What do you think is the best sex to story ratio for a feature? I would go for 65% story and 35% sex, but then I'd keep the sex scenes quite short, intense, varied and very naughty, and have more of them! Nothing grinds a feature to a halt quicker than having a couple banging away in the missionary position for ten minutes.
I also like the feature type films. While you have decent porn films it is a bonus to have a story. As long as there as decent actors to do it. I go for roughly the same ratio.
My past is a foreign country. Most things are different there, including word usage. 503 Posts 12/06
Posted - Mar 14 2011 : 5:05PM
I think a feature should be limited to about 90 minutes. More would be less (as in less is more). Sex scenes should be limited to about 9 minutes maximum. Again, more would be less. So, if there are five sex scenes, which I believe is about the norm, then the ratio would be about one to one. If you limited the sex scenes to 7 minutes (better) then the ratio would be 60 to 40. Ideal IMHO. That would require a number of things rarely present in a porn film, particularly those produced after 2000. 1. Tight screen play writing of a straight forward plot. 2. Sex scenes with a limited number of positions, with close-ups of the female face only. 3. First rate directing. 4. Top flight acting. Don't hold your breath waiting for this to happen or spend any time searching for a title that meets this criteria. One of my hobbies is editing Golden Era features, using the guidelines I mentioned. My problem is finding suitable candidates.
Wow, all praise Robert! You have succinctly described what I want in a porn feature. I especially go along with the shorter sex scenes; long ones not only stop the narrative flow, but for me are inherently boring. (In a sort-of-review I made on one of the Feature Side threads -- sorry, don't know hot to link to it, not that it is likely of much interest -- I gave the movie The 8th Day a thumbs down primarily due to the length of the sex scenes, which just completely overwhelmed the movie and dragged it down like an anchor.)
My past is a foreign country. Most things are different there, including word usage. 503 Posts 12/06
Posted - Mar 14 2011 : 10:05PM
One of the frustrations of 'editing' features is that one cannot add, only subtract. If I could I would add this to features - Dialog (brief) during the sex scene that added to the continuity of the plot. About a year ago, I edited "The New Neighbors" which was 155 minutes. I cut it down to 95 minutes. Most of the cuts were from the sex scenes, there were eight and most had some dialog that fit right into the scene. BTW, this film was unusual in that the lesbian scene was integral to the story line. That is rarely the case and just cutting out the seemingly prerequisite lesbian scene is often the first big cut I make. There were a couple of 'casting' mistakes (Jack Venice as the teenager seduced by the new neighbor Nicki Hunter), but all in all an excellent feature. I toned down the "demons" aspect somewhat, but it was a fairly easy edit since the sex scenes actually enhanced the story line. Another feature that I recall was a easy edit was "8 to 4" (74 minutes) A true parody (comedy), it was well acted and the sex scenes were a real part of the story line. If anything, the difficulty was having enough film remaining after cutting the close-ups and silly camera angles, which were thankfully few in number. the most common close-up that I always cut is what I call the 'butts and balls' shot. I've edited more than one sex scene where simply cutting out this shot reduced the scene runtime by 20%. This shot adds nothing to a scene and IMO is a gross distraction. Another editing move I always do is remove the cutaways to a second sex scene and then put them back together, so there is one complete sex scene after the other.
One of my regular (tiresome) complaints about features is sex scenes that do not arise naturally from the plot. Too often it feels like the film maker decided just to stop the movie and put it on hold while we break away for sex. Upon resuming, the plot has come to a screeching halt and interest in it has vanished.If "8 to 4" is a primer of your work, you have my eternal gratitude. Granted, with a cast like that it must be hard to screw it up , but it can be done. A beautiful, funny, sexy, stylish classic.Though I adore the movies from the 70s and early 80s, they do tend to intercut two sex scenes an awful lot, which to me eviscerates both scenes; just as one is heating up, we suddenly switch to the other, and the arousal level takes a quick drop. (A couple of recent examples I have watched: Nurses of the 407 was especially guilty of this sin, as all but one sex scene came in overlapped pairs; The Budding of Brie badly hurt two potentially lovely scenes by intertwining them. Both movies were still very enjoyable, but could have been just that much better.) Edited by - alphadachs on 3/15/2011 4:31:22 PM
65-70% store, 30-35% sex. And every sex scene should be integral to the plot or development of a character. Intercutting sex scenes is just fine. This is filmmaking, remember?
As I noted in another thread, the intercutting in Brie made perfect sense, as both scenes were taking place simultaneously in different places, so yes it was appropriate to the film -- no complaint about that; I definitely concede to you on this point. It just reduced the effectiveness of each scene (for me, in my randy little mood at the time of watching).
pornography wasn't sex but fantasies of an impossibly hospitable world 12377 Posts 9/07
Posted - Mar 16 2011 : 4:58AM
It depends, definitely really long sex scenes can drag a feature down, but I understand for modern features this is unfortunately probably a requirement, but it would be good if they did more 'full scene/party version' cuts of modern features. Damiano's features are a good example of films that are sex heavy but also work as real movies.
Agreed. There are plenty of xxx films that have a concept or plot of sorts, but the sex tells the story. Asking for a sex/story ratio presumes that sex and story are mutually exclusive. Personally, I don't feel this way.
Well I guess us 3 are the exception to the rule in this thread so far. I certainly don't believe sex and story are mutally exclusive. While I do agree that sex shouldn't just be thrown in, I do believe sex matters more than a little to a sexual film. I think it's always been a tough balancing act. In recent years, maybe the last 10-15, I've always preferred more sex to actual story. I don't necessarily want it that way, but just find that few filmmakers and especially actors can hold/command my attention that way on a consistent basis. I do think there are maybe a few handfuls of actors/actresses that are good or at least interesting, but most films get bogged down by poor casting choices (especially supporting players) and bad/impatient filmmakers.