of the porn industry, and the occasion of his finally crossing paths with Private ought to have been something special! "From 'Debbie Does Dallas' to 'Cadillac Highway'"? - I'd wanted to post a topic like that, but I found that 'Cadillac Highway' doesn't really justify a celebration.
Of the U.S. directors who've worked for Private, Nic Cramer, John Millerman, Michael Ninn and Michael Raven ('Delilah') remain my favourites: they all have that extra bit of pzaz which makes Private Private.
The challenge facing Private USA at present is surely that it's got to find a way of making its product 'a cut above', something which, once more, is distinctive, stylish and very, very sexy...
Sorry to grouch, but there it is! - On a more positive note, my mail order Special Edition copy of 'Millionaire' has just arrived, and I'm fully expecting to be cheered up by that!

Re: Tricia Devereaux / Porn Shutdown
Tricia Devereaux is much respected within the U.S. porn industry and by fans as a reflective, upbeat and articulate celebrity. In 1996 she did several scenes for Private with director Francois Clousot, and she was also prolific in her work as a performer with other companies in the U.S. Her Private scenes were originally released in the following videos: 'Private Stories' # 11, 14, 19, 20; 'Triple X' # 17, 18, 22, 23, 24, 25; and 'Summer Wind' 1 & 2. A number of these scenes have subsequently been re-released on dvd compilations. I have always enjoyed them, my personal favourite being 'Balls Game' in PS #19.
These days Tricia works on the production side at Evil Angel and enjoys a professional and personal relationship with John Stagliano. She has her own free website and often posts to the U.S. forum, Adult DVD Talk, where a transcript of her 2000 chatroom interview can be read. Tricia talks openly and intelligently about a number of issues, including her HIV status and how her involvement in the industry changed and has developed since she discovered she was positive in 1998. Tricia interfaces with fans and industry colleagues as a thoughtful and considerate woman with clear views and great integrity, and this sexy lady did much to brighten and enhance Private's video ranges at the time she shot scenes for them.

Documentary: Porn Shutdown
Channel: Channel 4 (UK)
Date: Monday 25th April 2005
Repeated: Saturday 2nd September 2006
Duration: 1 hour.
Channel 4 presents a season of documentaries showing the reality of life in the porn industry. The Dark Side of Porn season starts tonight with Porn Shutdown. April 2004 and the $9 billion American porn industry is brought to a standstill. Darren James, a middle-aged black porn actor has contracted HIV and it is unknown how many others in the industry he many have unknowingly infected. LA's San Fernando Valley or 'Pornoland' is in turmoil. Soon 21-year old Canadian porn actress and co-star of James, Laura Roxx, tests positive for HIV. The industry is temporarily shutdown and the shady under-belly of the hard core porn industry is exposed. America spends billions of dollars on pornography, yet it's an industry where 90% of the films made feature unsafe sex. Porn Shutdown reveals the darker side of the American dream and explores the downward spiralling of an industry that is becoming more dangerous in pursuit of pure wanton pleasure. The programme features revealing interviews with some of the young, beautiful and naive men and women who make thousands of dollars by putting their lives at risk to sell a fantasy.

I just saw the C4 repeat of 'Porn Shutdown', which was broadcast yesterday evening, and it seemed to me to be a mostly fair and sensitive look at the Los Angeles industry's HIV crisis of 2004. I’ve posted the following review of the documentary to a thread in the AdultDVDTalk forums:
Ex-porn star Dr. Sharon Mitchell and her medical project AIM were 'the centre of gravity' in this documentary. Sharon made many intelligent observations about the service she provides for the porn industry, its importance and its limitations. Her HIV screening process failed to give a positive result for Darren James and to protect his co-stars because, it seems, he was infected shortly before he took a test: Sharon pointed out the obvious, that her screening clinic can't offer performers a guarantee against HIV infection.
In terms of the documentary's 'narrative stance', there was a real sadness to the stories of the performers Darren James unknowingly infected - particularly Laura Roxx - although both the infected women who were interviewed (Laura and Meriesa Arroyo) appeared to be really strong in coming to terms with their HIV status.
The documentary took an approving line on Vivid's policy of using contract girls and condoms, and on the use of condoms in gay porn (as expounded by Chi Chi). But at the other end of the spectrum it was suggested that gonzo, where no condoms are used, is becoming increasingly debased and degrading. (Here, the documentary zeroed in on rape fantasies involving Afghan terrorists and Americans abusing Iraqi women: this, perhaps, is where the film made the sensationalist error of tarring all gonzo feathers with the same brush.)
Laura Roxx's allegation that T. T. Boy tried to intimidate her with stares when she returned to Los Angeles to be interviewed for the documentary does him no favours at all. (Apparently it was during the making of one of his Evasive Angels films that she was infected by Darren James.)
On the other hand, Max Hardcore and Rob Black both came across as charismatic interviewees. It's as if both men appreciated that by cooperating in the making of this film and agreeing to be interviewed, their personal charisma might, in itself, help mitigate what the documentary would have to say about the dark side of gonzo. (Black played out the role of an outrageous dude to comic effect, while Hardcore exuded gentlemanly charm - even when explaining how he uses pissing in his movies.) However, neither of these producers had any direct involvement with the 2004 HIV outbreak: interviews with or statements by Darren James or T. T. Boy would have had greater relevance here.
Kami Andrews contributed by demonstrating what 'double anal' is, and her flippant comment about her fears that one day her ass will fall out served only to back up, kind of, what Sharon had been saying about the increased health risks associated with this form of sex. (Kami has emailed me to say: "Actually, I got so much heat about that [my comment], people dont know how to interpret me. I'm glad you got it.")
The documentary suggested that not all the women involved in the sex industry face up to the risks they're running. The viewer really felt anxious for one young performer, Kayla Marie, who was seen waiting for her test result after having been placed in 'quarantine'... and the news that in her case the result was negative brought palpable relief. (The fact that James had come in Kayla's vagina, not in her ass, was mentioned as a point which possibly made the difference in her case.)
The evangelical right were briefly covered as porn's "true enemies", but mercifully the documentary didn't pretend that they have a voice in the debate which deserves a serious hearing.
Christopher Eccleston's narration lent restraint and decency to the tone of the documentary, and there was a sense of being 'on side' with the women while looking into the terrible sadness of the particular situation with the HIV infections and exploring concerns about the risks.
Re: Fan Fantasy Scenes
Originally Posted by Flashboy:
Here's an idea I'd love Private to consider. Why not create a sister title to the Private Reality series, called Private Fantasy? Each edition would contain six vignettes, the twist being that each story is inspired by a fantasy suggested by a Private fan?
Fans would suggest the premise for each tale (say, an air stewardess is fucked senseless in an aeroplane toilet), adding as much detail as they can imagine (she's a blonde, and we see the sperm trickle between her bum-cheeks and soak her torn nylons). The hottest fantasies are chosen and it's up to the director to bring these feverish dreams to life.
Night-Flight
I'm reminded by this of a beautiful blonde model who fronted British Airways' advertisements of the late 1970s, dressed as an air stewardess. She can be seen in the ad on a billboard poster in the 1979 James Bond movie, 'Moonraker'. One of Bond's assailants crashes head-first into her mouth on the roadside hoarding, having been sent tumbling from the back of an ambulance on a stretcher trolley. The logo which ran with BA's TV ads - sung in cheesey 1970s style - was: "We'll take more care of you... Flyyyyy the flaaaaag!"
The fantasy of a flustered stewardess struggling to keep her uniform in place during the heat of an airborne erotic encounter is one to relish.

Back in the early days of Private video, an excellent stewardess scene called 'Night-Flight' featured in Private Video Magazine #8. This scene was shot in what appears to be a mock-up of a passenger flight cabin. A beautiful, dusky stewardess, Samantha Shamal, is leaning across the seats, fussing over the passengers, brushing against them and arranging blankets over their laps. She is wearing a neat white blouse, a tight grey skirt and stockings and suspenders.
The stewardess is shocked to discover that one horny traveller has got his prick out, and that Draxica Laurent, the giggling girlfriend sitting next to him, has been fiddling around with it. The stewardess waves a disapproving finger at the indulgent couple, but she looks more cute than cross and in no time at all Draxica has seduced her into joining in the fun. The scene develops into a threesome, enacted across the cabin seats.

Flashboy, there are a couple of elements to this scene that I'm sure you'd appreciate. (i) Although the stewardess eventually strips off, she keeps her clothes on for the earlier phases of fucking and sucking - so the uniform fantasy is nicely sustained. (ii) As the hot trio writhe and hump over their seats, the passengers to the rear of the action are completely oblivious to what is going on; they snooze or listen to personal stereos. This somehow adds to the erotic power of the illicit sex.
I defy any Private fan who's seen 'Night-Flight' not to remember this scene fondly when next fussed over by an attractive stewardess on a long-haul flight - but unlike the guy in the scene please show the hard-working girl some manners and keep your cock in your pants!
'Who Watches The Waitress?'
I like Flashboy's suggestion about the presence of middle-aged or elderly 'extras' on the restaurant set. There's something exciting about the idea of a contrast between the youth and beauty of the model playing the waitress and the age and plain looks of the surrounding diners.

Moli, who used to film for the German label 'Magma', is an example of a director outside the Private fold making regular use of older actors as voyeurs. In Moli's movies, various senior citizens would savour the proximity of hot young babes rutting under their noses. This sort of thing is much rarer in Private, though at the beginning of 'Sweet Baby 2' - Woodman's classic vehicle for Nikky Andersson - Nikky allows a silver-haired old gent to lick her minge and wank himself off at the sight of her open crotch. (The old guy's orgasm is a simulation rather than the real thing, though.)
As far as Flashboy's scene is concerned, it matters whether the diners would be (i) attempting to ignore the waitress's antics and maintain an air of indifference, or (ii) looking on with unashamed lust, with the gentlemen, especially, craning forward to get a better view. Either alternative would bring an extra erotic dimension to the scene.
One of the sweet frustrations of porn is that the babe in the frame is unattainable for the viewer; she exists only as an image of a prior event (the shoot), and she's not really there, in the flesh, however much we may desire her.
I think that what might appeal to us about scenes in which elderly men participate as voyuers is that their situation reminds us of this 'frustration about the unattainable', which is essential to porn.

The generation gap and a loss of physical attractiveness and strength prevent the elderly guy in our porn scene from being able to enjoy, for himself, the wet young bitch after whom he lusts; he cannot access the babe who tantalisingly fucks all the younger men before his envious eye. His 'frustration about the unattainable' mirrors our own, as viewers of porn, regardless of how old we ourselves might happen to be...
Anal Underground
My submission for the Private Fantasy range would be for a vignette called 'Anal Underground', shot in the mock-up of a carriage on a London Underground train.
It would be a hot summer's day and the train would be jolting slowly through the metro stations of the city centre... The leading man is standing at the end of the carriage, bored, clutching a rail with one hand and holding a newspaper in the other. At first the carriage isn't particularly crowded, but suddenly, at the next stop, several high-spirited Italian tourists are piling in - all of them girls, and all of them wearing crop tops and hot pants. The man's interest is aroused, especially when, as the train rumbles out of the station, the giggling gaggle pushes back in his direction, and one of the girls starts to rub her butt against his trousered crotch. To begin with, this lithe young bitch pretends that the motions of her arse are accidental, that she can't help but squash her buttocks against him amidst the excitable antics of her friends - but soon she's grasping his privates and stooping down to whip out his cock and give him an enthusiastic blowjob...

The other girls look on in merriment, encouraging their friend and applauding as the frenzied couple work up to an anal climax. The smattering of other, seated passengers in the carriage are paying no attention at all to what's going on; they're either nodding off, reading newspapers or listening to personal stereos.
I'd ask Romagnoli to direct this scene, since I'm sure he'd be able to handle the camera well in an intimate, crowded space. Or maybe Steve Perry could return to the Private fold to shoot 'Anal Underground'. In some of his Ben Dover scenes, the "chance meetings" between Perry and the girls occur on the London Underground system, in District Line trains or by stations in West London - although the sex itself doesn't take place until he has persuaded the girls to accompany him and his stud companions to an indoor location, a house or apartment.
I understand that fantasies about intimate contact on crowded metro trains are very big in Japan, with entire fetish nights devoted to the theme! Responsible porn does not set out to encourage anti-social behaviour in p ublic places; and so, as far as 'Anal Underground' is concerned, I would insist that there is a very obvious demarcation between the 'reality' of the set and opening situation, and the 'fantasy' of the performers' sexual behaviour. In this respect the style I'd want the director to go for is exactly the one achieved in 'Night-Flight'. In Private magazine #175, there's a horny photoset about a girl who takes a ride on a bus and ends up being gang-banged by a random assortment of fellow passengers. The design of this photoset is also in the spirit of what I would imagine for 'Anal Underground'.
I recently bought 'Reality' #22, 'Insatiable Sex Dolls', and discovered that Tom Herold had made use of a metro subway as a location for his scene, 'Club Underground' (Prague, May 2003)... Robert Rosenberg is a back-packer who has just missed the train. He is lured away by a sexy pair of fellow travellers, Tanja and Rade, who catch his eye on the station platform...
Trevi Fountain Frolic
I'd like to share a 'Private Fantasy' based on an iconic image of the sixties... the celebrated scene in Federico Fellini's 'La Dolce Vita' (1960) where Marcello Mastroianni and Anita Ekberg enjoy a night-time frolic in the Trevi Fountain in Rome. This is a perfect cinematic fantasy - romantic and sensual at once! The Vatican didn't approve - but Fellini was showing the kind of daring which would have appealed to Pierre Woodman!
http://www.fondazioneitalianelmondo....ITA%201960.jpg
My 'Private Fantasy' would be to take the place of Mastroianni and smooch in the fountain with a Private blonde who has charisma enough to rival Anita Ekberg - a star like Claudia Ricci, for example!!
Incidentally, I don't know whether Woodman ever actually shot a vignette by the Trevi Fountain - but it's the sort of thing he would have done for 'Private Video Magazine' or 'Triple X Video'!
The Trevi Fountain would be an ideal picturesque location at which to film a meeting between a pair of horny tourists - before they retire to a room in a nearby hotel and fuck each other stupid!

Re: Sex Under The Tower / Sex In Pub-lic
Originally Posted by Cirdan:
Hmm didn`t Woodman shoot a scene under the Eiffel Tower once? Can`t seem to remember where I saw that, perhaps it was in The Tower 1 2 or 3 which is hard to get now.
The scene was called 'Sex Under The Tower' and it was released as part of 'Private Video Magazine' #20 (1995). The studs were David Perry and Jean-Yves Lecastel and the girl's name isn't given at the start of the scene. She had short brown hair. There is some footage of the trio wandering along the Champs-Elysees before they end up under the Eiffel Tower, where they have have sex on a bench. It looks to have been a freezing cold night and the two guys seem wary, as if the risk of being arrested was weighing on their minds. I guess this scene would have been shot at about the same time as the production of 'The Tower', which is also set in Paris. In terms of sheer horniness, I think that 'Sex Under The Tower' is trumped in 'Private Video Magazine' #20 by the classic anal scene 'Ildico', where a girl in pigtails and Daisy Dukes is taken by four guys.

The difference between a classic vignette like 'Sex Under The Tower' and the recent 'Sex In Pub-lic', by Toni Ribas, is that Woodman soon gets down to business with the fucking, whereas a lot of time is spent by Ribas revelling in the 'naughtiness' of a quick poke or a quick suck in pub-lic - and flirting with the risk of being spotted by tourists or shoppers. 'Sex In Pub-lic' is fun in the sense that you end up finding out what it might be like to date a mischievous nympho like Lucy Belle as your "girlfriend for the day" - and dating Lucy is possible if certain escort agencies are to be believed! But the film is flawed by the fact that the beautiful Belicia is present in a scene without actually getting fucked herself!
Overall, 'Sex In Pub-lic' is closer to the sort of thing that Ben Dover (aka Steve Perry) used to get up to: it trades as much on the comedy of embarrassment as it does on lust - with the unwitting passers-by as the patsies. And although it's fascinating to watch Ribas fooling around with his girls in Prague's Old Town Square, or at the Buda Castle in Budapest, it was far more daring of Woodman to mount a full sex scene under the Eiffel Tower, an iconic landmark which is closely and jealously policed by the French authorities.
baskkk2003
Pirates or Jason Colt?
An excellent question! I've gotta say it : overall, 'Pirates', the Digital Playground / Adam & Eve production, is far better. Jesse Jane and Devon are hard acts to follow when it comes to blonde American talent, and I love the enthusiasm with which Jesse giggles her way through the DVD commentary track. The special effects sequences in 'Pirates' are truly amazing, but they don't intrude on the sex.
Private's 'Jason Colt' is lavish and spectacular but the director makes the critical mistake of prioritising a flashy editing style over pornographic impact, ruining some of the key sex scenes through over-indulgent tricksiness. The bottom line is : if someone wants to see 'The Bourne Ultimatum' or 'Casino Royale' then those are the movies they'll rent. If they want to see a good porn movie then, sure, they may well prefer an expensive-looking, whizzbang feature-length porno to some nasty cheap gonzo, but at the end of the day they'll still expect to be able to settle down to some enjoyable masturbation without the director / editor continually getting in the way! It's all about striking the right balance...
Kapri Styles, one of the leads in 'Jason Colt', is among the sexiest stars out there. She's the black girl who gazes out at you from the DVD box sleeve with challenging haughtiness, looking as hot as any of the most celebrated R&B or hip hop chicks in mainstream media. Unfortunately her scene in the movie is one of those which gets messed around by pretentious editing, to detrimental effect, but Kapri's fierce sexual charisma is still a major draw and her act is smokin'.
From fan fantasy to film production: Draculya, The Girls are Hungry

The idea of a Vampirella parody is very appealing. I, too, had a thing for this bloodsucking femme fatale when I was a lad, and I spent longer than was really good for me absorbed in repeated readings of her original mags, published by Warren Comics. The cover paintings held a special fascination for me, and I was endlessly thumbing through the artwork of Franzetta, Sanjulian, Enrich, Gonzales and Silke. I remember, for example, indulging in frequent contemplation of the cover of 'Vampirella' #18:
http://www.pixeltube.com/wmc/shtml/v18.html
This image would be a wonderful artistic cue for a scene in a Private movie entitled 'The Vampire Fuckers'. I would cast Steve Holmes as the cowering 'Count Cockula', and Ginger as 'Cuntella' - the star of the show. Ginger's name is, of course, a comical misnomer, since she has dark hair, just like Vampirella! In her movies, Ginger's look resembles closely the image of Vampi as realised on the #18 cover (but minus the fangs!). When watching Ginger's scenes, it's easy to see how casting her in this role would work amazingly well. If an audition is required, look no further than her scenes in 'Reality #19: Beds of Sin', and 'Body Shock'.

There are other possibilities for a 'fantasy' casting of Cuntella. Marvel at how closely Cristina Bella resembles the image of the vampire vixen as realised on the cover of the Silver Anniversary Edition of 'Vampirella of Drakulon'.
http://www.vampifan.com/harris/jpgs/classic/vofd00.jpg
And there’s always Mandy Bright: she has the ideal face and figure for a Vampirella character - the image of a retro Playboy model turned nasty with plenty of domina potential. (Mandy would have to keep her hair dyed black, though.)
As a pleaser for poster Bram, 'The Vampire Fuckers' would need to include a parody of the scene in 'Bram Stoker's Dracula' where the Brides of Dracula prey on Keanu Reeves' character, Jonathan Harker.

In 1992, Francis Ford Coppola incorporated to his 'Bram Stoker's Dracula' references to numerous 'moments' in the history of vampire movies throughout the twentieth century. For example, the highly erotic scene where the Brides of Dracula seduce and feed on Jonathan Harker is shot and edited as a kind of homage to the schlock horror of early 70s Hammer releases like 'The Vampire Lovers' and 'Lust for a Vampire' - but Coppola goes beyond even that, to flirt with some of the codes and conventions of porn. Coppola's scene is, of course, a 'softcore' piece, but as the three foxy bloodsuckers set about the entranced and helpless Keanu Reeves, Coppola manages to evoke the kind of intense intimacy that we find in blowjob or group sex sequences in 'hardcore' porn. Perhaps Private should now repay Mr. Coppola the compliment of an acknowledgement, with a hardcore parody of the scene... My casting choices for the three spooky undead harlots would be Donna Marie, Niky Belluci and Lucky. (Lucky appears in a scene in 'Cleopatra'. Can we see more of her, please?) Bobbi Eden, being Dutch, would make a superb Professor 'Pussy' Van Helsing!
As for directing 'The Vampire Fuckers', let Susi Medusa loose on it - with a big budget and, perhaps, a creative partnership with Romagnoli or Jose M. Ponce...?
Incidentally, the high standard and the style of the special fx make-up in the Private Ninn release 'Perfect' leave me wondering whether some of the make-up team hadn't also worked on 'Bram Stoker's Dracula', or at least used reference materials from it: the prosthetic mask created for Ninn's Demon in the dp scene with Jodie Moore is very close indeed to a mask worn by Gary Oldman when Dracula appears in his demonic incarnation. Was this the same make-up talent? (It's excellent work, which puts to shame the third-rate use of prosthetic make-up in Private's 'Eternal Love'.)
In 'The Vampire Fuckers', Cuntella's full name would be Cuntella Karnstein. This would be a nod to Sheridan Le Fanu's character, Mircalla Karnstein, as played, respectively, by Ingrid Pitt and Yutte Stensgaard in Hammer's 'The Vampire Lovers' and 'Lust for A Vampire' (both 1970). These were the first mainstream vampire flicks in which the focus of the undead's attention transferred openly from neck to nipple. Ms. Pitt, who still makes occasional guest appearances at vampire festivals, could perhaps be persuaded to reprise her role as Mircalla for a brief cameo performance in 'The Vampire Fuckers' - now that would be a coup! The opening scene would be set on the planet Drakkulon, where Mircalla bids farewell to her young protegee Cuntella and sends her on a mission to Earth to infect humankind with the curse of eternal lust and overthrow the evil dynasty of Count Cockula... I foresee a trilogy...
Originally Posted by Flashboy
I'm certainly sold on it, Baskkk. Inspired work! Lovely to see you take an idea and run with it. Did you know that the sequence where the three vampire lovelies seduce Jonathan Harker was the pivotal moment in Bram Stoker's conception of Dracula? It was a scene that came to Stoker in a (presumably wet) dream, and so haunted him that he wrote the novel years later.
Hammer Horrors always gave me the horn as a lad, though I remember Dracula AD 1972 was a bit of a disappointment when I finally caught it on a late night telly showing. I'd convinced myself that Christopher Lee would be immersed in the world of 70s Soho - all strip joints and knocking shops, complete with groovy London tarts who would have stepped from the pages of Knave. Sadly it wasn't to be... but I'd seen a poster for the movie where a naked, muff-flaunting chick was sprawled on the bonnet of a sportscar as Drac leered over her... Bloody posters, eh?
Private could distil the horny essence of Hammer brilliantly, especially with their European sensibilities, not to mention babes. I'd love to see a hardcore return to the girls' finishing school in The Vampire Lovers!
'Dracula AD 1972' is actually amongst my favourite Hammer horrors. Christopher Lee looks absolutely depraved in it - and although it's true that after the pre-credits sequence he never roams beyond his lair at the desanctified church, the scene in which he subdues and gets stuck into the hysterical and whimpering Laura (Caroline Munro) is one of the most vivid instances of perversion in the entire Dracula series. As for the contemporary milieu, Jessica Van Helsing (Stephanie Beecham) and her bohemian friends hang out in a fashionable Chelsea bar, so we do get some sense of a swinging seventies London in the scenes with them.

Young, blonde and buxom Linda Hayden plays Alice in 'Taste the Blood of Dracula', and she's my favourite Hammer starlet. I certainly have, before now, jacked off to the bedroom scene in which Alice, attired in a revealing nightdress, is threatened with a whipping by a drunken Victorian patriarch and then 'turned' by the evil Count.
'Scars of Dracula' includes a farcical but arousing scene in which a comedy burgomaster chases his scampering, naked daughter to her bedroom, intent on punishing her for her promiscuous behaviour, while she holds on desperately to a bed sheet as the only means of concealing her boobs. (Very 'Benny Hill', all this.) But the sexiest Hammer Dracula of them all is the last one, 'The Satanic Rites of Dracula', which at times really pushes the envelope in the direction of soft porn.
Flashboy, I know from reading another topic in the forum that you have a thing for twins. I wonder if you've ever seen Hammer's last instalment of the Karnstein trilogy, 'Twins of Evil'. Madeleine and Mary Collinson are two gorgeous young models who play orphaned Vienesse twins. They spend their time between attempts to avoid a whipping from their disapproving Puritan uncle, and speculation about the intentions of Karnstein's handsome but debauched Count. The twins are two more characters I would suggest for inclusion in Private's very own vampire movie...
It occurs to me that, despite all the obvious differences, there are certain interesting similarities between much porn production and how Hammer was working as a relatively small, low-budget studio: e.g. efficiency in using the same locations and sets, and much of the same cast, for different movies made within a single production block; use of 'contract talent'; and an unashamed re-hashing of established genres, with a willingness to give the audience exactly the sorts of set-ups, cliches and climaxes they had come to expect and were paying to see. Hammer films certainly achieved a popularity with their target audience, and this represented a real commercial success when set against the often low costs of production. Hammer was an example of a small-scale but successful British adaptation of the classic 'studio system' of the golden age of Hollywood production. It is sometimes said that nowadays, in a world where the practises of mainstream movie-making have changed, the only companies which really continue to use that old 'studio system' are the porn producers - and they use it with enormous success.
Originally Posted by Madboy:
I've heard on the grapevine, that Private (with Susi Medusa) have been writing and projecting a vamp themed movie over the past months!
Susi tells me she has the girls, the digibeta crew, the original screenplay ready, the original soundtracks, and also the real ancient castles in East Europe where to shoot it!!!

Keep giving your hot support to get it off the ground & who knows, it may happen yet! How cool would that be?
I'll keep you posted with any updates...
Aha... great minds are clearly thinking alike! This is good news indeed! I wonder whether Susi and Private have considered shooting among the ruins of the castle of Elizabeth Bathori, the original 'Countess Dracula'. This Slovakian site is extraordinarily beautiful, situated among green hills and forests. It would make an ideal exterior location! As yet the castle ruins have been under-exploited by the media, and there's been no major development of tourism around the neighbouring town - despite the symbolic significance of Elizabeth Bathori to we goths!
There's always the Transylvanian castle of Vlad the Impaler, the Count himself, but that's a more obvious location, surrounded by cheesy tourist activity. Hungary is a country which would give plenty of options, as it has no end of castles...
I see that Gazzman's 'Surf Fuckers', which I've just ordered, includes a cameo by Eileen Daly, who's best known for her starring role as a cat-suited vampire assassin in the mainsteam cult goth flick, 'Razor Blade Smile' (Jake West, UK). I'm very much looking forward to seeing 'Surf Fuckers', but it will of course be a 'sun, sea and sand' experience rather than a darkwave one. Now that Eileen's touched base with Private, maybe Susi Medusa could invite her to do another cameo for us, this time in Private's proposed vampire movie - a genre more familiar to Eileen and her fans.
Looks as if that long-awaited movie is Coming Soon...
Susi Medusa's Pirate movie, Draculya, The Girls are Hungry, as previewed in the Private Shop...
"The girls are hungry for sex, so watch out, they are cumming to suck you dry! The latest release from the Pirate collection has 6 out of this world sex scenes. With their evil sex minds, the vampires use their dungeon as the lair of pleasure to bring all your fantasies to life. Directed by Susie Medusa, one of the top femaleâ??s in the industry, and with the kinky 15th century dungeon as the setting for some of the darkest raging. A masterpiece of gothic passion and hardcore lust, the story of eternal twisted vengeance and of female perversion will live on forever. Lya and Hilona want to dig their fangs into the hard meaty flesh of the Count as he slays them from behind. Cum and join all your favourite stars, Ellen Saint, Julie Silver, and Liliane Tiger only some of the stunning women clad in festish attire that you will find inside Draculya."
From fan fantasy to film production: The Matrix
Originally Posted by kooch:
I want to see a Matrix Reloaded parody using latex or leather oufits.
I'm making a rather late contribution to this topic, but i've only recently revisited 'Matrix', and I've yet to see 'Matrix: Reloaded' (i've just bought the dvd).
THE MATRIX
My re-casting suggestions are as follows. I'd keep the parts the same gender as in the original, except for the agents.
TRINITY - Cleare ('Fever'/'Gladiator 2'/'In The Arms Of Evil'/'Reality 7: Wild Adventures' /Mag: Sex #37). Check out Cleare's look in 'Fever' for justification of this casting suggestion: the short dark hair, the angular but feminine face, the slender but toned bare arms, the cute butt.
DUJOUR, the bunny girl - Laura Angel. I know that Laura Angel would make a great agent, but I'd cast her in this role instead as there's too close a resemblance between Laura in fetish mode and the actress who plays Dujour in the original, Ada Nicodemou, for there to be any other choice...
SWITCH - Suzan Nielsen
ORACLE - Bettina
PRIESTESS - Bagheera
LADY IN RED - Stacy Silver
AGENTS - Cassandra Wild, Julia Taylor, Sandy Style
A scene i'd like to see is a variation on Daniel's idea. Neo, Morpheus and the other male crew members are plugged into their chairs aboard the Nebuchadnezzar, unconscious, while being fellated in turn by Trinity, who is dressed in her skin-tight latex. Meanwhile, the crew are in the matrix, having a breathtaking, all-action orgy with the trio of nasty blonde agents, as cast above. One after the other, each member of the crew shoots spunk over an agent in 'bullet time', and as he does so there's a cut back to the Nebuchadnezzar to show him writhing in his chair and cumming all over Trinity's face as well. In each case the blip on the pulse monitor goes wild...
Unlike in the original, Mouse would get to fuck his 'Lady in Red'. He would keep the line: "To deny our own impulses is to deny the very thing which makes us human."
'MATRIX: RELOADED'
Re-casting suggestions:
PERSEPHONE (MONICA BELLUCI) - Mercedes (aka Eva Hot. Private mags: Triple X #33; Sex # 24, 28.)
BEAUTIFUL WOMAN AT 'LE VRAI' (TORY MUSSETT) - Gabriella Bond
Neo, Morpheus and Trinity sit opposite the smug Merovingian and his beautiful wife Persephone at his table at 'Le Vrai'. Merovingian has prepared a demonstration of the theory of causality - every action causes a reaction - by contaminating a chocolate dish which is served to a beautiful blonde who is sitting, with two male companions, at a neighbouring table. Merovingian has mixed into the woman's dessert a computer program designed to disrupt her poised, bourgeois composure and cause her to experience orgasm, right there in the restaurant: "First, a rush... heat... her heart flutters... You can see it, Neo, yes?... She does not understand why... Is it the wine? No... What is it, then?... What is the reason?... But soon it doesn't matter... Soon, the why and the reason are gone... and all that matters is the feeling itself!" Inside the blonde's knickers the floodgates suddenly open - it's a computer-generated, explosive orgasm! Flustered, the woman dabs her mouth with her napkin and leaves her table for the ladies' room...
At exactly this point I would cross-dissolve 'Matrix: Reloaded' with Private's own 'Sweet Baby 2', and I would run this porn classic from the scene in the restaurant where Gabriella Bond, seated opposite a male companion, has caught the eye of a lone diner and is crossing and uncrossing her shapely legs in an agitated state of sexual arousal. She follows the lone man into the gentleman's room and reaches for his cock while he's still standing at the urinal. She sucks and fucks him there and then. The guy shoots jism over Gabriella's face, neck and shoulder, and she kisses and licks the tip of his manhood. Finally, with spent cock in hand, she switches her smiling gaze to the viewer: she blinks; she pouts; she tilts back her blonde head and bites her lower lip mischievously, knowing full well just what a dirty little slut she is being! Here I would cut back to Merovingian as he concludes his pretentious commentary: "Out of control! Causality... There is no escape from it... We are forever slaves to it..."
As Merovingian leaves the table, Persephone asks where he is going. "We are all victims of causality," he observes, "I drink too much wine... I must take a piss... Cause and effect." But Persephone has guessed that her husband is, in fact, heading to the ladies' room, which is occupied by the blonde-on-heat. Later, Persephone challenges Merovingian: "How about that lipstick you're still wearing?" He protests his innocence, rubbing his mouth: "Lipstick? Lipsick? What craziness are you talking? there is no lipstick!" Persephone, arching a brow, retorts knowingly: "She wasn't kissing your face, my love..." By this point, however, Persephone has already sought an infidelity of her own...
Persephone leads Neo, Morpheus and Trinity into the gentleman's room. Turning to Neo, she insists that she will give him what he wants - the location of the Key-Maker - only if he will kiss her in return. As Neo's lover, Trinity is bristling with resentment, but Persephone persists: "I want you to kiss me, as if you were kissing her." Neo removes his shades and obliges.
This is another moment where I would part company with the 'Reloaded' film - this time in favour of a fantasy porn sequence. Persephone, played by Mercedes, would bend to her knees and fold back the material of Neo's cassock-style garment to expose a massive, rigid cock. Her head would bob up and down as she fellated him, and her long, straight dark hair, hanging down her back, would shimmer as she moved. Trinity would look on, clenching her jaw with jealousy. There'd be a close-up of Trinity's squirming, latex-covered crotch as she stood there, watching, powerless to intervene. Neo would complete his end of the deal by accepting a tit fuck from Persephone, his cock enclosed within this femme fatale's deep cleavage as she pressed her breasts together. He would spurt hot jism all over her tits and neck, and the contours of her body would shine with sperm under the bright lights of the lavatory...
SEX CHASE IN GRAFFITI LAND
At last, we have it... a deliberate, unmistakeable and very effective parody of the 'The Matrix', but only for a minute or so! Check out the beginning of Lucrecia del Toro's 'Sex Chase In Graffiti Land', starring Tiffany Hopkins and Andy Elias, in 'Private XXX: Fuck My Ass!!!'. The scene was shot in Barcelona in November 2004, some months after this thread was started. So who knows? - maybe that opening minute is a response to forum requests to see some 'Matrix' stylings in Private! It's an excellent scene, by the way, with some exciting and original shots of the sex, particularly the doggy position!
Re: Triple X video #4
In 'Ania', when Richard Langin is doing the girl doggy style, I like the way the breaking waves crash around them, and how he smacks her rump and suddenly grabs her hair to pull back her head before inserting a finger into her mouth. The finish is truly classic: Lecastel's huge, wet cock is spanking one side of Ania's face; she is energetically wanking Langin's spent member against the other side of her face for every last drop she can get; her sucking mouth is continually busy between the pair of them; and, as she grins rapturously and shows her perfectly white teeth, that creamy dollop of spunk rolls down from her lips to the chin.
On the same tape, foxy brunette Gaby - best known for her role as the bitch in 'the Gigolo' - performs a hot lesbian scene with blonde bombshell Evy. In the tape's last scene, the sumptuous Laura Palmer is stripped out of her khaki gear for a good pumping in a military tent, though she keeps on her boots throughout...
I feel quite nostalgiac for 'the Woodman era' of Private video. There were always other directors for private, of course, but Woodman set the standard. There were fewer video ranges than today - we had 'Private Video Magazine', then 'Triple X' and 'Private Stories' as well as the classic feature-length films - so I think, as Private fans, we were all getting off on the same material as each other to a greater extent than is the case now, where there is greater diversication.

[Link]

From 'Sweet Baby' to 'Sweet Lady'...
It's been interesting to read all the speculation about why certain Pierre Woodman titles are no longer available in their original form, and to consider why these films might be in need of censoring or re-editing. A lot has been written about 'The Tower' and 'The Golden Triangle.' Nerdgirl has told us that in the case of 'The Tower' the problem was to do with the location, and that the reason for the film's withdrawal is less sensational than we had all conjectured. In the case of 'The Golden Triangle', on the other hand, it appears that the problem was a thorny one to do with a girl in the cast, Natacha.
I finally got around to ordering 'Sweet Baby' vols. 1 and 2 this week, and when these DVDs arrived I was interested to note that on the box covers the wording of the title has been changed to 'Sweet Lady'. I assume that this alteration has been made to eliminate any possibility of a dubious or undesirable ambiguity: out of context, "baby" might be misconstrued as suggesting under-age...? If I'm right, it's reassuring that Private is taking this super-sensitive approach to a revised presentation of its products: this shows that the company is serious about its responsibilities as a world leader in the production and distribution of 'civilised' porn.
That said, I couldn't help wondering whether 'Sweet Babe' might have been more appealing than 'Sweet Lady' as a replacement title. The word 'babe' doesn't have the same ambiguity that 'baby' might have - it is less vulnerable to being misconstrued - but it does sound pretty cool. Then again, 'Sweet Babe' lacks that catchy third syllable which 'Sweet Lady' preserves...
Any which way, Nikki Andersson rocks!
Sweet Lady? As Madison Avenue put it in the lyrics to their hit single:
"Don't call me baby
You got to know that that will never do
You know I don't belong to you
It's time you knew I'm not your baby" :-)

Availability of 'The Tower' trilogy
Originally Posted by laserdude:
You can get the tower 1 on dvd, but 2+3 come in one, but don't have all the scenes. Some of the best scenes are missing, like the one with the asian girl.
I recently ordered and received the deleted Private DVDs 'The Tower' and 'The Tower 2 + 3' from an American retailer, Adult Video Universe. Both DVDs were produced in 2000, and I was surprised and delighted to discover that these releases were still in stock. The Adult Video Universe site includes customers' reviews of titles on sale, and the following review of '2 + 3', together with comments already posted in this thread, left me with no illusions about what I was buying. 'The Tower' DVDs are edited versions of the original VHS releases, and certain scenes with good-looking models and great sex are not included. I remember these missing scenes from old VHS copies, but even so I've been thrilled by the opportunity to acquire the edited DVD editions. The 'surviving' scenes are premiere-league Woodman, and after all they make up, by far, the greater part of the original movies. It's been fun to watch again the scenes with Alyssa and Monique Covet - in the light of Woodman's recent 'A Life In Porn' reminiscences about casting for 'The Tower' and his personal hotel-room frolics with these girls!
Footnote:
An 'Adult Video Universe' customer review of the (now deleted) DVD edition of 'The Tower 2 + 3':
"Private have made a monster mess of this release. The sequels to The Tower are great movies, however the first 20-25 mins of Tower 2 is mysteriously missing [ - a segment] which involves [characters who are meant to represent] a mother, father and grown-up daughter ... . The next monumental mess up is the 'English' audio track, which is in fact the original French audio track with the occasional commentary by an unknown woman. There is no English subtitle option. The original release on VHS had a French audio track and the best English subtitles ever given to an adult movie. These make the film and with these missing the film is ruined - after all when was the last time lines like 'I'm gonna sweep your chimney white girl' or 'This hole's reserved for daddy' appeared in an adult movie you saw? It's only redeeming feature is the excellent print quality. A very sadly disappointed Tower fan."
Re: Nikita Denise in The Center Of Sex
Nikita gives an amazing performance in dvd scene selection 2 of The Center Of Sex.
The context of Nikita's scene is that Mark Davis is introducing Toni Ribas to the porn industry. At the beginning of the scene, Mark is sitting next to Nikita on the sofa and he pays her a compliment: "Yes, she's one of the best girls in the business, aren't you darling?" Nikita looks utterly feline in her pleasure at this acknowledgement; she beams at Toni with her wide, generous smile, shrugs her shoulder at him invitingly and pats her hair. Mark asks Nikita whether she likes the look of Toni. She expesses her approval, and her deep, husky voice is completely seductive. She puts her finger to her mouth, crosses over to Toni and delivers the line,"I luuuurve big boys" in a thick, exotic accent and with full-throated gusto, smiling all the while. Some smooching ensues.
GregandSarah's choice of fourteen Private kissing pics has impressed us all and made it onto Private.com for Valentine's Day, but if we were to have an equivalent list of top kissing moments in private movies, then Nikita's tongue action when mouth-to-mouth with Toni would be a chart-buster too. Nikita may have the sweet facial features of a pussycat, but her probing tongue is like the tongue of a serpent or a she-devil: it is long, tapered and demonically wicked.
The blowjob sequence which follows gives Nikita ample opportunity to showcase her versatility with her tongue, but her most awesome talent is her ability to deep-throat. She definitely means business: whenever she releases a throbbing cock from her mouth to catch her breath, it breaks free with a wet popping sound and a bobbing motion which leaves us in no doubt that it has been well and truly sucked. By now, both guys are in on the action: during most of the fucking which takes place in this scene Nikita is therefore able to continue to stuff her mouth with cock - with one or other of the pricks - until we get to the dp.
The dp in this scene is a sight to behold. Both men penetrate Nikita to the hilt, simultaneously plumbing her in a steady rhythm of shared pleasure. Ever one to involve the viewer, Antonio Adamo directs the performers into a final dp position which enables Nikita to look to the camera, past Toni's back, and engage us directly with a snarling expression of lust which more befits a tigress than a sex kitten.
The cumshot is out-of-this-world: spurt after spurt curls towards Nikita's mouth. She extends her tongue to its full length so that it breaks the fall of every creamy dollop and causes the sticky white spunk to slip and slide over her lips and teeth or drop heavily down and splash against her tits. Then she turns her gaze to the camera and sucks the pricks in turn, determined to milk them for all they're worth. At 12 mins. 52 secs., having just applied deep suction to each cock, she suddenly releases from her mouth a gooey trail of residual cum which plummets squack between her tits to a destination out-of-frame, possibly in her lap. Before the fade-out, Nikita guides the red head of Toni's cock to her nose and puckered lips and shakes her face from side to side so that his bell end rubs against her gorgeous features and affords him a final round of incredible sensations. What a girl!

Re: Gothic / Faust: The Power Of Sex
I wondered whether any of the Private girls go for gothic looks, fashion, music and clubs as part of their lifestyle preference? Possibly not - as the goth scene is not as big in eastern Europe (from where many of the private girls hail) as in the west.
Michael Ninn definitely has a gothic sensibility. He is interviewed about this in Gavin Baddeley's 'Goth Chic' (Plexus, 2002, p.243).

As for Ninn's Private work - 'Perfect' has some absorbing goth themes, though it's not a fully gothic film; and there are some wonderfully moody ethereal tracks in the incidental music (which are isolated for us as an audio bonus in the 'extras' disc. Check out Track 3, called 'Too Far Away').
Michelle Wild - now with longer hair than in her earlier appearances - has a fantastic latex fetish-goth image in her photoset for 'Sex' magazine #45. With raven black hair and heavy black eyeshadow, she looks sexily vampiric and better than ever, in my opinion...
Belladona as Walpurga in Jose M Ponce's 'Faust: The Power of Sex' gives, arguably, Private's most accomplished performance in the field of gothic porn.
Dvd scene selection 7:
In the extra materials 'Report' for this dvd, Nach Vidal (Mephistopheles) and Toni Ribas (Faust) are interviewed at length about their views on porn and each other's performances. Toni Ribas has interesting comments to make (if a little unclearly) about how, to his mind, Jose M. Ponce is beginning in this movie to achieve a balance between two genres: (i) the realism and authenticity of "good sex" as found in "gonzo" style porn, and (ii) the "aesthetics and splendour" of the sort of porn production which has all "the resources of cinema" at its disposal. Scene 7 illustrates how Ponce is working towards the best of both worlds.

Mephisto introduces Walpurga as the embodiment of his power, the power of sex, and we see her at work with two guys - on a set dressed in crimson and chains. Throughout the movie, dark Walpurga has 'big hair' and heavy eye make-up in the style of a goth. For this scene, she is wearing a costume comprised of green bits which dangle like the tendrils of a triffid and which sway loosely about her fulsome body as she performs. The sex begins with a blowjob sequence in which Walpurga crouches between the two guys and works her head between their cocks in a frenzy of alternation. we see at once the sort of thing which Ribas is talking about when he praises the emphasis on messy realism which is found in the work of Americans like Andrew Blake, Joey Silvera and John Stagliano: Walpurga is deep-throating each man completely, then bobbing her head up and down their pricks at a maniacal pace while they, for their part, make thrusting, lancing motions at her mouth. Long trails of saliva hang between her face and their cocks, and she lets the goo which has gathered in her mouth during her deep-throating activities drop down from between her red lips. Walpurga is played by Belladona, who is an American girl, and it is clear from this scene that she is no stranger to the American art-form of deep-throating! After this, she continues to suck on one guy while bending over so that the other guy can do her doggy-style. As this is happening, her haunches, thighs and buttocks are angled towards the camera - and we can relish the ample expanse of firm flesh which makes up Belladona's butt! The rest of the scene is a tit-bobbing, ass-busting exercise in pure pleasure.
Scene selection 8:
For this scene, some black mesh finery is added to Belladona's light gothic costume, and she fellates Toni Ribas in a much gentler, more measured style than the messy approach she took with the guys in the scene before. Before long, though, Nach Vidal is also involved in the action, and Belladona is getting an energetic dp with the two lead men of the film. In the 'Report', there's an amusing argument between Vidal and Ribas about what they think of each other's approach to the girls in the sex scenes they do, and despite their obvious friendship there are times when this quarrel gets a little uncomfortable. If you've seen that interview, there's an extra fascination in watching them share Belladona for this dp! but the scene has a surprise ending: in struts Sophie Evans, wearing a fetching dark wig; while Vidal and Belladona continue to canoodle, Sophie stoops over to suck on Ribas and finish him off with a brisk, highly watchable handjob! Just listen to his groans of Faustian ecstasy!
There's much more of belladona in this twelve-scene gothic masterpiece, but i've got writer's cramp (yes, i said "writer's" cramp, not "wa..." ... oh, never mind!)
Incidentally, Nach Vidal makes a reference in the 'Faust' 'Report' to another film made by Jose M. Ponce called 'Gothix'. Anyone know anything about this?
Re: Funky Fetish Horror Show / Broken Dreams / The Secret Delights Of Baroness Kinky
A scene which, for better or for worse, is a typical illustration of Kovi's handling of light S/M themes in the 'Pirate Fetish Machine' series is 'Metal Dominas' from the film, 'Funky Fetish Horror Show' (dvd scene selection 2).
Lolita and Myli are a pair of full-bodied blonde bitches who strut through a big bacofoil set while blue and violet lights sweep to and fro across the shimmering space in disco style. Myli wields a whip while Lolita carries a crop. The girls are snarling and directing mean looks at the kneeling slaveboy who's trapped at their mercy behind bars in a kennel-shaped cage. I'm not sure who this poor chap is, for the process of elimination which I tried to apply to the male cast list in the film's 'Production Notes', using some prior knowledge of who's who, left me, still, with two possibilities: I think the guy must be either Diether Von Stein or Zolee.
The girls begin to swipe at him with their instruments of punishment, but they do so in a fashion which is at best halfhearted and which gives rise to the suspicion that despite their domina bravado they are, at heart, as soft as pussy cats. It's less a flogging than a flicking. In any event, the hunk is humbled. The chief humiliation is probably his costume. Manly though this prisoner is - what with his aggressive flat top and ample hard muscle - he undeniably looks silly and camp in his shiny briefs, ankle boots, arm bands and body straps.
Myli attaches a chain to his dog collar, then she tugs him out of his kennel and leads him around on all fours. Lolita straddles him and eggs him on by giving his haunches a tap or two with her crop. They push his head into a bowl of dog biscuits, then they force him to kneel upright and to waggle his forearms and wrists around for them in imitation of a performing circus hound. After a further round of prodding and goading, Myli lies back on the top surface of a cage and Lolita pulls the slave across it, in between Myli's legs, so that he can begin to lick her out. So begins the sex, and the scene never looks back...
Originally Posted by Flashboy:
Personally I would love to see Private offer a more elegant and understated fetish line. I always found Kovi's offerings brash and garish and almost science fictional in look - too much emphasis on bacofoil costuming and freakish make-up and hairstyles. Occasionally imaginative, but for me a guaranteed wood-slayer.
As I say, I'd love to see a toned-down fetish film, perhaps with a restrained (pardon the pun), aristocratic flavour. Beautiful women; cigarette holders; stately homes; heels; stockings; bullwhips; riding crops; floggings for the young maid; cat o' nine tails for the butler; sperm and silverware; corrupted innocence and the cold, disdainful cruelty of the English upper class, what Ian Fleming called "Sex, snobbery and sadism".
How about it, Private? I'll write the script!
Flashboy, have you tried any of the early 'Pirate Video Productions', directed by Frank Thring? Some of these have understated scenes which achieve a moody intensity. They may be more to your taste, and they're now available on dvd. Check out 'Broken Dreams', for example, which stars the sexy but soulful Miralda, and is set in an Austrian country mansion. Miralda's persona has about it the same 'film noir' whiff of abused vulnerability which Ian Fleming wrote into many of his girl characters for the James Bond novels.
The style of the 'Pirate Video Productions' is usually much lower-key than the style of the 'Pirate Fetish Machine' series - but personally I like this later range too, and I enjoy the lurid cyberbabe look that it often gives to the girls.
Originally Posted by Flashboy:
Hi Baskkk, yes I vividly recall Broken Dreams. It came very close to the ambience I'm after - particularly in the opening scene, where Miralda's tool-troubling derriere is perfectly accentuated by jodpuhrs (a personal fetish of mine).
I like the sound of the upcoming fetish epics. 'House Of The She Wolves' sounds fantastically pulpy, while Thring's 'Secret Delights of Baroness Kinky' sounds as if it's close to my decadent aristo fantasies (Thring has a tendency toward the great British tradition of the Carry On in his movies, but hopefully he's playing this one pretty straight, a la Broken Dreams). If not, hand me a camcorder, a riding crop and some chambermaids and I'll make you a classic!
[quote=Flashboy]Hi Baskkk, yes I vividly recall Broken Dreams. ... Miralda's tool-troubling derriere is perfectly accentuated by jodpuhrs.
... Thring has a tendency toward the great British tradition of the Carry On in his movies, but hopefully he's playing this one pretty straight, a la Broken Dreams. [/quote]
I agree that the sight of Miralda in jodhpurs is totally intoxicating! I like the melancholy sequence at the beginning of 'Broken Dreams' where she trudges through snow and then pauses to gaze wistfully at the mansion, reminiscing about happier times... Thring's camera is soon making the most of Miralda's bottom, which is tightly sheathed in the jodhpurs, and before we know it the subtle sense of sadness in the scene has given way to overpowering lust...
I think that Thring's 'Carry On...' phase is found mostly in his movies for the later range, 'Pirate Video Deluxe'. I share your hope that Thring will return to a more serious note in his new work.
Despite the fetish trappings, 'Pirate' movies have always been primarily about the sex, of course - the sucking, fucking, anal and cumshot routines such as we find in all releases from Private. Those of us who relish porn which indulges fetish practises like spanking and humiliation as ends in themselves have to go elsewhere to find it... I, too, have a penchant for pervy Victoriana, cruel masters and whipped young parlour maids!
There's a scene in ‘The Secret Delights Of Baroness Kinky’ where Zora Banks whacks Frank Thring's bare ass with a crop really hard, several times. It's all over with fairly quickly, but it's the hardest spanking stuff I've ever seen in a Private movie - quite close in its effect to 'spanking genre' material which some other producers specialise in. Kinky indeed!

Re: Blowjob Mania
Originally Posted by Jex561
A blow job movie without cumshots? What are these guys thinking about? This is a compilation of various starting scenes were the girls give some head. Nothing more. No cumshots, the scenes just suddenly change.
Hi, jex. Maybe you'd prefer the Private compilations 'Cumshot Deluxe' 1 & 2 or 'Cum Guns'. As for 'Blowjob Mania', I like watching girls sucking cock at the start of scenes or part way though scenes, so, for me, seeing a compilation of these sequences is an entertaining experience, building up a heady momentum. Besides which, there are some cumshots included in the mix, as you point out. 'Blowjob Mania' is a clips compilation, drawing from the work of different directors and reflecting various styles. Okay - it's a different concept to 'The Blowjob Adventures of Dr. Fellatio', for example, where each sequence is especially filmed for the movie and ends in a cumshot, but that particular format can look rather 'samey' for my taste.
I take your point, though, about consumer expectations. The consumer who's used to a series like 'Dr. Fellatio' might assume that any title with 'Blowjob' in it will be yielding a cumshot with every sequence. So when the customer is casually browsing a porn store and catches sight of 'Blowjob Mania' it might not be immediately clear to them that this Private title occupies a different niche to the likes of 'Dr. Fellatio'. The current write-up for 'Blowjob Mania' in the on-line Private shop is misleading to the extent that it refers to the movie's seven categories as "cum-drenched".
The sequences compiled in 'Blowjob Mania' are whimsically arranged under seven headings: 'Good Jobs' (dvd scene selection 1), (2) '69', (3) 'Big Pricks', (4) 'Double Jobs', (5) 'Dual Jobs', (6) 'Deep Throat', and (7) 'Full Time Jobs'.
Here is a mention of some of the clips from (1) and (2). Does anyone want to share a mention of their favourite clips from the other sections of this breathtaking tour-de-force of a compilation?
(1) 'Good Jobs'
- The intense intimacy of Maria Bellucci's attention to David Perry's bell-end ('Wet Young Bitches').
- A low angle shot of fetish bitch Suzy Q, blowing John Walton - it's all pale neck and pink lipstick, with a fine display of deft tongue-work to the balls ('Love Me Deadly').
- A long shot of Judith Fox blowing James Brossman in a shallow pool, with the azure sea and horizon in the background. A classic composition from 'Madness' - this image should be hanging in The Louvre!
(2) '69'
- Toni Ribas standing upright with Jodie Moore's thighs clamped around his neck. He's supporting her by grasping her ass cheeks and he's pleasuring her by licking her pussy, while down below she's greedily blowing him, her blonde hair hanging to the floor ('Reality 21').
- Femme beauty Barby in 'Fever', sucking away at Alberto Rey. This girl is like an in-the-flesh incarnation of the Disney Snow White: she boasts a pale complexion, jet-black hair, bright blue eyes, scarlet lipstick and a buxom bosom. Another winner from Adamo!
- Young, tight-bodied and tanned: Mia Stone and Laureen Kiss go to work with Ian Scott on a beach of white sand... ('Exotic Illusions 2')
Re: Private Soundtracks
Perhaps Private could produce a limited edition 'Best of Private Music Soundtracks' audio CD. These would be my suggestions for tracks to be included on Side A.
1. 'Hot Pool' 2. 'Fetish Treatment' 3. 'Two Times Born' 4. 'Sunny' 5. 'Too Far Gone'
1. 'Hot Pool' is a title I've assigned the intense, moody track played to accompany Kate More's scene with Sophie Evans and Franco Roccaforte in the indoor swimming pool in 'Fashion' (dvd scene selecton 3). I wouldn't include the lengthy musical intro which gives a background to the voiceover at the beginning of the scene, but instead I'd begin the track from where the action between the girls starts, at 1 min 30 secs, as the synth percussive effect suddenly snaps the scene into a sexual rhythm. I'd fade the track out at 5.30, before it mixes into all those unconvincing sexual moaning vocals.
2. 'Fetish Treatment' is the title I'd give to a slinky synth rock track in 'Sexterminators' (dvd scene selection 3, 2.34 - 7.16). it's the track to which cyberbabes Mandy Bright, Michelle Wild and Patricia Diamond perform an erotic dance and a masturbation show for the benefit of a bedridden patient.
3. 'Two Times Born' is the track played against the 'extra scene' featuring Vivien in the dvd edition of 'Call Girl'. It's also used in the main body of the film, where clips of Vivien are mixed into the scene with Sindy (aka Monica Moore) (scene selection 6). This track, in the style of electronic trance music, helps to induce the sensation of a sexual 'rush'. It's the most effective use of music in porn that i've ever heard!
4. 'Sunny'. I've named this after actress Sunny Blue. It's a piece of light, disposable eurotrash music to which sunny bops, teasing and wriggling for the viewer at the beginning of her scene in 'Superfuckers 7: The Analsexexplosion' (dvd scene selection 2).
5. 'Too Far Away'. this is the ethereal / gothic track used in 'Perfect', dvd scene selection 8, to accompany the sex between Jodie Moore - in costume as an angel - and the figures of god and the devil. The track is also included, with this title, as track 3 in the music option on the 'Perfect' dvd extras disc.
Anybody any suggestions for Side B of this CD compilation?
Originally Posted by Sirgaj:
Hi to all! I'd be really thankful if anyone could tell me name of the songs that are played in each scene in ]Private Gold: Party Babes.
The music in 'Party Babes' is all credited to Ninfa and the rights to it are held by Fraserside Holdings Limited - i.e. it's all Private's music.
The individual tracks have no on-screen ID other than the titles of the scenes against which they're played, and the vocalists don't have any individual on-screen credits: so the extra information you're asking for would need to be posted by someone who was actually involved in the production or who has inside knowledge.
The sex scenes which stand up best as music video parodies are 'The Black Studio' with Tarra White, Black Angelika and Mike Angelo - the 'gangsta rap' track which goes with this one is really good - and 'Tekno Babes' with Suzie Diamond, Tarra White and Ramon Nomar.
Re: Island Fever / Lara Stevens
I agree that it would have been good to see more of Lara Stevens in 'Island Fever'. Despite her limited role in the action, she is very much 'the face' of the film, as manifested in the superb cover pic printed on the disc, which also graces the front of Private's mail order catalogue for winter/spring 2003-04. It's a head-and-shoulders shot of Lara which promises so much: the come-hither look in her bright, clear eyes; lips parted; the alluring expression of carnal speculation; her sun-kissed shoulders and shapely young breasts; her strands of long hair, wet from the pool, descending to her tits; a hint of down on her upper arm, and the left nipple in profile... exquisite!
Lara shares her 'Island Fever' scene with Violet and Katja Kassin (dvd scene selection 5). My favourite part is where Violet and Lara fellate the guy as he's sprawled back by the edge of the pool (5.56 - 7.28). The girls are in the water, leaning forward and across the guy's stretched legs to deal with his cock. Their bottoms are at water level, rocking slightly, and the guy sticks a foot out under each girl's crotch so that little waves ripple to and fro. Violet's clammy wet hair is all over her back and bottom. The girls show amazing expertise as they suck and nibble the guy's balls, flick their tongues deftly over his helmet, and massage his cock, legs and belly with gentle movements of their hands.
There's a nice shot at head level, by the edge of the pool, with Lara and Violet licking saucily away, when suddenly Katja's calves, feet and high heels appear in the frame as she strolls purposely towards the fellated guy. Katja stoops to kiss him on the mouth. this is the cue for Lara and violet to move back from his lap and recede into the pool, for it's now Katja's turn for a fuck... the water laps noisily at their shoulders as they withdraw, and check out Lara's petulant pout as she keeps her eyes trained on the man she's having to abandon...
On another Lara…
I find the Lara Croft image a massive turn-on. In fact, there already are at least a couple of Lara-themed porn movies. The better one is Jay Jeff's 'Jewel Raider'. The title role is played by a gorgeous actress called Jewel (aka Venus) who is best known to Private fans for her scene in Moto XXX. Jewel gets fucked by veteran stud Mike Horner while wearing her Lara costume in a scene which sends shivers of lust coursing up and down my spine. The other movie, 'Doom Fighter', is by Romagnoli, but I don't rate it as highly as his Private films. Also, Sophie Evans has done a turn as Lara in a photoset for one of Private's magazines, but I don't have the reference to hand. As for Indiana Jones, I guess the Private movies Indiana Mack I and II pick up on some of its ideas.

Re: Janet (aka Jeanette Morrison)
Janet's most memorable performance is with James Brossman in 'The Collector'. They appear together in a windswept, hillside scene which it must have been positively dangerous to shoot. The copulating couple are perched on the craggy ridge of a steep drop, buffeted by the gale. When Brossman cums, he aims at Janet's face but the abundant jets of jism spay about in the wind, every which way! - a good scene in a very good movie.
Re: Rita / Diana
In porn, it's nice to watch a girl swallow and gulp, but it's nicer still, I think, to see the cum all over a girl. It's good when private directors like Antonio Adamo and Frank Thring let the camera linger over a jism-splattered pretty face.
In Pierre Woodman's 'Tatiana', Rita, who play's Tania's slutty sister, memorably takes five mighty cock-loads of spunk to her face and open mouth in quick succession. It looks to me as if she swallows at least some of the deposit in between the third and fourth of these five orgasms.
Originally Posted by filipv
I also like to see the cum drip from their chin.
Private girls who give good chin? I think the girl with the most strikingly attractive jaw-line and chin is Diana. Diana was one of the 'Best Russians' from the 'Woodman era' of Private video - a fleshy, blue-eyed brunette with a wide and friendly smile.
In some of her scenes her hair is tied back and curly, but I prefer her in 'Horny Breakfast', in 'Triple X' video no. 8, where her hair hangs down and sets off spectacularly the strong and sweeping curves of her beautiful face. At one point in this scene the camera introduces a fantastic close-up of Diana's face - which is swaying as she smiles at us - and then it zooms out gradually to reveal that she is being shafted doggy-style over the breakfast table.
In the finale the guy chucks his spunk over Diana's face and neck and a small white glob ends up on the centre of her chin. She uses the cock to rub and smear the sticky wetness of his jism all over the broad features of her smiling face, and her chin is glistening as the scene fades out.
This scene is one of my all-time favourites. It was temporarily available on DVD in the re-release of Triple X video #8. Yummy.
Re: the 'Madagascar Sex Resort' cover
Olivia La Roche's playfully-performed pout is a complete 'plus' in my books, not to mention her beautiful body and her youth. Check out her fun-loving, mocking "Oooooh!" as Franco Trentalance comes on to her heavily at the beginning of their beach scene in 'Sluts Of The Caribbean': she has 'tood; and that's always a sign of real class! I'd love to see her become a 'contract girl' and work for lots of different Private directors.
Notes and Queries
I've been consuming Private porn in one form or another since the mid 90s - on and off - and in that time I've kept a 'weather eye' on Private's main competition. To my mind Private has always been way out front - and it still is. If I'm nostalgiac about Woodman's Private works it's because he was a leading light in revolutionising European porn, but since his departure an array of new talent has carried the torch forward at Private and maintained an influential industry standard.

Recently there seems to have been a degree of criticism of Private output - particularly on message boards in the U.S. - with contributors objecting to what they regard as the 'softcore' ethos of the company's high production standards and style. This I utterly fail to understand. For me there's nothing 'soft' about Private's aesthetic presentation - the gloss and glamour serve only to enhance the impact of the hardcore action and celebrate the cumshot!
The cumshot is inarguable evidence of the reality of male pleasure on set, whatever the context - and it's a necessary point of identification for a male spectator seeking gratification from watching the scene. But once the cumshot is guaranteed, and all the hardcore business around it is given, I see no reason why the porn shouldn't be packaged in a slick and stylish form. This is exactly how it should be.
'Real sex' porn is too often an excuse for weak production values. Nothing bores me more than overlong scenes, drab sets, bad lighting, inept composition, crass editing, and costuming and make-up which fail to show the girls at their best. That's not what I want from porn. To be honest, if I want 'real sex' I can go out and have it. I'm interested in porn only if it can use all the expertise and resources of advanced media production to take sex to a different place altogether, a world of stylised fantasy.

As for peeing - save it for the piss pan.
Likes / Dislikes
In Private movies, some directors go for highly stylised sexual choreography while others are touching base with scenes of 'earthier' sex, but what they all have in common, it seems to me, is a view of the cumshot as a kind of celebration. Some of the bukkake stuff found elsewhere uses cumming as a means of bringing the woman down to a point of extreme degradation, and this appeals to fewer people, crossing boundaries of taste and acceptability.
I've seen some Thompson / GGG stuff. Writing personally as one consumer, I have to say that such stuff does nothing to float my boat - in fact, some of it turns my stomach. But I wouldn't write to GGG to ask them to be more like Private: I just don't go there.
Re: Pleasure / Addiction
Originally Posted by Orko:
First of all I would like to see more aroused girls
The opposite point of view might be that, for selfish or lazy guys like me, 'unreconstructed' porn which is centred on male pleasure has an advantage over 'chick flick' porn - or even real sex - in the sense that as a male viewer you can get yourself off without having to think about or take any trouble over a partner's needs: its all about gaining pleasure from looking at the image of the woman's body as she fucks! Whenever I watch movies in which there is a lot of emphasis on pussy licking, such as Vivid's stuff, I tend to forward-fast through all that to get to the bit where the girl goes to work on the guy's cock! (I know this is unlikely to endear me to women members, but maybe this urge to 'cut to the chase' explains the predominance of male-pleasure product in the market for straight porn!)
I'm not 'habitually occupied' with porn per se, but I do give up time to enjoy it in its classier forms - which is why I go to Private. I guess spending time in this forum, writing reviews and opinions, turned it into a hobby. Generally, I verge on an 'obsessive personality' - I really commit to the things I choose to do and pursue them doggedly - but for me that's the same at work and in other areas of life. To me, an 'addiction' would be something outside my power, but I can and do control my demons and I can exorcise them when necessary.
Sure, where porn exploits vulnerable people it's clearly wrong, but a properly regulated industry with adequate provision for the rights and health care of the performers is okay.
As for porn users, you can't generalise. True, for some people their use of porn can become like an illness, comparable to alcohol or drug abuse, but such people are often disempowered in their lives generally, and they fill the emptiness with their addictions... but it's equally true that for many others looking at porn is just one part of leading a balanced and fulfilled life.
At the end of the day, porn is what you bring to it. A tub of Pot Noodles is inedible until you pour boiling water into it, and it's up to each of us whether we put the kettle on.
Rating Private’s Directors
I think that developments in digital media can offer ever-more impressive platforms for delivering porn, but in the end it's the quality of the creative talent in terms of the directing, casting and production design which matters most. As for storylines, there is a limited number of archetypal narratives available - this limitation applies to any genre, not just to porn. The trick is to come up with fresh ways of inflecting and dressing the familiar narratives.
Personally I think that Private continues to fare well, and I agree that the best way to go is within the stylistic traditions established by Woodman and Adamo.
I always liked those brief black and white replay sequences in Adamo's films. They mark the transitions between the different phases of action in a sex scene and they seem to me to be psychologically true to the experience of having sex. They parallel those moments of delirious pleasure during lovemaking when you close your eyes and allow the freshly-made memories of the high points of what has so far been happening between you and your partner to flood your mind and spur you on to further exertions... As for Adamo’s use of slow motion, that ties in with the feeling you sometimes get during sex, that the experience is so blissful and intense that it is even putting time out of joint.
Romagnoli is in many ways a protégé of Adamo, equally capable of creating effects of lust-infused dreamlike delirium.
I think there's almost a case for two entries for Woodman, as he gave us two styles of product: (i) his high-profile, on-location feature film series and (ii) his more 'gonzo' type of stuff in the 'Castings' and 'Superfuckers' series.
For me, Alessandro Del Mar has yet to make a big impression, and I await 'Millionaire' with interest as he's been given that project and I know that it's an important one ("this year's 'cockbuster'", as Madboy explained).
Gazzman blew me away with 'Hot Property' and he deserves a high rating on the strength of that movie alone.

'Sex Angels' has been made a flagship title, and although Dominguez has an entertaining stab at it, serving up some very raunchy scenes, I'd have liked to have seen a director on that one who's capable of a little more gloss and post-production panache. I still prefer Nic Cramer's 'Operation Sex Siege' as a Private movie in the 'Guns and Rough Sex' genre (though maybe Ivy Crystal was a little underused!)
A really exciting development, I think, is a contribution to the Private range by acclaimed American director Michael Raven. I've just seen his new release 'Delilah'. The star is adorable and the production values are high. If Raven is going to do more work for Private, he'd be picking up on the trend for high-end American gloss started by Michael Ninn.
Re: Chateau
It's been a while since I bought new Private DVDs, but my latest purchases arrived this week... so I can start catching up. I've begun by watching 'Chateau' #1 and 'Cum On My Face' #3. I'm saving up my new 'Crusoe' disc because I'm expecting it to be something special.
I couldn't help feeling that several of the 'name' stars in Conrad Son's 'Chateau' have passed the zenith of their porn careers. Four of them already have enough water under the bridge to have had their own 'The Private Life / Story Of...' releases; and, in some cases, faces (if not bodies) are looking somewhat tired and lined. My favourite scene is the one with Victoria Swinger. Even she has been around for a while, but she retains a bloom of youth... a bloom which seems, now, to have faded from some of her more seasoned co-stars.
With all due respect to established favourites, I think it's time for the limelight to be trained on up-and-coming new talent. Pierre Woodman always had a knack for populating his movies with fresh faces - devastatingly attractive newcomers - so even the feature films he did which lacked a strong 'concept' became classics of the highest order. (I'm afraid that 'Chateau' doesn't really cut it as a strong 'concept' feature, by the way... If the publicity and packaging didn't spell it out that this is supposed to be a 'Dynasty'-style saga, I would never have made that connection. That's not to say that 'Chateau' isn't picturesque... the cinematography on location is sometimes very impressive indeed.)
On the question of casting, one of the likeable developments in the 'Cum On My Face' series is that the line-up includes a number of girls brand new to Private... delightful fresh faces being spunked all over! Familiar face Bobbi Eden gets #3 off to an enjoyable start, but, later on, several scenes introduce beautiful new Czech and Hungarian babes, popping their Private cherry with a hot wet blowjob. I hope we're going to see a lot more of some of these girls...
Which up-and-coming Private euro-starlets would members single out as well worth keeping an eye on... 'the next generation' of porn movie celebrities?
I've got a bit of a thing for Angel Dark and for Thalia... mmm, now where's my 'new 'Crusoe' disc?

Private Nostalgia
My first Private tape was an early Private Video Magazine but I can't recall its number right now. There's a scene in it called 'Bed and Breakfast', and a scene starring a sweet-faced brunette who had hair flicks which would now look rather dated. I remember watching her take a facial and thinking, "Yes, here's a porn range I'd like to see more of." On the same tape is another good scene which I think is called 'Caribbean Bath', starring American hotties Vanessa Chase and Zana Sun.
Re: Castings
In Toni Ribas’s 'Sex Auditions' series, maybe the suspense is meant to be all part of the entertainment: in some of the auditions Toni gets to go the whole way; in others, he doesn't; and the viewer is kept on his toes wondering if the girl in the scene just starting is indeed one of those who has agreed to get fucked!
But if the viewer really likes that girl and she doesn't get fucked it feels disappointing, so maybe it would be better if the movie included only those girls who do agree! (In his Castings movies, Woodman used to include odd interviews with some of the beauties he didn't subsequently use, but these came at the end of the movies, like appendices, so you kind of knew what to expect and weren't so disappointed!)
Re: Private Magazines
I used to love it in the days when Woodman ruled the roost at Private, and particularly in the magazines of the 90s when the models had cartoon-style thought bubbles coming out of their heads (I've lost count of how many times Alain Deloin was shown to be lost in clouds of thought while shafting some gorgeous euroslut in the ass.) I also liked the addition of curly captions to the photosets, suggesting a comic-book chorus of sounds and exclamations: "Ahhh! Hmmmmmm! Flop Flop! Slurp!" etc. This never detracted from the horniness; in fact, it added to it, and gave Private a new tone of good-natured fun. Does anyone agree with me? Anyone like to reference any favourite examples?
I think that nowadays the quality of the photography in Private's stable of magazines is better than ever, but I miss those cartoonish graphics. These days it is more typical for 'artsy' style graphics to be added to the photosets, and I find that occasionally these can be a little distracting. For example, the Frederica photoset in Private magazine #181... The photography is fantastic and the girl is as horny as hell, but the curvy lines which cut 'artsily' through the action do get in the way a bit.
Originally Posted by Dutchy:
Am I right? Is Private changing its strategy for the magazines?
In 2006 the Sex magazine label is changed in a kind of actress special (#64 Michelle Wild; #65 Rita Faltoyano; #66 Liliane Tiger and #67 Priva)
The photosets in Private magazines and Triple X magazines become more and more pictures from movies scenes.
Only Pirate magazines have mostly exclusive photosets (except for some behind the scene reports from Fetish Machine productions).
For sex- and pornmagazines I think it's difficult to survive. The former buyers of porn magazines are now using internet as alternative.
Are there any plans to stop releasing magazines?
Let's hope that, independently of stills taken on movie sets, the original studio photoshoot continues to be a staple of Private magazines, for both print and internet platforms. Much of Private's studio photography in the nineties and in the noughties (so far) has been amazing: it's an art form in itself; and Private magazine picture content shouldn't be relegated as exclusively an adjunct of movie shoots or as a repackaging of past triumphs. Yes: the future in any of Private's media rests primarily on Production!
Original, exclusive, studio photosets are what the magazines need; and I, too, hope - despite some recent trends - that this is what we continue to get. That given, our personal preferences about models and the styles of the exclusive shoots are a subjective matter of taste, and generic differences become a way of distinguishing individual magazine titles.
Of course, purchasers of print magazines in sex shops buy only those titles or issues which appeal to them personally - that's the traditional model of porn purchasing - but as subscribers to private.com we're essentially accessing Private material across the range of its main titles (gay material excepted, currently), so it's hardly surprising that any given subscriber is going to prefer particular models and styles over others. Subjective preferences vary, but there are objective standards of quality in terms of the professionalism and artistry of the production and we should acknowledge those standards when we see them even when a particular model or the content of a particular shoot isn't exactly to our taste.
Originally Posted by ff:
Pirate magazine is ending its production run at the next issue. I don't know about the other magazines but a mail was sent out to all photographers last week about this.
Back in the day, 'Pirate' wasn't that much different in its content to the other Private magazines - part of a print 'zine "golden age".
More recently, the magazine has acquired a more marked style of its own, which could be loosely described as hardcore sex (like the others) but mixed with artistic 'soft' fetish.
It seems a shame if 'Pirate' has gone to the wall after having developed this distinctive style, but in general the market for print magazines is under pressure from the availability of information in other (digital) media - and the current economic recession can't help. :(
Nevertheless, I hope Private continues to dabble in fetish, publishing occasional set pieces in the 'Pirate' style on its website, in the other magazines and in the 'Pirate' movie ranges.

It's sad news that 'Triple X' magazine is going to the wall as well as 'Pirate' magazine. In the heyday of Woodman's time with Private, the synergy between 'Triple X' magazine and the 'Triple X' video range was a central plank of what Private was all about.
Besides which, there's something about the tangibility of magazines in print - the pleasure in turning pages (or even sniffing those pages for acrid print smells!) - which online consumption can never replace.
But if the commercial reality is that producing print magazines isn't profitable... well, that's that. The phenomenon of print material losing out to the web is something seen across the publishing industry, not just in porn - although the prospect of economic recession perhaps bites particularly hard on high-quality print porn when there is so much cheap porn or free porn available all over the web for those strapped of cash.
Dutchy's query is an important one, as is Flashboy's point about the need for a media platform for the work of talented photographers operating independently of DVD tie-ins.
With a 50% reduction in Private's stable of print magazines, are we going to see a change in the editorial policy for the remaining titles, 'Private' and 'Sex'?
In terms of 'still images', will there be a change (for better or worse) in the balance of content between DVD tie-ins or recycled material and new, dedicated photoshoots by top studio photographers?
Is Private going to sustain or even increase its current volume of original photoshoots and pack these into the surviving magazines, or will some original photoshoots now be published only on the website?
Or is Private's reduction in the number of print magazines part of an overall 'down-sizing' which means that we're going to see less original photoshoot content across all its media, including the website?
Some news, or a press statement about production and editorial strategy would be in order, I think, as 'Pirate' and 'Triple X' finish their distinguished run. A chapter in porn reaches an end, so we need some reassurance about what to look forward to...

Re: Jeanette
I love the scene on the island in 'Fugitive 1'. When the lithe, sun-bronzed Jeanette gets banged doggy-style, surf crashes around her wobbling ass cheeks and a little pool of water which has splashed into the small of her back laps to and fro. It's all sun, sea, sand, sweat and shiny droplets of cum.

Re: Michelle Thorne
Originally Posted by pottmar:
I was wondering if anyone knows of any films featuring Michelle Thorne.
I don't know if she's done movies, but she graces the front cover of Pirate mag #85 with a pair of jugs which are out of this world. She looks really fucking hot in her #85 photoset... Pity there's no stud appearing with her to give those tits a good squeeze and take her right up the arse!
Re: The House Of Games / Ellen / Donna Marie
'The House Of Games' is another slick, stylish offering by director Antonio Adamo, and a 'must' for fans of Dutch star Bobbi Eden. In this film, as elsewhere in Adamo's work, there are shades of 'Eyes Wide Shut': the story involves a mysterious cult at whose 'house of games' it is possibe to fulfil forbidden desires and fantasies. The models all have smouldering good looks, and the sex is directed and photographed with precision and panache. I'd like to single out the performance of Czech girl Ellen, for certain techniques she brings to the sex.

The final scene of the film (dvd scene selection 6) opens with all the characters wearing ceremonial dress - three men in black cloaks, and Bobbi Eden, Ellen and Daniella Schiffer dressed in white. It's not long, of course, before the girls slip out of their garments. Bobbi is chosen by the master of the house to join him in watching the action as the other two girls are each appointed partner to one of the remaining, hooded men.
The sex begins and everything you'd expect from a workout in a Private movie is delivered. It's all enhanced by an efficiently sexy musical soundtrack, with a driving, percussive beat and a teasing, melodic chime effect which is a little suggestive of Enio Morriccone. (I'm thinking of the watch chimes in 'A Few Dollars More', as sampled in a recent popular dance track.) My only quibble is that the scene seems over-lit, given that what we are supposed to be witnessing is an "event" at the shadowy, somewhat sinister 'house of games'. Bobbi Eden looks perfect, and Daniella Schiffer enjoys the star turn as the girl who gets the dp, but, for me, it's Ellen who steals the scene.
What impresses me most about Ellen is the energy and motion she brings to her cowgirl and reverse cowgirl positions. She's a petite and very fit girl, so it's really something to see her humping her small, firm body atop a hunky stud. Check out the reverse cowgirl at 8.31 - 9.20. Ellen's legs are splayed, wide apart, so we get a full view of the rhythmic cunt-massage she's giving the boner beneath her. She wiggles and waggles her hips, her tits are rocking free of her bra, and her round shoulders are rolling around as she finds a sexy rhythm. She licks her lips and looks below to study her own gyrations astride her partner's lap. She turns back her head to flash a cheeky grin at the man, and he responds with a delighted smile, genuinely impressed by the skill with which she's fucking him. She grabs his hair and looks him in the eye, swaying more slowly as she does so, rippling her belly and thrusting her torso with exquisite deliberation to maximise the pleasure to his buried cock.
We see ellen's cowgirl from 9.20 to 9.34, and then again from 10.09 to 10.49. It's the same technique as for the reverse cowgirl, except that now we're treated to a remarkable view of the rhythmic arching of Ellen's back and the undulations of her pert little buttocks. She's looking back over her shoulder to admire the energetic contortions of her own lower body, and to examine the effect as her cunt squeezes the cock for all it's worth.
There's a brief cut away, to a shot of Bobbi Eden and the master of the house. They are watching Ellen's performance as we are, and Bobbi winces with lust at the spectacle. This is a cue for a round of the teasing chime effects to begin again on the music track, and, as we return to the sight of Ellen's expert motion, it's almost too much to bear...

It's interesting to watch 22 year-old English newcomer Donna Marie in 'House of Games'. Apologies to fans from elsewhere in the world who won't get this reference, but Donna Marie's Mancunian (?) accent and her copper-tinted hair put me immediately in mind of Elsie Tanner or Rita Fairclough, as they looked way back in the prime of youth. (Elsie and Rita were fiery redheads in the long-running, Manchester-based soap opera 'Coronation Street', which is something of an institution on British TV.)
I've just arrested Donna Marie in a freeze frame at scene selection 3, 4.52, to savour the image of her blowjob gaze at the camera, cheeks drawn in as she sucks, her appealing bright blue eyes set off perfectly against the 'Elsie Tanner' red rinse of her stylishly coiffured hair.

Originally posted by Vodkadoll:
Out of Private's new girls who do you think would make a good contract girl?
My reply:
I'd say Olivia La Roche is the hottest new young starlet who should be offered the chance to become a Private contract girl. She's got good reviews from both myself and Addicted; and it would be great to see some exceptional talent like her - having made her start with Private through the 'Private Auditions' route (#3) - progress to become a face and a body centrally associated with the Private brand.
Also, I agree with Bawdy about Rebcca Linares... although, as he says, it may now be a little late to nominate her to be a new contract girl. (She's wowed me yet again as I've caught up with 'Private XXX: All You Need Is Sex' and watched the amazingly hot scene she shares with Liliane Tiger.)
Originally posted by Fiona:
Olivia is not possible I am afraid, seemingly she has left the business.
My reply:
The prettiest bloom is most short-lived! Best wishes to Olivia for whatever she's up to now...
Re; Evil Geishas Hotel. Thanks for this review, Addicted. I agree that the tricksy editing in this movie is way over the top, but I also agree that on the plus side Suzie Diamond's turn as a lust-crazed geisha from hell is very hot.
Originally posted by FF:
I don't think that many of private's movies have been shot in budapest - with the exception of Kovi's stuff and a few Frank Thring movies.[/quote]
My reply:
Hi, ff. Private has been all over the world but I think that if anyone ever got around to doing a full location analysis we would see that Budapest has always been a staple of the Private movies - certainly if we included studios as well as exteriors.
Check out the Woodman-era 'Budapest Report' in 'Triple X' video #6 (1995). This follows Pierre and a bevy of his babes on location in the city and the surrounding areas. As the narrator says, "This time we've travelled to Hungary, an extraordinary country filled with beautiful locations, where we made many of the photosets and videos which you'll be able to see in Private's upcoming magazines and videos." Things were really taking off...
One example of a more recent movie giving scenic views of Budapest is Lecastel's '18 Birthday Presents' (2002). The very first shot of the film is a 'post card' cityscape taken from the hills of Buda and overlooking the Danube, as I was talking about earlier. Another example of location work in Budapest - chosen at random from many possible examples - is 'Across the Lake' by Andrew Youngman and John Walton, starring Sara Blue and Ginger, shot in 2003 and released in 'Reality' #22: 'Insatiable Sex Dolls'.

I've just enjoyed a short break in Barcelona, in the heat of the summer! A wonderful city... and you guys at Private are lucky indeed to be based there! I spared a thought for you while tucking into seafood at Port Olimpic and knocking back the Sangria in the Barri Gotic. I even managed to sneak away for a late-night visit to the infamous Bagdad Sex Club, where I performed a brief turn on stage at the behest of one of the girls! (By the way, have you ever thought of signing any of the performers at Bagdad? - there's some serious talent there! I saw a couple of hardcore stage performances which might just as well have been cast by Woodman and choreographed by Adamo, they were that good!) On the mainstream front, the discotecas around L'Eixample and Av Diagonal seemed very quiet and subdued, as far as I could see - perhaps because it's August. All the action seemed to be down by the beaches! Overall it was an interesting experience... even including the clumsy attempt to pick my pocket on the Metro, which I managed to thwart!
----------
Bawdy, if you're staying near the Citadel, the Turkish baths to check out are the Gellert baths adjacent to the Gellert Hotel. This magnificent bath house is a must-see tourist attraction - grandiose and very refreshing!
Antonio Adamo's first run of flashy, highly stylised 'Private-Penthouse' and 'Virtualia' titles are among my firm favourites, but the 'Private Video Magazine', 'Triple X' and 'Private Stories' ranges bring back fond memories of simple carefree porn (especially with that endlessly repeated 'signature' music cheerfully burbling away in the background to almost every scene!) The 'Reality' series has now developed into a worthy successor of these classic series. At its best 'Private Gold' has a real sense of occasion about it, and I also like the narrative contexts in the 'Private Movie' and 'Black Label' titles. Woodman set the standard, and latterly Alessandro del Mar has had a couple of commendable stabs at maintaining the grand tradition of the 'cockbuster' feature film. The 'Pirate' range was dreamily pervy under Frank Thring's stewardship, and then 'Pirate Video DeLuxe' and 'Pirate Fetish Machine' brought a diverse range of talent to the fetish genre - Kovi, Tanya Hyde and Susi Medusa. 'X-treme' was brilliant at the outset, with directors like Romagnoli at the helm; it lost its way when Kerkove took over. There are numerous other Private labels to enjoy, but these are the ones which have made most impression on me.
Originally posted by silvia-saint.megafan;
Do you guys remember Roberto Mallone? He starred in a couple of Private movies in the mid 90's such as Gigolo 2 and When the Night Falls; then later in Italian Flair Not great looks but I liked him for his humour and his panache.
My reply:
That's funny... I was thinking of Robert Malone, too, as I was reading Drake Direct's complaint, and I was also remembering a couple of contemporaries of his, Yves Ballait and Jean-Pierre Armand. None of these studs had the perfect body, but they more than made up for this with their lustful enthusiasm and reliability in terms of getting wood and delivering the cumshot. More importantly, the fact that they were (variously) a bit overweight / balding / plain in their looks actually made it easier for the average Joe Punter to identify with them and imagine that they, too, might still be in with a chance of pulling hot young babes! This was an important part of the fantasy for many straight male viewers.
I think Pierre Woodman recognised this, as well, when commenting on his own Castings work-outs with amazing looking women: as a paunchy guy, thinning on top, he offered a point of identification for straight guy viewers who don't look anything special themselves! (Personally, I boast a full head of hair, but that's beside the point!) Besides which, silvia-saint.megafan is right in pointing out that many other Private studs are, by any standards, fit and good-looking.

Originally posted by Drakes Direct:
For example: The Mya Diamond scene in Porn Wars Part 1. Mya Diamond who is very very goodlooking gets fuck by an man who is ugly and with a body in bad condition. that just doesn't work I think.
My reply:
Horst Baron? I'm neither gay nor bi, but I always think of him as a ruggedly handsome performer, very charismatic and able.
I love Angel Dark's scene in the newish Private DVD release 'Click'. She plays a haughty babe lounging in a cafe who gives a really contemptuous, dismissive look to a likely lad from the north of England who chances his arm with her by sitting alongside her and sending off signals. But after he's zapped her with his magical 'click' remote control - a device designed to transform even the coldest woman into a raging nymphomaniac - she leaps on him and the heat is on. Sex on legs!
Cindy Lords is no rookie, but over the past year she has been shaping up as a Private megastar... This is because she's so prolific, working with different directors, appearing in mags as well as vids, and having been Fiona's favourite as Private catalogue cover-girl... Has Cindy Lords become Private's new Tania Russof, their new Nikki Andersson, their new Silvia Saint, or has Private diversified its output so much that it's no longer meaningful to speak of a Private 'megastar' in the way that used to be the case in the 90s?
Originally posted by David X:
Yes about Cindy. The trouble with 2005 is that there were no really big directors to make stars iconic, you know like Rita Faltoyano in Gladiator, or Julia Taylor in Cleopatra.
True! Cindy has appeared in several memorable costumes - her biker gear in 'Triple X 60'; her sexy black paramilitary fatigues in 'Mission: Possible'; her skimpy beach wear, with the pink flower in her hair, for her 'tropical' stuff - but none of these looks has been iconic in the way that the examples you mention were. It's time for a design concept which unmistakeably showcases Cindy as the current 'face of Private'!
I'm looking forward to seeing her in 'Mata-Hari' 2.
I've just watched the first of the two DVDs in 'The Private Life of Laura Angel' double-disc set. I was really interested in Laura's interview, which links together the various scenes. 'The Private Life of' interview questions are standard, predictable and often inane, but Laura fields them all with patient smiles. She comes across as an intelligent, articulate woman whose responses are honest but pleasant - both candid and gracious. The viewers' enjoyment of Laura's scenes is enhanced because we get to know a little about the woman behind the performances, her background and her views about her work for Private. You come away from 'The Private Life of Laura Angel' feeling good.
Hehe... It would be fun to see a series of 'Action Man' style figurines of Private studs available in the Private shop (although I've no idea who'd actually buy them!) How about a Frank Gunn action figure, kitted out with a perm, a baseball cap, drop-down baggy shorts and a billowing tropical tee-shirt - as he used to appear in his mid-90s videos? Or a James Brossman Action Man, complete with ejaculating penis? ("Simply funnel a helping of clotted cream into your action figure through the aperture in his plastic ass, squeeze his rubber balls and watch him shoot his wad!")
As for 'Barbie' style figurines of Private babes... How about the three 'Sex Angels' in their cat suits, with bonus dildo accessories? Or a Stacy Silver figurine, with golden hair flowing down to her knees and a plastic tongue-piercing?("Pinch your Stacy doll's squeezable tits and hear her squeak, in an authentic Czech accent, 'Fuck me in the azz, big boy! Fuck me in the azz, big boy!'") Er... can I place an advance order now?
Originally posted by Imalius:
I'd just like to say how disappointed I was with Frank Thing's Lady of the Rings. I don't know if it was constantly horribly cold or something when they made it, but neither the men or women looked vaguely interested in the sex they were having in any scene.
Shame...
My reply:
Belatedly, I've bought and caught up with 'Lady Of The Rings', 1 & 2. It was a memory of imalius's feedback that put me off buying these movies earlier. But I have to disagree with his comment: I've really enjoyed both films. Simony Diamond is a delight, as is Lara Stevens. Saana looks impressive as a fantasy blonde warrior-chick, and Silvia Saint is first-rate 'eye candy' even though she's retired from on-screen cock action and only does girl / girl. 'Dirty Frank Thring' helps himself to one of his cameo cumshots - over the delectable Lilane Tiger - and who can blame him? Johanna is a nice mover, but beneath her make-up she seems to have had a bit of an acne problem. The stunning Simony and the energetic Lara are my definite favourites. Lara, especially, gives a horny, committed performance. To my mind, these two girls really make these movies worthwhile.
Watching 'Lady Of The Rings' 1 & 2 reminds me why I like Frank Thring. His pervy, middle-aged lust over fit, young babes comes through in his filming of the sex, particularly the facials - not to mention his own personal discharge over Lilane's perky tits. He has fun, too, with the 'Lord Of The Rings' concepts, and he pulls it all off with aimiable aplomb. There's a British sense of humour in what he does, 'Carry On'-style, and a British sense of amateur dramatics, too; but on this occasion the humour isn't grating or over-the-top. The European talent responds well to the lighthearted tone of pastoral playfulness - but I can see what imalius means when he speculates that it might have been a bit cold out on some of those locations! Oh, and George Uhl seems to have become amazingly prolific, working for several different Private directors... is he the new Frank Gunn?

I've just read this press briefing from Private:
“The first Private Gentlemen’s Club Opens in Europe
"October 30th 2005 - Barcelona, Spain /PR Newswire/ -- Private Media Group Inc. (NASDAQ: PRVT) a worldwide leader in premium-quality adult entertainment products, services and Internet content, announces the opening of the first Private Gentlemen’s Club in Bucharest, Romania.
"The club is an exclusively decorated, purpose-built, gentlemen’s club with 650m2 (7,000 sq. ft.) of entertainment space located in the heart of Bucharest, the capital of Romania and home to 2.4 million people. The club has a total capacity for 350 people and will enchant guests with 75 professional dancers who will perform every night. Moreover, entertainers and well-known Private stars will appear at this new venue, which is unique in the city.
"On October 15 the club will be officially inaugurated when over 250 guests ranging from corporate executives to sports and movie stars will enjoy a 3 hour happening, spiced up with special and charming surprises. The event will be hosted by Ms. Crina Matei, a popular Romanian TV talk-show presenter and a former Playmate, and will include performances by the two girl-bands Trident and Laguna, both very famous on a national level. In conjunction with the opening, a major advertising campaign, including outdoor advertising, radio and TV spots, has been running and will continue to do so through the grand opening on October 15.
"The opening of the first Private Gentlemen’s Club marks a major step in Private’s licensing program in the club arena and it is the fruit of a licensing agreement which was recently signed with the international businessman Zyon Ayni, owner and operator of the club.
"Zyon Ayni commented: 'Operating under the Private brand, this new club will offer high-class entertainment for gentlemen looking to enjoy a night out on the town in an elegant, exciting location with up-scale adult entertainment. This is the first club we open and in January 2006 we expect to open a second in Barcelona, Spain, with England, Germany and France to follow.'
"Berth Milton, Private’s Chairman and CEO concluded: 'The entry into the club arena with our licensing program takes the Private brand further into the mainstream lifestyle segment. Our brand recognition should and will go beyond where it is today, reaching a broad, valuable and growing customer base. This is just one of the many steps I expect us to take in this direction.' "

This is another good reason to visit Bucharest. For tourists seeking a memorable time in the former Eastern Bloc, the secret's out... If you can avoid the mafioso cabbies who hustle you as soon as you hit the airport arrivals lounge, the stray dogs which roam the streets, and the monstrous legacy of Ceausescu in the shape of The People's Palace, Bucharest is a great place to visit, with a vibrant night life, friendly people and many beautiful women. It's an exciting city in which to open the first of these Private clubs.

Originally posted by Terrisummers1:
wow that sounds good! i used to work at the hustler club in france, would be great to work at the private club in england or spain!
My reply:
I'm sure that the "broad, valuable and growing customer base" Berth Milton speaks of targetting would broaden and grow considerably with performers like Terri working in Private clubs! Certainly London's club scene needs something pitched classily between 'lifestyle' and 'eroticism' to lift it from the doldrums!

Re: Are you Silvia Saint’s Biggest Fan?
Originally posted by Fiona:
Hi Greg and Sarah,
We are about to release a special edition magazine about Silvia Saint, and everyone liked your post so much we were wondering if we can publish it in the magazine out in November?
Kinda cool, we are all chuffed in Internet that one of our guys gets to be published...well if you agree of course.
Fiona
My post:
It's great to see that Greg and Sarah's entertaining post has now been published in the Silvia Saint mag, which is available to download in this week's Private.com update. The only trouble is... in the mag, G&S's pic analyses are not presented alongside the pics themselves, which somewhat defeats the object of the exercise! But congrats again to Greg and Sarah, for getting their forum writing into an actual Private mag (and in multiple translations, too)!

Re: A Woman’s Ass Is A Beautiful Thing
i rented 'a woman's ass' when in amsterdam recently (!) and i have to agree with all the comments made so far. there's nothing distinctively 'Private' about this film: it's basically indistinguishable from other american gonzo productions.
the girls are okay, but they're not all equally pretty. skeeter's links between the scenes are formulaic. he demonstrates a sense of humour when talking directly to the camera - he is preoccupied with the girls' youthfulness, their asses and their shiny latex packaging - but after a while the repeated sex routines become monotonous and there is a sense in some of them that the women are being degraded.
Originally posted by Adam:
The choreorgraphy is practically always the same ... If you like watching girls brought low ... you will love Skeeter's movies. If you appreciate quality and started to watch Private because of Antonio Adamo's refined style, avoid...
My reply:
The movie’s blowjob position is a case in point. It's a position repeated from scene to scene which "brings the girl low". With her head positioned over the edge of the sofa, her arms reaching back and her hands grasping her heels, the girl is reduced to an oral receptacle. Her mouth and throat are completely at the mercy of the enormous, thrusting cock and she's liable to gag. This position gives the girl no more status than a blow-up sex doll; she becomes an object with no individuating persona or attitude... Personally I find this style of porn lacking in eroticism: there are no nuances, no subtle variations; and Skeeter's endless repetition of positions like this becomes both tedious and somewhat disquieting.
That said, I have to admit that the pictured girl, Katsumi, is an A1 babe. She is the movie’s cover girl, after all, and her turn as the climactic act is the best thing about this film...
Skeeter aside, it looks as if David Perry is set to direct a series of movies for the Private Xtreme label. This should be interesting. David was surely the most prolific of Private's studs, a Woodman stalwart who also worked for Adamo and other key Private directors. Will the greatness of these directors rub off on David? As he turns his hand to directing, it'll be interesting to see how he uses his mass of experience as a performer in putting together movies of his own... This is what the Private Shop says about the first of these films, 'Eurobabes Take It To The Limit':
"Ex-porn star David Perry takes the reins of the Private Xtreme line and directs a hardcore classic! Hes selected some top European acting talent who love nothing better than opening their legs and taking you to a higher level in really hard porn. These babes will push your sexual boundaries to the limit!"
Originally posted by grumps:
I can remeber magazines that featured mature models and some of the readers photographs featured children!!! I'm not advocating we go back to featuring children ...[/quote]
My reply:
Surprising as it may now seem, there was a time, briefly, in the mid 70s, when child porn began to creep into the output of at least one mainstream pornographer. Fortunately, most governments tightened up their obscenity and child protection laws to stop this horrific development.
The well-known Scandinavian company Rodox is alleged to have made a series of child porn film loops in the 70s, but this trend is reported to have been short-lived and information about the circumstances in which the material was produced is lost in time. It is hard to understand today how such shameful practice by a mainstream pornographer could ever have got a foothold, before laws were passed to prevent it and make it criminal; but I think it had something to do with a debased version of the hippy mantra of 'free love', which still had a lot of rhetorical currency in the 70s. The ideological hogwash of hippydom was sometimes used as a pretext to try to justify practice which was straightforwardly exploitative and morally abhorrent. (Much the same could be said of 70s 'Naturist' magazines, and I wonder whether it's these to which grumps is referring. All I can say, grumps, is that I'm glad you're not advocating that "we go back to" that... It totally goes without saying. And anyway, who are "we"???)
More generally, a look through early copies of Private magazine shows how the aesthetic of porn in the late 60s and 70s was influenced by a hangover from the hippy movement. But as a goth who emerged from the punk scene, I subscribe to the punk maxim: "Never trust a hippy!"

Re: GregandSarah’s choice of Top 20 Anal pics (links now dead):
More astounding research, Greg and Sarah! Here are some further thoughts about your choices # 17-20:
20. Cindy Lords looks positively feline in that shot. It’s the way she’s licking her lips, as you say: and the lucky guy is reciprocating the look, which makes the whole moment seem wonderfully flirtatious.
19. I love the lighting on Alexa’s upper body in this shot; it sexily sets off the sheen on her tummy and right arm. The finger-to-mouth pose gives a quality of stillness to her face as she stares at the camera, while the blurring of the guy’s legs suggests plenty of motion below as he fucks her ass. (And isn’t that a 'hair-on-the-gate' over his left thigh?) BTW, did you guys finally decide to buy 'Calendar Girl'?
18. Tawny Roberts. An exquisite description of the impact of that pic, Greg and Sarah! You’re right - the camera’s position would be ideal for an in-person voyeur. I can just imagine the blonde or brunette head of another babe obscuring our view and homing in: she would lean forward to lick the underside length of the guy’s shaft as he probes Tawny’s anus with his swollen helmet - and then (if Tawny removes her fingers from her pussy and grasps the girl by the hair) she’d lap upwards to trouble Tawny’s clit with the wet tip of her tongue!
17. A great pic of Katja Love! Yes, I like the way she’s thrown back her head in ecstasy, and I’m sure that the second guy is giving her some supplementary tingles by sucking the toes of her right foot!

Re:GregandSarah’s Valentine’s Day Best Pile-Driving Shots in Private:

Originally posted by GregandSarah:
4. Brendy
What makes this pose cool is the eye contact. Brendy is staring at us, seeming to make sure that all eyes are fixated on her pussy lips, helpfully spread wide open by her matching pink nailpolish-coated fingers. And they are.
...
1. Belladonna & Desert Rose
... a key component would be *taste*; ... Cruella's tongue is able to taste both the guy's shooting cum and Rose's pussy juices at the same time, leaving her feeling, deeply, deeply relieved.
My reply:
Thanks, guys, for that deluxe selection of pics and your insightful commentary on the merits of each image... You've surpassed yourselves! If only there was a Pile Driver section among the Valentines Cards sold by my local newsagent!
I love all of your choices, but I have to say that I was particularly taken with Brendy. I agree with everything you've said about this pic. Brendy's glance at the camera is a cool, provocative one, as if to say: "Hey! Look what's happening to me! I'm beautiful, aren't I? - and I bet you're aroused by the sight of my soft, spread pussy lips as I take this cock in my hole!" I also like the way Brendy is pressing the balls of her feet against the guy's buttocks.
Your No.1 is definitely a winner, and the close-up version is magnificent. The sense of taste is, perhaps, the most intimate of the five senses; and it's appropriate to a Valentines Day celebration that you're emphasising this intimacy... Cruella tastes the mingled juices of a pile-driving couple... wow!... a true elixir of love!

Re: Sci-fi and Cyborg Sex
Originally posted by GregandSarah (from a choice of DP shots):
Nicol Needman from Best of Private 14
So we can laugh a little more at the metallic costumes.
My reply:
I like this photoset a lot because of its erotic take on retro sci-fi stylings. Nicol reminds me a bit of English actress Gabrielle Drake as Lt. Gay Ellis, a Moonbase operative in Gerry Anderson's 1970 cult TV show, 'UFO' (especially the boots and hair piece!)
Originally posted by Bawdy:
One of my favourite photosets, I too got a flashback to teenage fantasies about those hot Moonbase babes from 'UFO' when viewing that pic (actually had the chance to meet Sylvia Anderson, the original Lady Penelope from 'Thunderbirds', when she was here in Australia, that's one fantasy partially fulfilled :lol: ).
Originally posted by GregandSarah:
Thanks Baskk and Bawdy. Funny that you both so greatly admire that retro-sci-fi Nicol series. And to think we were just getting distracted by the cute in-metallic boots. We notice that Private likes to do those occasionally, whether it's Cindy "fucking cyborgs" or Dorothy Lake as the "cybernetic" woman[/url]. Hmm, maybe they should do a Private Life of Robots. :lol:
My reply:
Speaking of "fucking cyborgs", does anyone remember Bob Terminator, the flat-topped, muscle-bound Private movie stud, so called because of his physical resemblance to Arnie? One of Bob's later appearances was in 'Cyber Sex' ('Virtualia' #1), where he got to fuck Natasha. Maybe "Uncle Bob" could return ("I'll be back"?!) to do a hardcore photoset with Christanna Loken as the Terminatrix. I don't know about a "Rise of the Machines" - but a photoset like that would certainly cause something else to rise! Who knows where it might lead? Bob Terminator for Governor of California!
As for Sylvia Anderson, now there's a gal who gave great voice! Maybe Private could offer her a job dubbing Hungarian girls into English!
Having experimented with computer-animated porn in '2 Funky 4 U', Michael Ninn could perhaps turn his attention to another experimental project - a fuck flick starring Gerry Anderson style puppets! Shafting the delectable Lady Penelope would add new meaning to the term 'Woodman'! (Actually, something similar has already been done - a satirical sex scene in the recent movie 'Team America' by the makers of 'South Park'!) :-)

Re: Models Who Escort
Originally posted by Bawdy:
I recently found out that many of our favourite babes that have stared in some of the best Private productions are available as escorts from various agencies. How much would you pay to spend some quality time with your favourite starlet? Have you done so already (lucky bastard), share your thoughts here.
My reply:
I've heard that some of the U.S. agencies which advertise big-name porn stars as escorts - including girls who've worked for Private - are actually rip-off merchants working under false pretences. But maybe there are some genuine ones too. It must be a bit of a come-down for a girl to move away from the professional buzz of a lively porn set in some exotic location to spend her time instead dating portly businessmen with more money than manners and a sorry tale to tell about how their wives don't really understand them.
Apparently there are escort services which have on their books - or have had - Black Angelika, Angel Dark and Lucy Belle, among others. There's a thread about this somewhere on the eurobabeindex forum, and some guys offer feedback on the expensive time they claim to have spent with Black Angelika and Angel Dark.
I'm sure there are many misleading escort services, too, which hijack copyright images of famous porn stars for their web pages but provide their clients with far less glamorous women once they've got their credit card details!

Originally posted by Bobbi Eden:
I know alot of people that buy content from diffeent websites,. use the pictures for escort websites,. There are some girls who do it I heard... but alot of them is fake and cant be booked, because they just dont have the girl availble for escorting.
It happened to me too,. I m published on many website in the past and maybe still am,. but dont do escorting. I dont judge the girls who do it ,.. but I know that some dont even know they appear on websites ! :-) Bobbi Eden
My reply:
Bobbi, it's always great to hear from you on the forum: the points of view of a favourite star are always really interesting to we fans, as a perspective from the inside of the industry enriches our discussions. Thanks for your information on this particular topic; it must be galling to find images of yourself being hijacked by people purporting to offer a service which is actually phony! As for me personally, I'm quite happy to "escort" my DVD copy of 'House of Games' to my DVD player and enjoy an evening in your company on the movie!! :-)
Re: The Private Adventures of Pierre Woodman
Nerdgirl, could you or a colleague answer a question I have about a Private director, Michel Ricaud, who I believe may have died while working on a film. There is a simple, touching tribute to him at the end of a Seychelles movie - is it 'Beauties in Paradise'? - and Pierre Woodman refers to him in an interview about shooting in unusual or dangerous locations, commenting that it was terrible what happened to him in the Seychelles... My question is what can you tell me about this respected director and the sad circumstances of his death?
This interview with Pierre Woodman, which is mostly about 'The Fugitive', has been re-released as an 'Extra' on the new DVD edition of 'Private Castings: 41'
Originally posted by Fiona:
Unfortunately he is dead, but the circumstances surrounding his death are a bit of a mystery. I have tried to find out what happened, but no one here knows for sure.

Originally posted by Bawdy:
Just started watching ‘The Private Adventures of Pierre Woodman’ and it’s fantastic (it also arrived in record time across half the globe!). It's a revealing insight into the life, mind and adventures of the master himself taking the form of an interview interspersed with pictures, behind the scenes footage and a number of sex scenes. I've only watched the 1st section where Pierre describes his childhood growing up in the French countryside and early career as a policeman before the 1st sex scene (Nikky Anderson's casting). I've never been so engrossed in a porno before, eagerly awaiting every word, no fast forwarding thru filler in this one. I'm sure the series will also spark much discussion as well, as some of Pierre's comments are interesting to say the least! Can't wait for the next installment!
My reply:
Thanks for the recommendation, Bawdy. I guess you're someone who's already pretty well acquainted with Pierre's past Private scenes. What was making me hesitate about buying into this range was that I'll probably already own a lot of the scenes on other discs. If you can recommend this release as a stand-up entertainment in its own right, with new stuff to enjoy even for someone who already has a familiarity with the past scenes, then that might sway me in favour of buying...
Originally posted by Bawdy:
Even though I've seen all the sex clips before, I don't have a lot of them on disc so for me it’s a great way to get them on DVD, plus the commentary by Woodman is priceless. One of the scenes is from The Golden Triangle as well, which will probably never make it to DVD anyway, at least in its original form, so that was a bonus.
My reply:
Cool. Which scene was it? If Pierre is going to get to talk about that movie and 'The Tower' over the course of his 'Adventures' releases, I'm sure that that will attract interest - given the developing cult status of these now unavailable films and the amount of discussion they've already excited. Hopefully some isolated scenes from the 'Tower' will also be considered appropriate for re-release in the 'Adventures' series, but I don't know.
P.S. I've just read your post in 'VIP in Barcelona!!!' where you mention that in the new release Pierre does discuss 'The Golden Triangle' but doesn't go into great detail about it.
P.P.S. I see Su Ann is on the Private Shop cast list for 'The Adventures' #1, 'A Life in Porn'. So is the scene included from 'The Golden Triangle' the one which Su Ann shares with Mame Young and Alberto Rey? As I recall, one of the girls holds Alberto captive on a bed at knife-point and then both girls fuck him. This scene is already available on the 'Private XXX' DVD (Scene 9) where it retains the fuzzy video quality of the original and thus charms us with a kind of 'movie-lost-in-time' feeling. I can't remember whether Su Ann had another scene in 'The Golden Triangle'.
Originally posted by Bawdy:
The scene from The Golden Triangle is indeed with Su Ann but with two guys, the one where she has those hot black leather laced up knickers with her clit popping out! The scene from the Tower is the rooftop one with Aliza which I think has been in a few other compilations. Pierre's story of how Aliza became the star of the Tower, even though she vowed she would never do porn, is very interesting, as is Pierre's account of their early trip to Australia with Monique Couvet.
Originally posted by DavidX:
Part 2, "On the Road to Fame", is even more engrossing (in Bawdy's words) than Part 1, and the interviews/commentaries continue to be priceless. We get a first-hand put-you-there account of Michel Ricaud's tragic death in Seychelles that I found harrowing and newsworthy (in that I never heard these details before). Also a more detailed account of the Bali adventure (PW actually got the authorities who wanted to chop off his head to help him make the picture!). Another scene from "The Golden Triangle" is shown (Rebecca Lords' first and almost only anal scene). We learn that PW wrote the scenarios for Tower and Gigolo while serving a 2-month jail sentence in France (for what is not said, though it happened immediately after his return from making his "censored" Bali picture). Blackmail attempt in England, hair-breadth escapes from catastrophe.... What a life! And his career is only just begun. The background on Tania Russof's fetish scene in Gigolo 1 & 2 was funny and interesting, and made me look at those scenes again in an entirely new light. Very eager for Part 3, needless to say.
My reply:
Thanks, David X. I'm sorely tempted to order # 1 and 2 on the strength of these bits and pieces of information. I asked about the circumstances of the death of Michel Ricaud over a year ago, in the General Chat thread ''Questions for Nerdgirl", but at that point no one posting knew much about it.
Originally posted by David X:
Pierre was there, tried to save him but couldn't. (You can see from his scene in "Beauties in Paradise" and a behind-the-scenes segment in Castings X 4 that he was quite a hefty man; and his head had evidently been bashed against the rocks by the wave). Very sad story. I believe he was slated to be the next big Private director (after Steve Perry), and Berth Milton had already announced the creation of a new series Michel was to inaugurate called Private Club: a sort of Private Tropical but with a truly first-rate director. I also learned from the Adventures that it was Pierre who scouted out Seychelles (as well as casting the young beauties) and persuaded Michel to come out of his studio-bound habits for these movies. I believe Private Club was therefore planned as a collaboration between these two, though Pierre himself wasn't interested in shooting video at this time. Anyway, the "Private Adventures of Pierre Woodman" is invaluable for these kinds of insights, and a must have for anyone interested in his movies, or indeed the history of Private.

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