Don'tcha think?
-T.C.
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| CornOnTheCock Deactivated User 16 Posts 5/04 |  Posted - Jun 5 2004 : 7:44PMFilm the scene at the most usable angle & keep it there. If you want more angles, make it a multiangle film. If it's a doggystyle scene, shoot it from the top left or top right of the guy's shoulder. Make sure we can see the entire woman & hold the camera there from start to finish. And don't have them screwing in unusable positions. You know what positions look hot on film. And use daylight spectrum lighting with a minimum Kelvin Temp. of 5500K & a minimum C.R.I. of 91. And quit doing facials all the time. Take full advantage of a woman's body. If you film it like you're supposed to, you can see the woman's face while he's cumming on her ass in doggystyle or any style position. Just have the woman looking back at the man when he's cumming on her ass doggystyle. True, faces must always be seen, but that doesn't mean a facials only. There's a wide variety of cumshots to choose from. [Link] |
| TonyC Comstock Films 2523 Posts 8/03 | Posted - Jun 5 2004 : 7:50PM Don'tcha think? -T.C. [Link] |
| CornOnTheCock Deactivated User 16 Posts 5/04 | Posted - Jun 5 2004 : 8:00PM [Link] |
| TonyC Comstock Films 2523 Posts 8/03 | Posted - Jun 5 2004 : 8:08PM The handicams used to shoot 99% of porn come with four white balance settings: Daylight, which is set to render colors properly under direct sunlight Indoor, (or tunsten) which is set to render colors properly under professional photolamps Manual, which allow the color balance to be set by filling the frame with a white card. Using that as a reference, the camera will adjust so the white card renders as white, and all other colors will more or less follow. (This might be used when shooting in the bluer light of open shade, or in the yellow/orange light of household lightbulbs.) Automatic, which continously monitors the color and makes "best guess" corrections on the fly. Correctly matching the camera's white balance to the light source is the first step in achieving accurate color. It is not the only step. It has nothing to do with glare (light skipping harshly off the subject) or flare (a light source hitting the lens directly.) -T.C. [Link] |
| Goofyfoot Member 186 Posts 1/04 | Posted - Jun 5 2004 : 8:24PM Ya know who has some of the best lighting IMO, Digital Sin. Some of the Evasive Angles movies have good lighting as well. [Link] |
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